Gail Carriger – Book Signing for Prudence

Gail Carriger made a book tour stop in Houston, Texas for her new release, PRUDENCE : The Custard Protocol: Book One. In this latest novel, Alexia’s girl, now all grown up, with all the spunk of her mother and then some ventures to the exotic land of India. Her high priority, top secret mission involves tea, vampires and weremonkeys. 

At Murder By the Book, Gail shared with her fans that she did a lot of research for this novel as it is set in India. The mythology used in the book including that of the Rakshasas, India vampires, and the Vanara, India weremonkeys is accurate. In her research she also uncovered the interesting historical tidbit that Bombay was originally several islands the English engineered into one by means of land reclamation projects.

Ms.Carriger also discussed how she comes up with such interesting names for her characters. She uses names for humor. Sometimes the name just comes to her as she’s writing like it did for her main character, Prudence. She also looks names up in Victorian registries and on tomb stones. Sometimes she likes a word so much she just adds a letter or letters at the beginning or end to make a name.  Another way she choses names is what she calls cookies, meaning it’s a treat for anyone willing to do the research. She’ll pull a name from a real historical character or the name will have a hidden meaning or she’ll spell a word backwards for a name. One such cookie is Lord Akeldama. If you don’t know where and what Akeldama is, google it. It’s interesting. I have to say my favorite new character name in Prudence is Spoo, she’s a lively member of the Spotted Custard’s crew.

At the book signing, Ms. Carriger was asked how she explains Steampunk to people who aren’t familiar with it? She says, “Imagine living in a time period where you can take a hot air balloon to the moon.” Speaking of fiction genres, she also divulged that she likes military sci-fi including Rachel Bach’s Paradox series and Valor’s Choice by Tanya Huff. And she likes some romance in her sci-fi reads. Ms. Carriger even has a book club on Goodreads where you can read along with her. A book she likes is chosen each month.  Also on My Book The Movie blog you can see who she would chose to cast for Prudence if it were a movie.

I read Prudence and I love the line,

Rue was moved to italics by the gesture. “Mine?”

As you can see from that sentence, PRUDENCE is as charming and humorous as all of Ms. Carriger’s books.

She could be a member of the Spotted Custard crew, perhaps Greaser Phinkerlington or even Spoo.

In PRUDENCE, the adventure begins when Dama gives Prudence an airship, which she paints to look like a lady bug and she names it the Spotted Custard. Of course her good friends Prim, Percy and Quesnel come along. Intrigue and espionage ensue, which Prudence thinks is all due to the special tea Dama has sent her for but it turns out it’s also about supernatural beings in India, the vampiric Rakshasas and the Vanara, weremonkeys.  I don’t think it’s a spoiler to say of course in the end Prudence manages to save the day.

The book is a funny, sweet, fresh delight. It’s ever so creatively original – after all it’s by Gail Carriger. I highly recommend PRUDENCE for anyone who likes good books and of course it’s a must read for all Gail Carriger fans.

Here is a video from Mysterious Galaxy in San Diego 03/17/15

Other Gail Carriger related post on Steamed:

Book Monday: Timeless by Gail Carriger

Maeve Alpin Reviews Gail Carriger’s Timeless
How To Make A Proper Pot Of Tea by Gail Carriger 
In Which We Get Cozy with Gail Carriger
In Which Author Gail Carriger visits

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 26 books. She creates stories with kilts, corsets, fantasy and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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Quest for the Lost City of Z

Percy Harrison Fawcett, born in 1867, disappeared into the Amazon jungle in 1925. He was one of the foremost and one of the last of the Victorian/Edwardian explorers.He graduated from a course at the esteemed Royal Geographic Society where he was a member. His studies included surveying, how to record and classify what was around him, and the fundamentals of mounting and executing an expedition. The society bred him as an explorer.

Fawcett’s first mission was a two year expedition to map regions of south america between Bolivia and Brazil. He successfully completed the mission, redefining the borders of South America and did it almost a year early. In 1916, the royal geographic society awarded him with the blessing of George V gold medal for his contributions to the mapping of South America.But most importantly, it was on that expedition that he fell in love with the wilds of the Amazon.

Fawcett returned to the dangerous Amazon jungle seven times. Some things he claimed to have seen on these expeditions were a 62 foot long anaconda, a double-nosed Andean tiger-hound (a rare breed of hound with a double nose), and a giant Apazauca spider (a black tarantula so big a plate can barely cover it). His accomplishments also include tracing the source of the Rio Verde, and travelling along the Heath River on the border of Peru, to try to trace its source. Fawcett found evidence on these expeditions that indicated there had once been a large, organized  and advanced civilization with what must have been a huge city deep in the Amazon. One example of his findings was that in several high areas of the Amazon just a bit of scratching into the dirt would reveal shards of beautiful quality pottery to rival ancient Greek relics. He grew more and more interested in discovering this city lost in the jungle. He even gave it a name…Z.

Fawcett and other explores of his day didn’t have the fancy gadgets and communication devices we have now. These adventures braved the unknown with a compass, a machete, and an uncompromising belief in themselves to succeed. This was before specialist so they had to have the skill set of an explorer, a geographer, an anthropologist, and archaeologist, an emergency medical technician, and a leader all in one, in addition to being exceptionally physically ft. Percy Harrison Fawcett was all these things. Even at age 57 when he embarked on what was to become his last expedition, his body was resistant to illness and ailments, and he could walk for days with little or no nourishment. What he and other explores faced in the Amazon jungle were jaguars, snakes including anacondas, wild pigs, even some frogs there are poisonous to the touch, mosquitoes which carried diseases from malaria to yellow fever and settled on the explorers in swarms biting every inch of their bodies, ticks that descended on them like clouds of black rain…and they were also subject to attack by hostile native tribes.

It’s said Sir Arthur Conan Doyle used Fawcett as his inspiration for Lord John Roxton in his 1912 book The Lost World. Also Fawcett’s older brother Edward was an adventure novelist and drew on his younger brothers private fantasies in his book, The Secret of the Desert, where an explorer finds an ancient abandoned temple laden with treasure.

Fawcett’s theories of the ancient abandoned city of Z were considered nonsense by his peers. In the Edwardian era it was a widely held belief not only that El Dorado was a false myth but that all the documentation of the conquistadors discoveries were fantasies. Fawcett’s colleagues believed the Amazon natives were incapable of having developed a complex civilization.There was a theory at that time as well that the Amazon itself was too inhospitable for anyone to have created a sophisticated society there.

Fawcett didn’t believe in El Dorado but he thought many of the journals of these early Spanish expeditions contained accurate descriptions of the Amazon before the natives were almost entirely wiped out by small pox and other European diseases. For  instance the 16th century Spanish explorer Francisco de Orellana reported seeing many fine roads leading into the interior. A conquistador on another expedition wrote of seeing towns so large they he was astounded by them.

After studying the conquistador’s records and native myths Fawcett figured out the location of Z. He formed an expedition to uncover the lost civilization despite being considered a fool by his colleagues. It took him a long time to get funding, but at last he was ready to set out. In 1925, Fawcett formed a small team of only three – himself, his son Jack, and Jack’s friend Raleigh, because that was a small enough party that they could live off the land and three men wouldn’t pose much of a threat to hostile Indians.Their explorer outfits  included lightweight tear-proof pants, stetsons, 30 caliber riffles and machetes.The three men entered the Amazon in search of the lost city of Z, but they disappeared in the jungle never to be heard of again.

