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Archive for the ‘Victorian Life’ Category

stoneagearchitecturalEspecially for my friends who are in the cold snowy parts of the world, while I am here in Hawai’i suffering with a fan on to keep my room cool enough to sleep in… 😀

A quote from Godey’s Lady’s Book 1870 –

“A fireplace goes farther than anything else in giving to a room character and beauty. Every parlor, dining-room, and nursery, at least, should have one. In the cool weather of spring and fall, when the morning and evening air is a little sharp, or when a long cold rain-storm is making everything damp, moist, and uncomfortable, there is nothing more delightful, both for old and young, than a brisk fire upon an open hearth. With what beautiful rosy light and a gentle warmth, it fills a room, and how it laughs and dances and seems to say to every one, ‘be glad with me!’ And then, aside from its home-like beauty and good cheer, the depressing chills and miasma, the floating seeds of disease, will be seized by its friendly flames and whirled up the chimney before they have time to lay a finger on us.” – Sarah J. Hale

nadeausauctionWhat does a fireplace bring to a room in a novel. Do they gravitate toward it for warmth? Do they need the light to decipher a strange message? Perhaps they need to burn a document or piece of evidence?

Is it a stately marble creation with grand designs? Is there a dent in the copper plating? Would it benefit from some cleaning? What does that tell you about the occupants of the house?

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lampKerosene gets it name from the Greek word Keros (meaning wax). Petroleum, related to the production of Kerosene, was discovered in Pennsylvania in the mid-1800s and helped fund a number of American industrial fortunes. Oil for the home lamps had a new source.

Kerosene was cheap and burned brightly. Lamp development was quick and kerosene lamps were one of the primary light sources in homes during the second half of the 19th century.

studentlampThe Student Lamp (not used widely in America until late 1870s) was a special type of lamp. Rather than the static construction of most lamps, a student lamp was based off of a ‘stem’ and the actual light could be ‘swung out’ or positioned over a book or paper that needed illumination.

In our modern world, light sources cast WIDE beams and can make a room bright and cheery. The Victorians had a different experience.

When writing your stories.. keep in mind where the light sources are.

When you’re in a room at night or in the center of a house where there are no windows, where is the light?

How much light comes from each source?

How does that change where people stand in a room?

How does it change their activities in the dark hours of the day?

Or, if a character lacks the funds or access to such conveniences… do they go to sleep with the sun or find alternative methods of producing light?

Facts from – A Style and Source Book – American Victorian by: Grow & Von Zweck

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timemachine1Dickens On The Strand was earlier this month. It included a holiday parades of pirates, fellow Steampunkers, choirs of carolers, beggars, a host of other memorable Victorian characters and also the suffragettes. This picture of me next to H. G. Wells’ time machine as I’m wearing my Votes for Women sash is fitting. I went back in time on the strand as I marched with the Victorian suffragettes in the parade.

We sung: All I want for Christmas is the right to vote The right to vote The right to vote All I want for Christmas is the right to vote So I can govern my existence

votesMarching as a suffragette was a blast but the real suffragette movement was serious business and a long hard fight. Millicent Fawcett founded the National Union of Women’s Suffrage in 1897. The movement began with peaceful protest arguing that if women had to pay taxes they had the right to vote.

But because Fawcett’s progress through peaceful protests was slow, a lawyer, Richard Pankhurst, his wife, Emmeline, and daughter, Christabel, made a fresh attempt to gain the vote for women and formed the Women’s Social and Political Union in 1903. They pursued civil disobedience for the cause. Suffragettes protested by chaining themselves to railings and eventually by smashing windows.

As you make your New Year resolutions tomorrow, think about these brave women of the suffragettes movement who resolved to gain us the vote and did so, both Suffragettes in England and also in America. They gave us a great gift, the opportunity to vote.

Consider adding a suffragette sash to your Steampunk costume. I’m going to continue to wear mine. Also consider making one of your Steampunk characters a suffragette – it worked well for Mrs. Banks in Disney’s Marry Poppins film.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 24 published books. She creates stories with kilts, corsets, and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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newspapers In my search for things to do during the winter months, I encountered and interesting note to Victorian housekeepers. So for our Steampunk folks, here are some tips on how to reuse your newspapers… just like they did way back when..