It’s know that Fawcett’s party crossed the Upper Xingu, a south-eastern tributary of the Amazon and got as far as the Suyas and Kayapos tribes and then planned to turn eastward and confront the Xavante, an inhospitable tribe said to usually kill anyone they could catch. Some members of the Kayapos remember warning Fawcett not to go east as the tribes there were so hostile. The Kayapos saw the smoke from Fawcett’s campfire for five days after they left them then it went out. It is still unknown happened to Fawcett and his son and Raleigh after that. Over the years the mystery of his disappearance grew. Many rescue missions followed as well as many ideas about what happened to Fawcett, including one theory that he found Z and stayed there to live in the ancient city in the jungle he so loved. .

Though Fawcett’s theories of Z were dismissed by most of his peers, it’s now known he actually saw things clearer than them. His theory of an advance civilization in the depth of the Amazon jungle, a city he named Z, had proven to be true. Anthropologist Michael Heckenberger, working alongside the local Kuikuro people,uncovered huge man made moats that once had palisade walls, as well as large circular plazas and a huge area where many dwellings once stood.These ancient people had also build roads up to a hundred and fifty feet wide as well as causeways canals, and there is even evidence of bridges built over rivers. The roads connected large settlements about two to three miles apart. Each settlement contained about two to five thousand people and they lived here between 800 to AD to 1600 AD before European diseases basically wiped most of the out.. All of the cities and roads an other construction were built with a sense of engineering and mathematics which rivaled anything happening in most of Europe at the time. Heckenberger calls it Kuhikugu and it was most likely created by the ancestors of the Kuikuro. As there wasn’t much stone in the jungle Kuhikugu was built with wood, palm, and earth mounds which decompose.And this ancient advanced civilization lay right where Fawcett determined Z was.

If your interested in writing a Steampunk adventure story, Fawcett and his expeditions offer great inspiration. One of the best nonfiction books and also a great, page turner read, about Fawcett and his expeditions is The Lost City of Z by David Grann.

STEAMED! | Writing Steampunk Fiction// //

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 26 books. She creates stories with kilts, corsets, fantasy and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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Well Done, Sister Suffragettes

Dickens On The Strand was earlier this month. It included a holiday parades of pirates, fellow Steampunkers, choirs of carolers, beggars, a host of other memorable Victorian characters and also the suffragettes. This picture of me next to H. G. Wells’ time machine as I’m wearing my Votes for Women sash is fitting. I went back in time on the strand as I marched with the Victorian suffragettes in the parade.

We sung: All I want for Christmas is the right to vote The right to vote The right to vote All I want for Christmas is the right to vote So I can govern my existence

Marching as a suffragette was a blast but the real suffragette movement was serious business and a long hard fight. Millicent Fawcett founded the National Union of Women’s Suffrage in 1897. The movement began with peaceful protest arguing that if women had to pay taxes they had the right to vote.

But because Fawcett’s progress through peaceful protests was slow, a lawyer, Richard Pankhurst, his wife, Emmeline, and daughter, Christabel, made a fresh attempt to gain the vote for women and formed the Women’s Social and Political Union in 1903. They pursued civil disobedience for the cause. Suffragettes protested by chaining themselves to railings and eventually by smashing windows.

As you make your New Year resolutions tomorrow, think about these brave women of the suffragettes movement who resolved to gain us the vote and did so, both Suffragettes in England and also in America. They gave us a great gift, the opportunity to vote.

Consider adding a suffragette sash to your Steampunk costume. I’m going to continue to wear mine. Also consider making one of your Steampunk characters a suffragette – it worked well for Mrs. Banks in Disney’s Marry Poppins film.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 24 published books. She creates stories with kilts, corsets, and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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Victorian Holiday Fun

Dickens Christmas on the Strand, held in Galveston Texas, is full of old  fashioned Holiday fun. So lasso up the kids and heard then down to the strand. Tossing knives while ridding a unicycle … fun fun fun. Of course I won’t be trying that anytime soonA highlight of Dickens On the Strand is the Victorian Bed Races. The beds have to be Victorian style with head and foot-boards.

 

 

The beds must be decorated in a Victorian Christmas theme.      

 

 

 

 

 

 

Beds may only be pushed, from the back or the sides. No pulling allowed Teams begin at 21st and Mechanic Street and race westward to the intersection of 22nd and Mechanic. In the intersection, teams come to a complete stop and perform a “Chinese Fire Drill”, with every team member circling the bed once. Then one of the pushers dons a night cap and gown, without assistance, and changes places with the previous rider, who becomes a pusher.         Once the new rider is on the bed, the team races to the finish line. Awards are given for the fastest time and the best decorated.

I want to wish all the Steamed readers a Merry Steampunk Christmas and a lot of Victorian Holiday fun.

Maeve Alpin, who also writes as Cornelia Amiri, is the author of 24 published books. She creates stories with kilts, corsets, and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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From History To Alternate History

I began writing historical romances, Celtic ones, set in the Bronze ages,  Iron ages, and Dark ages. I moved from history to alternate history with Steampunk. The move into Steampunk was a natural one for me. In To Love The London Ghost I even combined Victorian history with ancient Celtic history as my heroine is a ghost who died on the banks of the Thames fighting Julius Ceasar.

I always loved the Victorian era, I think because of all those western shows I use to watch growing up: The Riffle Man, Gunsmoke, Rawhide, Bonanza, The Virginian, and Wagon Train. When I was eight, I discovered the Little House On The Prairie books, those page turners were the first series I ever read and historical fiction has been one of my favorite genres ever since.

Around the age of six on up to about eight, I use to daydream what I called TV in my head and except for one series of mine – fan fiction based on Flash Gordon – all the others were westerns. In one daydream series my hero road a buffalo – I was six or seven and it made perfect sense at the time.  The heroine of those daydreams, the buffalo rider’s wife, always wore a blue and white print frontier style dress. I should find some fabric like that and have a prairie dress made for myself. I can tell people I’m cosplaying a character form my daydreams when I was seven. Why not?

I was eight or nine when The Wild Wild West show began on TV and I was crazy about it. With that in mind, click on the Wild Wild West video for some background music for the post.

I know now that The Wild Wild West was Steampunk.

Though I haven’t written any western themed Steampunk yet, I live in an area where western Steampunk costumes and personas are popular. I live in Texas. Here are some Western themed photos from members of Houston’s local Steampunk community.

Now that I’ve shared my childhood inspiration with all of you, feel free to comment below on what inspired you to write Steampunk. I’d love to hear about it.

 

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 22 published books. She creates stories with kilts, corsets, and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

 

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Dracula and Bram Stoker

Florence Balcombe Stoker

If you don’t have access to ShowTime and you’ve been wondering what Penny Dreadful is all about, let me clue you in. I enjoy the show and recommend it. Ethan Chandler a Wild Bill Cody type is hired by Sir Malcolm Murray and Vanessa Ives to find and rescue his daughter, Mina Hunter, kidnapped by Dracula. Dr. Frankenstein teams up with them as well. And Dorian Gray is added to the mix.