Peterson’s Magazine 1890

USES FOR OLD PAPERS. – Most housekeepers know how invaluable newspapers are for packing away the winter clothing, the printing-ink acting as a defiance to the stoutest moth, some housewives think, as successfully as camphor or tar paper. For this reason, newspapers are invaluable under the carpet, laid over the regular carpet-paper. The most valuable quality of newspapers in the kitchen, however, is their ability to keep out the air. It is well known that ice, completely enveloped in newspapers so that all air is shut out, will keep a longer time than under other conditions; and that a pitcher of ice-water wrapped in a newspaper, with the ends of the paper twisted together to exclude the air, will remain all night in any room in midsummer, with scarcely any perceptible melting of the ice. These facts should be utilized oftener than they are in the care of the sick at night. In freezing ice-cream, when the ice is scarce, pack the freezer only three-quarters full of ice and salt, and finish with newspapers, and the difference in the tie of freezing and quality of the cream is not perceptible from the result where the freezer is packed full of ice. After removing the dasher, it is better to cork up the cream and cover it tightly with a packing of newspapers than to use more ice. The newspapers retain the cold already in the ice better than a packing of cracked ice and salt, which must have crevices to admit the air.

so… let me know if you try any of these and how they work.

Keep in mind that modern day inks are different. If you choose to try these out please be VERY careful if you use newspapers around food. Be careful… Be safe…

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st nick 2Dickens Christmas on the Strand, held in Galveston Texas, is full of old  fashioned Holiday fun. So lasso up the kids and heard then down to the strand. laso up the kidsTossing knives while ridding a unicycle … fun fun fun. Of course I won’t be trying that anytime soonfunA highlight of Dickens On the Strand is the Victorian Bed Races. The beds have to be Victorian style with head and foot-boards. photo photo 2photo 5photo 4

 

 

The beds must be decorated in a Victorian Christmas theme. photo 7cphoto 3cphoto 2b       photo 4cphoto 6c

 

 

 

 

 

 

Beds may only be pushed, from the back or the sides. No pulling allowed Teams begin at 21st and Mechanic Street and race westward to the intersection of 22nd and Mechanic. In the intersection, teams come to a complete stop and perform a “Chinese Fire Drill”, with every team member circling the bed once. Then one of the pushers dons a night cap and gown, without assistance, and changes places with the previous rider, who becomes a pusher.photo 16 photo 11photo 14 photo 17         Once the new rider photo 18is on the bed, the team races to the finish line. Awards are given for the fastest time and the best decorated.

I want to wish all the Steamed readers a Merry Steampunk Christmas and a lot of Victorian Holiday fun.

Maeve Alpin, who also writes as Cornelia Amiri, is the author of 24 published books. She creates stories with kilts, corsets, and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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1883More on activities for cold winter nights! There are two activities detailed in this section of Peterson’s Magazine 1883 – December edition.

The first may look familiar… In my childhood we called it Telephone… but when I think about it now, Telephone wasn’t a good name for the game… after all who whispers to another person on the telephone… strange but true. The Victorian name for the game seems to fit the activity better!

CHRISTMAS GAMES.

CONFIDENCES is a capital game in its way. One lady whispers a remark to her neighbor about someone present. She would say, perhaps: “Young Mr. jones was coming home from a party last night, and lost his way in the fog, and had to leave his carriage, and walk home with two boys carrying lanterns.” And this is whispered hurriedly from person to person round the circle, and the amusing part of it is to discover how the story has become altered by being passed on in this manner.

Many games are played entirely for the amusement of children, and only joined in by the elders with that object. It is not always easy at the moment to hit upon something to please children, other than romping-games, such as “Post,” Blind Man’s Buff,” “Puss in the Corner,” “Hide and Seek,” “Magic Music,” “Oranges and Lemons,” “Throwing the Handkerchief,” etc. But these games, although very well for the nursery or for the play-room on a wet day, or for the garden on a summer’s day, occasion a good deal of noise when played in a drawing-room. Children are apt to become rough and quarrelsome when these boisterous games are indulged in for any length of time, and parents generally prefer to see their children amused and interested in a quieter way. “Shadows is a good game where with to amuse children, but it is best to play it in the school-room or in the dining room. The plan is to fix a linen sheet across the room, and to place a lamp on the floor behind it; the actors dance and perform a sort of pantomime, with much gesticulation and many quaint antics, and the shadows thus formed on the sheet are a source of great delight to the young spectators.

What games would your characters play on a snowy evening when kept indoors? Could you play these games in the public rooms on an airship? Hmmm… what do you think?