This is my third post for Halloween month, October, so it’s Bram Stoker and Dracula’s turn. It is not a proven fact but it has been reported by many Stoker biographers that he died of syphilis. It was a disease that plagued many in the Victorian and Edwardian periods. When dracula attacks someone he infects them with vampirism and it’s easy to see the possible connection with a disease like syphilis. It’s not hard to discern his guilt and concern over possibly infecting his wife and also in being unfaithful to a woman he loved. Bram Stoker married actress Florence Balcombe in 1878. She’d previously been engaged to Oscar Wilde. From all accounts they had a strong marriage and shared a deep love for each other. We can see those intense emotions in Jonathan’s feelings for Mina.

Bram Stoker

Some interesting tidbits on Bram Stoker s he was  Irish, while Dracula is Eastern European For that reason, you may not have noticed the author’s Celtic roots showing in the story but I assure you they are there. It is said he actually wrote his first draft of Dracula while he was a guest at Slains. The Slain castle in Aberdeenshire Scotland is often considered an inspiration for Dracula’s castle in the book.

On his mother’s side Bram Stoker happened to be a direct descendent of ’Manus O’Donnell (Manus ‘the Magnificent. He was an Irish clan leader who led a rebellion against Henry VIII in the 16th century. Bram Stoker drew on his lineage to write of a man with a great past as a warrior and ruler now displaced by the passage of history, living in the shadows, in other words it is also the story of Bram Stoker’s ancestry.

It has been said that as a little boy in Ireland Bram Stoker’s mother often told him stories including horror stories. They must have included Irish folk lore.There are many tales of dark vampiric fey in Celtic mythology. These dark fey are often extremely beautiful and seductive. The vampiric fey, the baobhan sith,  always roamed together as sisters. In Dracula, Bram Stoker’s description of the three sisters in the vampire’s castle seems similar to dark Celtic fey.

Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great wavy masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain; but it is the truth. They whispered together, and then they all three laughed—such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of water-glasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said:—

“Go on! You are first, and we shall follow; yours is the right to begin.” The other added:—

“He is young and strong; there are kisses for us all.”

Because authors Bram Stoker, Mary Shelley, and Oscar Wilde pulled deep from within and wrote emotion and human pain into their stories we can connect with the horrors they created. We feel what the monsters feel. We can see bits of ourselves in these monsters …and that is what makes them scariest of all.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 22 published books. She creates stories with kilts, corsets, and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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Oscar Wilde and The Picture Of Dorian Gray

If you don’t have access to ShowTime and you’ve wondered what Penny Dreadful is all about, let me clue you in. I enjoy the show and recommend it. Ethan Chandler a Wild Bill Cody type is hired by Sir Malcolm Murray and Vanessa Ives to find and rescue his daughter, Mina Hunter, kidnapped by Dracula. Dr. Frankenstein teams up with them as well. And Dorian Gray is added to the mix.

In honor of Penney Dreadful and Halloween month, October, I’m writing my three posts this month on Bram Stoker who gave us Dracula, Mary Shelley, who gave us Frankenstein, and Oscar Wilde who gave us Dorian Gray.

This post is for Oscar Wilde’s The Picture of Dorian Gray. “There is no such thing as an omen. Destiny does not send us heralds. She is too wise and cruel for that.”- from The Picture of Dorian Gray. It first came out as a serial story in July 1890 in Lippincott’s Monthly, a literary and science magazine published in Philadelphia.

In Penny Dreadful, Dorian is the sexy character. No one, male or female, can resist him. Oscar Wilde wrote him as the corruptible sort that ruins many young men and young women’s lives. Many things can be said about Mr. Wilde, the main one is he could write. He was well skilled in the craft. As soon as I began to read Dorian Gray I noticed Oscar Wilde’s brilliant dialogue tags.

Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy opium-tainted cigarette. “Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion.”

Great writing is timeless. Without question, Oscar Wilde was a great writer. As shown above, he begins the story with a secret. The artist, Basil Hallward will not exhibit his exquisite painting of Dorian Gray. Later in the book it’s revealed it’s because he’s so obsessed with Dorian he fears people looking at the portrait will be able to detect his love for the man.

Dorian is incredibly attractive, easy going, and innocent. He falls in love with an actress in a second rate theatre who performs in several Shakespearean plays. When Dorian takes his friends to see one of her performances, her acting is off. She didn’t put her usual level of passion into her performance due to that fact that she’d fallen in love with Dorian and acting wasn’t important to her any more. Only Dorian was important to her. So he dumps her. He loved her because of her talent. When he comes home he finds the portrait has changed – there is a line of cruelty at the mouth. He recalls the day the picture was finished he thought it unfair the painting would always be so beautiful but he would age. He’d wished it could be the other way, he’d stay young and the portrait would age. Then Dorian discovered the actress committed suicide because of him and things slide downhill from there. The picture changes not only with each mark of age but with each sinful act he commits while Dorian appears as young and innocent as when he sat for the painting.

There is a quote from the book, “Behind every exquisite thing that existed, there was something tragic.” The intense raw pain of the author is something all three books: Frankenstein, Dracula, and The Picture of Dorian Gray have in common. In The Picture of Dorian Gray readers share the emotional split Oscar Wilde endured just like the two Dorian Grays: one a picture and one a man. The hidden picture is more real than the man. In the Victorian era homosexuality was not only considered repulsive by society it was a crime. While reading Dorian Gray we feel Oscar Wilde’s pain in having to hide his real self, the guilt he felt and the confusion of having desires considered at the time to be horrid and unnatural. The Picture of Dorian Gray was banned and also used against Oscar Wilde in his trail in 1895. Convicted of gross indecency, he was sentenced to two years of hard labor.  The intense pain embedded in the story is one of the main things which make the book so timeless and so great.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 22 published books. She creates stories with kilts, corsets, and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus. Her latest Steampunk Romance is The Brass Octopus.

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Steampowered Amusments and Diversions

At Apollo Con I attended the Amusements and Diversions in the Age of Steam – Magic Lantern show – by fantasy artist, Theresa Mather.

She showed us a photographic history of Victorian entertainment and oddities A popular fair attraction In the mid 19th century was the platform carousel with a circular floor rotating around a pole in it’s center and operated manually or by ponies. The carousel went steamed in 1861. Thomas Bradshaw created the first steam-powered mechanical carousel, (I call them Merry-Go-Rounds). That carousel and others of it’s day spun much faster than modern ones. It’s a wonder people were able to hold onto the horses during the ride. it was a thrill ride of it’s day. A high-point of early fairground art was the elaborate decorations created by Italian designers and craftsmen imported at the showmen’s expense and they even included lavish center organs.

The first Steampowered carousel inspired Frederick Savage to try his hand at making similar machines using the expertise at his agricultural engineering works at Kings Lynn.Savage’s first steam powered ride was a bycle carousel, the Velocipede. Savage also competed with several manufacturers to try to make carousel horses gallop and created their first platform galloper in 1885. The same year Messrs Reynolds and King designed the overhead crank system. By the end of the 19th century crank-action gallopers were a popular ride. The steam engine connected to a spinning top that in turn linked to the platform.One  variant used galloping cockerels rather than horses.

In 1880 the partnership of Frederick Savage and William Sanger gave birth to another novelty ride, Sea on Land. Replicas of seafaring vessels were pitched and tossed by mechanisms beneath their hulls. Then a patent taken in 1888 introduced the Steam Yachts the ultimate mechanized swing ride. William Cartwright of Bromwich first succeeded in building a set using upright cylinders. The Steam Yacht rides used huge boats able to carry 20 or more people at a time.They even named the ships after giant ocean-going liners like the Lusitania, Mauritania. Cymric, and Celtic, although Olympia and Titanic proved short lived names..These rides were gorgeous in full swing as the boats had lavishly painted bottoms.

Savage also created the Razzle Dazzle ride, with seats and an outter wall it tilted side to side as it spun around. By 1885 Savage made the ride Tunnel Railways, a locomotive pulled carriages on a circular track with a tunnel. Frederick Savage enjoyed prominence as the pioneer of the steam roundabout but several engineering firms  along with some amateurs. Robert Tidman of Norwich, Thomas Walker of Tewkesbury and William Howcroft, of Hartlepool, all emerged as competitive manufacturers of steam powered rides by the 1880s.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

 

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Make-N-Take A Tentacle Necklace

The first panel I went to at Comicpalooza, last month, was Friday at 10 AM, it was a make-n-take. The beautiful and lively anime voice-actress Claire Hamilton helped me and the other attendees create a tentacle necklace. I had so much fun in that make-n-take. I mean who doesn’t love tentacles?

Making Tentacles at Comicpalooza

We were all provided with polymer clay in a vivid selection of colors. The clay comes in four sectioned off areas. We each took one of those small sections in the color of our choice for the tentacle and a half section in another color for the suckers. We pulled off enough off the bigger section to roll and shape it into our tentacle. Twisting it around until we had it the way we wanted it. Then we took the half portion of a small section of clay and used the edge of our comicpalooza badges to slice it into small pieces. We rolled those into tiny balls for the suckers. We were each given a toothpick and used it to make the indentions in our suckers. We stuck the suckers onto the tentacle. We also used the toothpick to punch a hole in the clay so we could string it onto a cord for a necklace.   When we were finished we used special hand held dryers like blow dryers but hotter, to firm them enough until we could get them home and bake them.

Once home we baked them in our kitchen ovens at approximately 110 degrees for about 30 minutes. When you try this in your on oven, please be aware oven temperatures vary so keep an eye on the tentacle to make sure it doesn’t bake over or under the needed time.

Here are some youtube videos on making tentacle necklaces:

Making tentacle necklaces is fun, easy and … very Steampunk. A tentacle necklace make-n-take is also a great panel to do for readers at a convention.

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 Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. Her latest Steampunk/Romance is Conquistadors In Outer Space, which is as crazy and as entertaining as it sounds. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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To The Moon And Beyond

I’m intrigued when any writer blasts their characters out of the Victorian, or other historical era, and into outer space. Edgar Allan Poe did it with The Unparalleled Adventure of One Hans Pfaallin in 1835, Jules Verne followed with The Earth To the Moon in 1865, and in 1901 H. G. Wells wrote The First Men In The Moon.  These Regency/Victorian/Edwardian tales offer great inspiration for modern steampunk writers. Jules Verne’s The Earth To The Moon was one of my greatest inspirations for Conquistadors In Outer Space.

I asked the authors of the new book 1889 Journey To the Moon, George Wier and Billy Kring, what inspired them to take their Steampunk story into outer space?

George: First of all, we really should have been in space (and I’m not talking about NASA or the ESA, I’m talking about ALL of us) a damn long time ago. All we’re doing here is correcting history’s big mistakes. What were those mistakes? Well, we let corporations, governments and bankers decide for us what mankind does–what his future is. You don’t believe me? Well guess what? What if Nikola Tesla had been allowed to finalize his experimentation in ambient free energy and give to the whole world wireless free energy? He was factually shut down by his “friends”. What if every single advance we’ve made in the past 150 years was not snatched up by corporate or government interests, patented, crated and put away in that hangar that comes at the end of Raiders of the Lost Ark? I’ll tell you what, we would be REALLY free. We would be free of economic duress (“Come on honey, let’s forget about working and paying the mortgage and the light bill. We’re going to Arcturus”), we would be free of government suppression (“What border? You mean that imaginary line down there on the planet?”), and we would be free of corporate suppression (“I see IBM and GE stocks finally tanked.” “Oh? What are ‘stocks’?”). You see what I mean? This is the world we SHOULD live in. This is the world we were promised by our Founding Fathers. What happened to it? Well, from my point of view, it was: Industry, the Rise of the Banks and the Federal Reserve, Mechanization, Factories, World War I, World War II, the suppression of “Academics” who now “own” knowledge, etc., etc. What got lost? The family, true entreprenuership, innovation, art, style…all our dreams. No. Here’s the dream, as rough as it may seem. Much of it is contained in 1889. You have to read between the lines, but it’s there. Okay, that’s my short answer.

Billy: My inspiration came about because I wanted to create a sense of wonder and adventure in our readers like I felt the first time I read H.G. Wells and Edgar Rice Burroughs and their space adventures; then we wanted to add some spice, with the characters and the twists and turns of a mystery to it, and all of it occurring in a steampunk universe (George’s idea!).  I thought that was a unique twist on the story. In a nutshell, I wanted readers to experience a fantastic adventure unlike anything they’d experienced before.

Maeve: Of course the next thing any writer thinks about when putting characters in outer space is world building. I kept the world building in Conquistadors In Outer Space simple  because the plot was so quirky, the concentration on the book is the relationship between the characters, and it’s short – a novella. So I pulled from the history of the DeSota North America expedition, the physical makeup of the eyes of some insects, and how to ride an ostrich, then I transferred that over to this alien planet with strange creatures and humanoid natives.

I asked Billy and George what they thought was the hardest thing about creating a Steampunk universe and what are the challenges and advantages of writing steampunk fiction?

George: I dunno. I don’t think it’s hard. Take a concept and run with it and let it live and breathe and think and it’ll start doing stuff all on its own. That’s kind of what happened with 1889.

For me the challenge is not to copy the Masters. You have to strike out in your own direction, and you have to be sure of yourself completely. After that, the world opens up and you can do anything, by which I mean…ANYTHING. There are no limits. You can alter time, speed up the harvest and teleport yourself off this rock. We did that with this book. Yeah. That’s the haps.

Billy: I agree with George, writing 1889 was not hard in the sense of storyline, etc.  It practically pulled me along.  I guess if anything could come to mind, as far as being difficult, it would be that the way we wrote it made me wonder at times how I was going to proceed. And the way we wrote it was, one of us would take the story and write without talking to the other, then send it forward, and the other would start, using the same method.  That meant when either one of us received the manuscript again, there were always plot twists and unexpected happenings that made us (at least me), keep my game at a high level, so to speak.  No way to get lazy with these! So it was a little hard, but in a good way.

The challenge: Telling a unique story in a familiar universe.  The advantages: It frees the writer completely.