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childrenFirst, my apologies for my disappearing act. It was not my wish. Diagnosed with carpal tunnel syndrome in both my hands, I have done my best to recover the full use of my hands, but still have bouts of pain and I can’t feel my fingertips. So, I owe you folks posts.. and I will make them… just horribly late. So very sorry for the wait. – Raye

Since this is the winter, hopefully of much content for all of you… I wanted to post about Victorian Era entertainments and crafts. Hoping that if you do end up with some ‘snow days’ you might have something to occupy your time in a Steampunk way!

Peterson’s Magazine – 1865

PARLOR GAMES.
FOX and GEESE. – There must be an even number of players in this game, and a circle is to be formed standing two by two, so that those who are on the outside have each one person in front of them; these are called the Geese, and there must be some space left between the couples, to allow the one who is chased to run in and out of the circle. Two must be left out, one a Goose, and the other the Fox.

The Fox is to catch the Goose not belonging to the circle, who can run around the circle and also within it, which the Fox cannot be allowed to do; but when the Goose, who is pursued, places himself before one of the couples composing the circle, there will necessarily be three in the row, and as this is against the rule, the outside one of that three immediately becomes liable to be caught instead of the other, and must endeavor to avoid the pursuit of the Fox by darting within the circle and placing himself before some one of the players.

It is the object of the Fox to catch the player who makes the third one of a row and it is the object of each Goose to avoid the third place. The Fox can only catch the Goose as he stands the third in a row, or before he succeeds in escaping to a place of safety. If the Goose is touched by the Fox while in the position of third one in a row, or if touched in passing from this third place to one of safety, he becomes the Fox instead, and the other becomes the Goose again. It will be observed that the amusement of this game will depend upon the spirit and animation with which it is conducted. Great rapidity of movement is necessary.

While I was reading/typing out the instructions, it struck me that the game was still around when I was in school. Back then (in the 80s) we called it Safety Tag and played it in the school yard during PE Class.

Would this game occupy children in the common room of an airship? In a village in a remote part of the world after a long voyage? Aboard a submarine to entertain the families of crew?

What kinds of games would children in your stories play on long winter days/nights?

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Victorian Halloween Customs

The traditions behind Halloween go back for thousands of years, however, the Victorians, with their love of décor and costumes, helped shape Halloween into what we know and love today.

victorian girlIn the Victorian era, Halloween was full of fun and silliness. There was no trick-or-treating, but there were elaborate parties, especially for young people. Sometimes the parties did involve costumes and theme parties became popular toward the end of the era. Magazines would feature articles on how to throw the best party and instructions on how to make various decorations. Neighbors would try to outdo each other’s parties.

Popular decorations included corn, jack-o-lanterns, gourds, streamers, and characters like ghosts and witches cut from paper. Typical Halloween party food included popcorn balls, doughnuts, apples, nuts, ice cream, and cakes.

Games were played, and given the Victorian penchant for the occult, it’s no surprise that fortune-telling and other such parlor games were popular. So were scavenger hunts and telling ghost stories.  Most of the fortune telling games were about love.

While trick-or-treating didn’t become popular until the 1920’s, many of these traditions are still used today in some way shape and form.

What is your favorite Halloween custom, past or present?

Suzanne Lazear is the author of the Aether Chronicles series which is a YA steampunk series about flying cars, faeries, wishes gone awry, and kissing. Books 1-3 are out now.

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peterson1888Fun without a television? *GASP* Horrors, you say?

In the Victorian Era, where much of Steampunk is set, entertainments in the home were very much a DIY experience.

Part of what I love about Historical Fiction and Speculative Fiction is research… love it… nerd-like love… oh, who am I kidding! NERD LOVE…

So, I thought I share some of the home entertainments discussed in my Peterson’s Magazine from 1888. Why this issue? ‘Cause It’s at my desk and I’m LAZY tonight 😀

Anywho… this is from pages 178-179 FIRESIDE GAMES

Games for Winter Evenings – We give a game or two more, for amusement on winter evenings. The “Magic Answer” is a game much liked. There are two ways of playing it, and it requires two confederates; one leaves the room and the company decides upon the name of any person they please; on being recalled, the other confederate puts the question, and asks “Is it So-and-so?” naming a different person each time. The answer is “no,” until the right person has been named, when it is “yes.”  The simple trick consists in always naming a person with white hair before the name of the person agreed upon. The correct answer creates much surprise as to how it has been arrived at.