Maeve: I have never collaborated with other authors so my curiosity was aroused by George Wier and Billy Kring’s  collaboration of 1889 Journey To the Moon. I asked them what method did they you use for their collaboration?And if there was anything they took away from the experience that helped make them a better writer or the story a better story?

 George:  We emailed the book back and forth. I think I gave Billy the basic concept, told him in a general way where I wanted to go with it, wrote the first few pages, then handed it off to him. Whoa! Ten thousand or so words later it comes back. I read it with gusto and I was off like a shot–another 10-15k words, then back to Billy–20k words. I mean, whoa! Back and forth, back and forth. It was done within a few months. One of the fastest things I’ve ever done in my life.

The secret is to find the right collaborator. (Wink!) Okay, all kidding aside, you have to be able to have fun with the project. You also–and for some folks, this is going to be an extremely difficult concept–must be willing to put the thing in your partner’s hands for a given length of time, give them your blessing and let them run with it. I mean, really. Who would have thought? Trust? Another author? Trust them not to mess up your book? Yes. That’s exactly what I’m saying. It’s because it’s a c-o-l-l-a-b-o-r-a-t-i-o-n. It’s not just yours. You really, absolutely and unequivocably have to make sure they make it there’s! I can do that now, for sure. But really, you have to be able to do it even before you “know” for sure. Also, I took away from this experience a much broader horizon. I could have never, not once in a million years, come up with some of the characters, the situations, the description, the dialogue, and the concepts that Billy Kring came up with. The man’s a frickin’ genius. So I suppose the real (REAL) thing here is to find someone who is either better than you are, or is potentially better than you are. Yeah,  what I got out this collaboration with Billy is a new way of looking at things. Anything can happen–and will–in a steampunk adventure. There are no rules. That’s the truth.

Billy: What George said!

It helped that George and I were friends before we collaborated.  And he is the one who thought we would be a good writing match for the story.  He’s outstanding at looking at an idea from about five thousand different angles and seeing which way is best to proceed.  He was the leader in this from start to finish.  And I agree with him, we wanted to make it fun for each of us to write, and to trust each other.  That was a big thing for both of us.  The other thing that happened almost from the first, was the story became magic, and each of us couldn’t wait to get the story back from the other and read how our adventure was going. The energy from that was amazing.  George is one heck of a writer, too, and that made me give it my best.  Some of the passages he wrote were scenes I could never have written, would never have thought about going the way the took it, BUT, that is why it is so entertaining, too.  There are surprises throughout the story, and that will make readers happy.

Maeve: Though I have several published books under the pen name of Cornelia Amiri, I only have two Stemapunk books, To Love A London Ghost and Conquistadors In Outer Space available now but I plan to release Brass Octopus and re-release As Timeless As Stone and As Timeless As Magic later this year.

I asked George and Billy what other published works they had and what was next for them?

George: Plenty. First there’s the Bill Travis Mysteries, a series of 8 books (so far) based in Austin, Texas. They are wild rides, all mystery commingled with action-adventure, and a little sci-fi occasionally thrown in. Additionally, there’s Long Fall From Heaven (Cinco Puntos Press, 2013), and various short stories.

The continuation of this series, with the sequel, 1899: Journey to Mars, 1904: Journey into Time, and 1909: Journey to Atlantis. That’s first. I’m currently working on 7 major projects contemporaneously, including the next two Bill Travis books, a sci-fi collaboration with Robert A. Taylor entitled The Vindicators 2: Parsec, a multi-layered, almost Neal Stephenson-esque blockbuster about the Austin legal community entitled Personal Injury, and a number of others. I would, however, like to specifically say something about 1899: Journey to Mars. If 1889 was fun (let me tell you, it was a total blast!) then 1899 is warp drive. The Tesla robot fighting the evil Westinghouse robots, the characters (many of whom you will recognize both from actual history and from fiction) interacting, walking and talking and shooting down vampire singleship spaceships. Wow. You’re all in for a treat. Hey, you asked.

Billy: Yes.  Two suspense novels in my Hunter Kincaid series, QUICK, and OUTLAW ROAD, and one romantic suspense novel, WHERE EVIL CANNOT ENTER (under B.G. Kring).  My other mystery/suspense series (The Ronny Baca series) will begin very soon with the release of  BACA.

To continue on our other books in the series, and write my other novels, as well as writing screenplays and acting.

Maeve: Before I left Billy Kring, and George Wier I asked them to describe their writing in three words.

George: “Hot and Heavy.”

Billy: Lean and mean.

Here’s the blurb : I’m back in a time that never was–it’s 1889, and eleven people are on a strange steam-powered spaceship to the Moon. Included in the crew are such unlikely passengers and crew as: Billy The Kid, Nikola Tesla, Jack The Ripper, a Sioux warrior out for the blood of George Armstrong Custer (who did not die at the Little Bighorn), a Cossack warrior-princess, a battery of robots, a half-man and half-cyborg engineer, a Punjabi mathematician and linguist, a big-game hunter from Africa, and the grandson of Blackbeard the Pirate, not to mention the genius who designed the ship. There are aliens on the Moon with evil intentions, the robots are wound a little too tightly, and no one knows that the Ripper is along for the ride except for the Londoner himself. What could possibly go wrong? 

Here are their calling cards: George’s Facebook Author Page   FB page for 1889: Journey to the Moon  Twitter: @billtraviswrite  Wordpress: www.georgewier.wordpress.com Billy’s Links: www.billykring.com

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. Her latest Steampunk/Romance is Conquistadors In Outer Space, which is as crazy and as entertaining as it sounds. She lives in Houston Texas with her son, granddaughter, and her cat, Severus. Maeve Alpin will be at Comicpalooza in Houston this weekend please stop by her panels there.

 

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From Lunch Wagons to Food Trucks

I recently worked a temp job where my co-workers sent a group email once a week when the food trucks came to the area. Everyone was always so excited about lunch on those days. It was the one time they all went to lunch together. In a large group they’d walk over to where the food trucks parked to try out the different ones. Some of the most popular food trucks in Houston, where I live are Yummy’z Kitchen serving American classics, the waffle bus with their gourmet waffle sandwiches, and FoodGasm offering everything from burgers and lobster rolls to wings and waffles and deep-fried Oreos. I love the food trucks that come to the Houston Highland Games each year where I get cultural delicacies such as haggis, bangers and mash, and scotch eggs and Irn – Bru to wash it all down. I haven’t got my granddaughter to try haggis yet but I did get her to each a scotch egg. She loved it. And everyone loves food trucks. Here are some great photos of actual Steampunk food trucks. It might surprise you to know food trucks aren’t new. And, yes, they go back to Victorian times. They were called lunch wagons then.

In 1887, Walter Scott, a Rhode Island pressman at the Providence Journal, made extra money selling homemade sandwiches and coffee he carried in baskets to co-workers. This little side business did so well Scott upgraded to a horse-drawn wagon with walk up windows on each side. There, he served fresh sandwiches, hard boiled eggs, sweet pies, and steaming coffee. Scott’s customers, these late night regulars and shift workers, were the rough and rowdy kind. He often had to hold their hats as collateral until they paid for their sandwiches.  Sometimes he even had to collect  payment with a club. It seems selling sandwiches in the Victorian age wasn’t for the faint of heart.  Still, his business boomed. Soon copy cat lunch wagons popped up giving him some local competition.

A Massachusetts wagon owner,  T.H. Buckley, discovered building lunch cars was more profitable than operating them. Commercial production of lunch wagons began.  The leading advantage of Buckley’s design, No. 22,743, Patented Aug. 22, 1893, was a series of windows extending  around the wagon and a door on either side of the wagon. The row of windows in the upper portion of the wagon body added a light and airy appearance. Buckley’s wagons also had large wheels to maneuver over the cobblestones, overhangs to keep patrons out of the rain, decorative murals, frosted glass and shiny fixtures, as well as ice boxes and cook-stoves.

The united States post Office honored these early lunch wagons with a 29 cent Lunch Wagon stamp issued on April, 12, 1991.

Food Time Line is a great source for 19^th century foodways for Steampunk stories – authentic saloon menus are even listed and a recipe for a pioneer birthday cake as well as Queen Victoria’s favorite foods. Also click here for some great Lunch Wagon images.

If you enjoy eating at food trucks keep that in mind when writing stories set in the 19^th century. Have your characters stop by a food wagon or create a character who owns a food wagon.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. Her latest Steampunk/Romance is Conquistadors In Outer Space, which is as crazy and as entertaining as it sounds. She lives in Houston Texas with her son, granddaughter, and her cat, Severus. Maeve Alpin will be making several appearances this month at the Romantic Times Book Lovers Convention in New Orleans and at Comicpalooza in Houston.

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Mad About Mummies

I just recently saw this great French comedy adventure film set in the Edwardian era, The Extraordinary Adventures of Adele Blanc-Sec. It’s on Netflix and certainly has Steampunk elements. Here’s the trailer:

Just as we in the 21st century are mad about zombies, those in the 19th century were mad about mummies. Some people, like me, are still mad about mummies.

Here’s a trailer for another modern day mummy movie set in the Edwardian era that I’m sure you’re familiar with. The Mummy. Here’s the favorite scene in that movie for most writers, readers, and librarians.

Reviving mummies began with Jane Webb Loudon who wrote “The Mummy, A Tale of the 22nd Century” in 1827.This was the first mummy story, one of the first sci-fi books and the first sci-fi work with a modern world building style.

“The ancient Egyptians you know, believed that the souls of their mummies were chained to them in a torpid state till the final day of judgment, and supposing this hypotheses to be correct, there is every reason to imagine that by employing so powerful an agent as galvanism, re-animation may be produced.” – From The Mummy, A Tale of the 22nd Century.

And so it is, two of Loudon’s characters, Edwin and Dr. Entwerfen, embark by balloon on an expedition to the tomb of Pharaoh Cheops (Khufu), to shock him back to life with a galvanized battery.

Mummies proved a popular theme in many Regency, Victorian and Edwardian books. With so many mummy books, I’m going to only name the stories or poems about mummies or pharaohs written by author’s you’ll recognize. You may be surprised.

The first is Lord Byron. His poem growing old references the famous Pharaoh, Khufu (Cheops) who built the pyramid at Giza.

“What are the hopes of man? Old Egypt’s King
Cheops erected the first Pyramid
And largest, thinking it was just the thing
To keep his memory whole, and mummy hid;
But somebody or other rummaging,
Burglariously broke his coffin’s lid:
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheops.”

Next is another famous poet, Percy Bysshe Shelley, Mary Shelley’s husband. He was inspired by the ancient Greek writer, Diodorus Siculus, who on his travels to Thebes described a giant fallen statue of Ozymandias (Ramesses II). It was inscribed, “I am Ozymandias, King of Kings. Should any man seek to know how great I am and where I lie, let him surpass one of my works.” So Percy Bysshe Shelley wrote the sonnet Ozymandias.

“My name is Ozymandias, King of Kings
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”

Then we have Edgar Allen Poe’s short story, “Some Words with a Mummy”, written in 1845. It’s humorous satire, a delightful read, and the author’s voice is so fresh it seems as if it could have been written today. Simply put – it’s so Poe.

Next, Louisa May Alcott, of Little Women fame, wrote a short story, “Lost in a Pyramid: The Mummy’s Curse” in 1869 . It’s on the horror side, quite Victorian, and you’ll recognize Alcott’s writing style.

The last one and one of the best is Bram Stoker, author of Dracula. The Jewel of Seven Stars is a full length novel written in 1903 about a female mummy an Egyptologist brings back to his home to revive. His daughter is then possesed by the mummy’s soul.  Stoker is a master of suspense and elegant writing. He has wonderful page turning hooks at the end of each chapter. It’s not as great as Dracula – but it’s good and it’s pure Stoker. I loved it.

The Jewel of Seven Stars has two endings. On the third print run, in 1912, the publisher demanded Stoker change the ending. At the time, critics called the original ending too gruesome. I read this at Project Gutenberg, which had the newer ending, but I was able to read the original ending at http://www.goodreads.com/book/show/543300.The_Jewel_of_Seven_Stars The first ending isn’t gruesome by today’s standards though it is horribly sad. Still, the original ending is clearly the best.

What are your favorite Mummy books or movies? Have you read any Steampunk Mummy books? Which do you prefer zombies or mummies? Feel free to comment below.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. Her latest Steampunk/Romance is Conquistadors In Outer Space, which is as crazy and as entertaining as it sounds. She lives in Houston Texas with her son, granddaughter, and her cat, Severus. Maeve Alpin will be making several appearances next month in May at the Romantic Times Book Lovers Convention in New Orleans and at Comicpalooza in Houston.

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Regency Era, Jane Loudon gave us THE MUMMY, A Tale Of The 22nd Century

Jane Loudon

Jane Loudon’s novel, The Mummy, A Tale of the 22^nd Century was published anonymously as a trilogy in 1827, and again in 1828. It was the first book about a mummy brought back to life, a popular plot to this day. However, there’s a lot more to Loudon’s contribution to sci-fi. In the regency era, a time when the word sci-fi wasn’t even used, she understood what futuristic sci-fi was meant to be. She wrote of the future in a way no one had before. Instead of just taking her own time period and moving it into the future making few changes except for utopian or dystopian ones, she built an actual futuristic world with advanced technology, futuristic clothing, and a different type of government. Jane Loudon was the first sci-fi author to actually world build.

The gadgets in her future world all spring from the regency era when the high-end technology of the day was steam and balloons. Two of Loudon’s characters, Edwin and Dr. Entwerfen embark on an expedition to the tomb of Pharaoh Cheops (Khufu), to shock him back to life with a galvanized battery. Their dialogue when leaving for Egypt and realizing they have too much baggage for the balloon touches on some of Loudon’s interesting futuristic inventions. She even envisioned a certain type of space flight as a fashionable mode of travel. Here’s a short excerpt:

“The cloaks are of asbestos and will be necessary to protect us from ignition, if we should encounter any electric matter in the clouds; and the hampers are filled with elastic plugs for our ears and noses, and tubes and barrels of common air, for us to breathe when we get beyond the common atmosphere of the earth. “

“But what occasion shall we have to go beyond it?”