– they say there are two ways of playing it… but um… they only gave us one way… *tsk tsk*
– the other thing is that they may not have explained it fully… the ‘company’ doesn’t know it’s a trick… needless to say the ‘tell’  changes depending upon the company… a room full of people with white hair will need something different

“Birds” is a rather fun game, if it is well played. Four or five ladies out of the company each choose the name of a bird, and whisper it to the gentlemen who is to sell them. Any of the company offers to buy a bird, and asks for the one he wants; the amusement consists in the badinage which passes between the birdseller and the purchasers, and the guesses as to which of the ladies is intended by the birds described; children and young people enjoy this game, and the description of the birds are made as apropos as possible. 

– I wonder how much flirting went on with this game… would the ladies choose their birds for a reason? What if it was a bird that had special meaning for the object of their affections.  Would they choose the bird hoping that he will ask for that very bird? Ah… romance… or frustration as may have happened!

 

More from the home entertainments of Victorians… NEXT time 😀

 

 

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If you don’t have access to ShowTime and you’ve wondered what Penny Dreadful is all about, let me clue you in. I enjoy the show and recommend it. Ethan Chandler a Wild Bill Cody type is hired by Sir Malcolm Murray and Vanessa Ives to find and rescue his daughter, Mina Hunter, kidnapped by Dracula. Dr. Frankenstein teams up with them as well. And Dorian Gray is added to the mix.

In honor of Penney Dreadful and Halloween month, October, I’m writing my three posts this month on Bram Stoker who gave us Dracula, Mary Shelley, who gave us Frankenstein, and Oscar Wilde who gave us Dorian Gray.

This post is for Oscar Wilde’s The Picture of Dorian Gray. “There is no such thing as an omen. Destiny does not send us heralds. She is too wise and cruel for that.”- from The Picture of Dorian Gray. It first came out as a serial story in July 1890 in Lippincott’s Monthly, a literary and science magazine published in Philadelphia.

In Penny Dreadful, Dorian is the sexy character. No one, male or female, can resist him. Oscar Wilde wrote him as the corruptible sort that ruins many young men and young women’s lives. Many things can be said about Mr. Wilde, the main one is he could write. He was well skilled in the craft. As soon as I began to read Dorian Gray I noticed Oscar Wilde’s brilliant dialogue tags.

Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy opium-tainted cigarette. “Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion.”

Great writing is timeless. Without question, Oscar Wilde was a great writer. As shown above, he begins the story with a secret. The artist, Basil Hallward will not exhibit his exquisite painting of Dorian Gray. Later in the book it’s revealed it’s because he’s so obsessed with Dorian he fears people looking at the portrait will be able to detect his love for the man.

Dorian is incredibly attractive, easy going, and innocent. He falls in love with an actress in a second rate theatre who performs in several Shakespearean plays. When Dorian takes his friends to see one of her performances, her acting is off. She didn’t put her usual level of passion into her performance due to that fact that she’d fallen in love with Dorian and acting wasn’t important to her any more. Only Dorian was important to her. So he dumps her. He loved her because of her talent. When he comes home he finds the portrait has changed – there is a line of cruelty at the mouth. He recalls the day the picture was finished he thought it unfair the painting would always be so beautiful but he would age. He’d wished it could be the other way, he’d stay young and the portrait would age. Then Dorian discovered the actress committed suicide because of him and things slide downhill from there. The picture changes not only with each mark of age but with each sinful act he commits while Dorian appears as young and innocent as when he sat for the painting.

There is a quote from the book, “Behind every exquisite thing that existed, there was something tragic.” The intense raw pain of the author is something all three books: Frankenstein, Dracula, and The Picture of Dorian Gray have in common. In The Picture of Dorian Gray readers share the emotional split Oscar Wilde endured just like the two Dorian Grays: one a picture and one a man. The hidden picture is more real than the man. In the Victorian era homosexuality was not only considered repulsive by society it was a crime. While reading Dorian Gray we feel Oscar Wilde’s pain in having to hide his real self, the guilt he felt and the confusion of having desires considered at the time to be horrid and unnatural. The Picture of Dorian Gray was banned and also used against Oscar Wilde in his trail in 1895. Convicted of gross indecency, he was sentenced to two years of hard labor.  The intense pain embedded in the story is one of the main things which make the book so timeless and so great.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 22 published books. She creates stories with kilts, corsets, and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus. Her latest Steampunk Romance is The Brass Octopus.