“How can we do otherwise? Surely you don’t meant to travel the whole distance in the balloon? I thought of course, you would adopt the present fashionable mode of traveling, and after mounting the seventeen miles or thereabouts, which is necessary to get clear of the mundane attraction, to wait there till the turning of the globe should bring Egypt directly under our feet.”

“But it is not in the same latitude.”

Then the doctor explains the box he wants to bring on the balloon contains his portable galvanic battery and his apparatus for making and collecting the inflammable air. It also holds a machine for producing and concentrating quicksilver vapor – the power to propel them onward in place of steam. It even has laughing gas for the sole purpose of keeping up their spirits.

Another change in everyday life in the future is fast mail delivery. Letters are placed inside balls and fired from steam cannons. Every town and district have a woven wire suspended in the air as a net to catch the ball and a cannon to send it off again when the letters for that neighborhood are extracted. A smaller wooden ball with a hole in its side to making whizzing noise as it sails through the air is sent before each mail ball to alert people to keep out of the way.

Also Stage balloons are used to make fast deliveries. One of the characters receives a collection of ballads, at least three hundred years old, sent from London by stage balloon that morning. They are on rag paper since asbestos paper used in the 22^nd century had only been invented for two hundred years.

Movable houses are another change in the future. One of the characters, Edric, sees a house slide out of place and glide along the road. A lady at the window blows a kiss to someone in another house as she passes by. When someone wants to go into the country for a few weeks they take their house with them, which saves the trouble of packing and allows everyone to have all their little conveniences about. There are grooves in the bottom of the houses that fit on the iron railways. Propelled by steam, they slide on without much trouble but it only works for small houses as large ones aren’t compact enough.

More futuristic marvels are feather-fans hung from the ceiling, circulating aeriform fluid. Also they use tubes in the houses to suck out stale air and bring the fresh air in. And the most stylish coats are made in a machine. At one end it strips the wool off a sheep, then weaves it so a ready to wear coat comes out at the other end of the machine. Also Bridges are movable and steam-powered to rotate in all directions and to adjust to whatever height is needed for the different waterways. Even streets are modernized, they are warmed by pipes of hot air so no one perishes of cold.

She envisions a lot of technological advancements in agriculture including a steam-powered lawnmower and a mechanical milking machine. Also when the sun doesn’t shine enough to make hay they use a burning glass to make it. When it doesn’t rain enough for the crops they use an electrical machine to draw down clouds to cause rain on the fields that need it.

She also shares a glimpse of futuristic fashion: “The ladies were all arrayed in loose trousers, over which hung drapery in graceful folds; and most of them carried on their heads streams of lighted gas forced by capillary tubes into plumes, fleurs-de-lis, or in short any form the wearer pleased; which jets de feu had an uncommonly chase and elegant effect.”

There are also political changes from the Regency era to the 22nd century. After undergoing a revolution, and even a period of democracy, England returns to an absolute monarchy but as a matriarchy. All rulers are queens and the candidates are single women of the royal family between the ages of 20 and 25. There is  a law that the queen cannot get married. In the towns, the men in the country 21 years on up, in groups of 10,000, choose a deputy to represent them in London. The queen is elected through the majority vote of these deputies.

The Mummy! 1828 2nd edition – title page

The main characters in The Mummy, A Tale of the 22nd Century come from two families with their eyes on the crown: the Montagues and the house of the Duke of Cornwall. The Montagues have two sons, Edmund, a national hero and Edric, an intellectual. The Duke of Cornwall’s family has two daughters Elvira and Rosabella, who are the next in line to the throne if anything happens to Queen Claudia. Edric’s father has arranged for him to marry Rosabella but he reuses. Edric is fascinated by the idea of reanimating the dead. His friend, Dr. Entwerfen tells him that since the ancient Egyptians believed the souls of their mummies were chained to them in a torpid state till the final day of judgment, there is every reason to believe that by employing so powerful an agent as a galvanic battery of fifty surgeon power re-animation may be produced. Edric is too squeamish to touch a dead corpse’s flesh but he’s willing to touch a mummy as it swathed in wrappings. He and Dr. Entwerfen go to Egypt and resurrect the mummy, Cheops. But the mummy runs out of the pyramid, hijacks their balloon, and flies back to England. When he flies over Queen Claudia’s coronation pageant, his balloon gets tangled up with all the other balloons crowding he sky. His balloon gets torn and falls to the earth landing on and killing Queen Claudia. The story continues with political intrigue, a secret birth father, and love triangles, all with a little help from the wise Pharaoh, Cheops, who has the most common sense and perception of anyone in the book.

The similarity between awakening the mummy and awakening Frankenstein back to life and the similarity of the two main male characters, hero and intellectual as in in Mary Shelley’s The Last Man, is no coincidence. Jane Loudon uses them as a parody to show her own view point. Her political, social and religious beliefs differ greatly form Mary Shelley’s.

I have to say it, Sci-fi readers and writers owe Jane Loudon and Mary Shelley so much. Frankenstein was written and first published in 1818, when Mary Wollstoncroft was only nineteen. Jane Webb wrote The mummy, a Tale of the 22nd century when she was 17 and it was published in 1827. H. G. Wells and Jules Verne didn’t write their first books for many years after this: Jules Verne’s – Five Weeks In A Balloon in 1863 and H. G. Wells – The Time Machine in 1895. Not only have women been reading and writing sci-fi for over two hundred years, the sci-fi genre wouldn’t be the same without them. The genre was pioneered by two teenage girls with very different views on politics and religion, both writing in the Regency era. I think that’s awesome.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. Her latest Steampunk/Romance is Conquistadors In Outer Space, which is as crazy and as entertaining as it sounds. She lives in Houston Texas with her son, granddaughter, and her cat, Severus. Maeve Alpin will be making several appearances next month in May at the Romantic Times Book Lovers Convention in New Orleans and at Comicpalooza in Houston.

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Mary Shelley and THE LAST MAN

As we all know Mary Shelley wrote sci-fi before H. G. Wells or Jules Verne and was one of the main pioneers of the genre. Everyone’s familiar with Frankenstein and probably everyone looking at this post has read it. It is the first mad-scientist sub genre book and many consider it  the first work which can logically be labeled sci-fi.  But I’m going to talk about a lesser known book of hers that is also significant to the sci-fi  genre, The Last Man. It is the first written work  of the sci-fi sub genre of a sole survivor of earth. A still popular plot, often used in books and movies two hundred years later.

A good place to start with Mary Shelley’s work is with Mary herself. Mary Wollenstoncraft, an author and the most important feminist of the day, died due to child birth complications nine days after giving birth to her daughter, Mary Wollenstoncraft Godwin. Mary’s father was the famed philosopher and author, William Godwin. Shortly after his wife’s death, William married Mary Jane Clairmont. Mary Wollstonecraft Godwin grew up in a household with her half sister, Fanny Imlay, from a liaison her mother had with an American, and her step mothers’ two children from a previous marriage, Charles and Claire Clairmont, and her half-brother William, the child of her father and his  new wife.

When she was 16 Mary fell in love with the poet, Percy Shelley and ran off with him, even though he was married. Mary gave birth seven months into her first pregnancy and the premature baby died shortly after. Her next pregnancy produced a healthy son, William. Soon after that, Percy’s wife, Harriet,  drowned herself and her unborn child. Then Mary’s half sister, Fanny, committed suicide.  After that, Mary gave birth to a daughter, Clara. That child died a year later and the next year her son William died. She became pregnant again and gave birth to her son, Percy,  the only child who survived. After that Mary suffered a dangerous miscarriage she barely survived. Then her husband drowned in a boating accident. By the time all this loss occurred, Mary was only 24 years old. In the few sentences above, these facts about her life, we can see the tragedies she experienced contributed to her creations of both Frankenstein and The Last Man and gave her the emotions she needed to pull from to write them.

I also wanted to mention that at the time they were first published both Frankenstein and The Last Man received terrible reviews but both sold well and were widely talked about by readers of the day. Shelley was a brave author who wrote what she wanted to write even if it went against political, religious or social beliefs of the time. We owe much to her for that. The sci-fi genre owes much to Mary Shelley for that.

“The last day passed thus: each moment contained eternity; although when hour after hour had gone by, I wondered at the quick flight of time. Yet even now I had not drunk the bitter potion to the dregs; I was not yet persuaded of my loss; I did not yet feel in every pulsation in every nerve , in every thought that I remained alone of my race, — that I was the LAST MAN.”

The Last Man is set in the 21^st century and written in first person. The writing is elegant with marvelous description. Verney tells the story of his life. Through mistakes of his father, he and his sister, Perdita,  are cast out of a happy life into one of poor lonely orphans.  He forms a plan of vengeance against the people who brought this ruin. The main culprit was the king, who is dead. When the king’s son, Adrian, comes to Verney’s town he sets his plan in motion. However, Adrian turns out to be a great supporter of Verney’s  late father. Verney rises from his life of despair and longing with the help of Adrian, who becomes his lifelong best friend.  This circle of six friends: Verney, Perdita, Adrian a poet and intellectual , Raymond a hero nobleman (who marries Perdita) , Adrian’s sister, Idris  (who marries Verney) and Evadne, a Greek princess, have many ups and downs in their lives. Eventually, most end up married with children and quite happy and settled. But Perdita’s husband, Raymond, cheats on her with Evadne.  So Perdita leaves Raymond. A war between the Greeks and the Turks break out and Raymond fights in it as does Evadne. She dies on the battlefield and Verney finds her body and buries her. As Raymond is on his death bed from mortal war wounds, Perdita goes to him and forgives him. When he dies, she kills herself.

Soon after this an epidemic begins. It’s unknown what causes it or how it spreads. It goes from country to country. For a long time England is untouched by it. Due to the plague and several natural disasters in different parts of the world, England is filled with immigrants. Then the symptoms reach a patient in a hospital in London. In the year 2096 the few survivors of the plague in England decide to leave and find some untouched part of the world. Verney, Adrian, and their families are at the forefront of this group.

They sail from England, leaving it depopulated. The group decides to pass the hot months in the icy valley of Switzerland. As they journey there Idris, Verney’s wife. dies from the plague. By the time they arrive in Switzerland it, like every other place, is empty of people. After seven years the plague ends. Thinking danger has passed they leave the alps to go into Italy and pass the winter in Milan. Then they  spend the summer in a villa by a lake. There one of the children is struck with a sudden fever and dies. They burry the child and sail their skiff toward Athens. But a storm overtakes the ship . Everyone is drowned in the shipwreck except Verney.

Verney enters the town of Ravenna near where the wreck occurred. He sees oxen, dogs, horses, birds, and other animals but no men among them. After staying a while in Ravennna, he heads to Rome, the capital of the world, the crown of man’s achievement. He finds pens and paper and writes a book about his life, which is the book – The Last Man.  He leaves it in the ancient city of this world as a sole monument of Verney the LAST MAN. He then leaves Rome to sail around the shores of deserted Earth.

The Last Man is elegantly written with marvelous descriptions. It is written in first person with complicated characters. However, keep in mind it is written in the Regency era for Regency era readers. In that time period writing did not demand nor did the readers want fast pacing, hooks or a balance of dialogue and narrative. This book has far more narrative than dialogue. Therefore it may be slow reading for us modern readers. I had to push myself to get through it at times, but I am so glad I read it.

The next time you are writing, reading, or watching a movie or TV show with a mad scientist or sole survivor on earth plot, take a silent moment to thank Mary Shelley. And if you’re at a con or other event and someone says something like women are new to Sci-Fi, you might just want to remind them that women have been reading and wiring Sci-Fi for over two hundred years.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. Her latest Steampunk/Romance is Conquistadors In Outer Space. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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Get Your Gun

A. D. Cruize

Arewe’ C. Thereyet

The 42nd Airship Battalion’s Chief Engineer/Sr. Navigator, A. D. Cruize and Sky Marshall, Arewe’ C. Thereyet ran a Make & Take panel at the Steampunk mini-con in Houston, Twisted Gears. They revealed how easily we can turn toy guns into shiny Steampunk weapons.

Cruize and Thereyet came armed with an assortment of plastic toy guns for us to conveniently purchase and make into steampunk weapons to take home. Since plastic is light weight, it’s favorable for steampunk accessories. Keep that in mind when planning your outfit. Metal isn’t light weight or comfortable, especially if you live in a hot, humid climate like Houston, Texas.

You can aquire guns like the ones we used at the dollar store, Goodwill, Salvation Army, flea markets, garage sales or your own home. If you buy a used item, give it a good general cleaning before you paint it.

For those who chose water guns, the first thing they did was pull out the stoppers. Then, Cruise and Thereyet handed out sharpies and markers.  Before we began painting, we used our choice of colored markers to outline anything on the gun we wanted to stand out or define. Then, ready for the Rub’ n Buff, we picked the colors we wanted. Taking just a dab on our finger, we smeared it onto our weapons in a rubbing motion.

Rub ‘n Buff feels smooth and light on your fingertips and is so easy to apply. Made of carnauba waxes, fine metallic powders and select pigments, it gives a metallic appearance to anything you rub it on.  The important thing to remember about Rub ‘n Buff is a little dab will do you. You can find it at your local craft store but you’ll get a better selection of colors online and may find them cheaper there as well.

We started with the intricate parts of the gun. Spreading Rub ‘n Buff on as evenly as we could, we rubbed it over our guns until we reached the desired effect we wanted.

Remember a little bit will go a long way. You can meld the colors together for an interesting effect. If you accidentally get Rub ‘n Buff on an area you don’t want to, just smear a different color of Rub ‘n Buff over it.

Once your gun is dry, take a soft, clean dry cloth and buff it. Just rub it until you bring out the shine. You may want to decorate your gun with gears, charms or feathers. Remember with plastic, you have to follow specific procedures to get stuff to stick to it. For the right paint and adhesive for plastic go to This to That.

Everyone at the Twisted Gears Make & Take did a smashingly brilliant job on their guns and were pleased as punch with the results.  You can make a steampunk gun just as easily. Find guns like the ones your characters use in your books and Steampunk them as props for your own outfits or as giveaways for your readers. Readers love to receive items their favorite authors actually made. Transforming these guns is also a lot of fun.

I love to hear from readers and my fellow Steampunk authors, please comment below.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. Her latest Steampunk/Romance is Conquistadors In Outer Space. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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