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asadmomentNavigating the intricate social rules of Victorian Society wasn’t easy. The strict regulation of conduct for everyone within society must have been oppressive to say the least. To know that along with your sorrow and grief, you were responsible to the entire community to do ‘right’ must have been a heavy burden for anyone to bear.

Researching Victorian Society is always fun… this subject matter is more interesting than it is ‘enjoyable.’ I did want to share some of the inspiration

mourningWife for Husband:
First Mourning – 1 year, 1 month: bombazine covered with crape; widow’s cap, lawn cuffs, collars
Second Mourning – 6 months: less crape
Ordinary Mourning – 6 months: no crape, silk or wool replaces bombazine; in last 3 months jet jewelry and ribbons can be added
Half Mourning – 6 months: colours: grey, lavender, mauve, black-and-grey

Mother for Child:
First Mourning: 6 months: black with crape; no linen cuffs and collars; no jewelry for first 2 months
Second Mourning: 4 months: less crape
Ordinary Mourning (there is no period for this)
Half Mourning: 2 months: colours: grey, lavender, mauve, black-and-grey

Parent for son- or daughter-in-law’s parent: (yes, it goes into THIS much detail)
First Mourning: (nothing mentioned)
Second Mourning: (nothing mentioned)
Ordinary Mourning: 1 month black
Half Mourning: (nothing mentioned)

halfmourningDaughter for Stepmother:
First Mourning: 12 months, as for mother if still at home: 6 months if not living at home (Black with black or white crape (for young girls); no linen cuffs and collars; no jewelry for first 2 months
Second Mourning: (nothing mentioned)
Ordinary Mourning: (nothing mentioned)
Half Mourning: (nothing mentioned)

The list is extensive…

How would you fare under these rules? Would you be able to alter your entire wardrobe and dressing style for these periods of mourning?

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At Apollo Con I attended the Amusements and Diversions in the Age of Steam – Magic Lantern show – by fantasy artist, Theresa Mather.

She showed us a photographic history of Victorian entertainment and oddities A popular fair attraction In the mid 19th century was the platform carousel with a circular floor rotating around a pole in it’s center and operated manually or by ponies. The carousel went steamed in 1861. Thomas Bradshaw created the first steam-powered mechanical carousel, (I call them Merry-Go-Rounds). That carousel and others of it’s day spun much faster than modern ones. It’s a wonder people were able to hold onto the horses during the ride. it was a thrill ride of it’s day. A high-point of early fairground art was the elaborate decorations created by Italian designers and craftsmen imported at the showmen’s expense and they even included lavish center organs.

The first Steampowered carousel inspired Frederick Savage to try his hand at making similar machines using the expertise at his agricultural engineering works at Kings Lynn.Savage’s first steam powered ride was a bycle carousel, the Velocipede. Savage also competed with several manufacturers to try to make carousel horses gallop and created their first platform galloper in 1885. The same year Messrs Reynolds and King designed the overhead crank system. By the end of the 19th century crank-action gallopers were a popular ride. The steam engine connected to a spinning top that in turn linked to the platform.One  variant used galloping cockerels rather than horses.

In 1880 the partnership of Frederick Savage and William Sanger gave birth to another novelty ride, Sea on Land. Replicas of seafaring vessels were pitched and tossed by mechanisms beneath their hulls. Then a patent taken in 1888 introduced the Steam Yachts the ultimate mechanized swing ride. William Cartwright of Bromwich first succeeded in building a set using upright cylinders. The Steam Yacht rides used huge boats able to carry 20 or more people at a time.They even named the ships after giant ocean-going liners like the Lusitania, Mauritania. Cymric, and Celtic, although Olympia and Titanic proved short lived names..These rides were gorgeous in full swing as the boats had lavishly painted bottoms.

Savage also created the Razzle Dazzle ride, with seats and an outter wall it tilted side to side as it spun around. By 1885 Savage made the ride Tunnel Railways, a locomotive pulled carriages on a circular track with a tunnel. Frederick Savage enjoyed prominence as the pioneer of the steam roundabout but several engineering firms  along with some amateurs. Robert Tidman of Norwich, Thomas Walker of Tewkesbury and William Howcroft, of Hartlepool, all emerged as competitive manufacturers of steam powered rides by the 1880s.

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Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

 

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I recently worked a temp job where my co-workers sent a group email once a week when the food trucks came to the area. Everyone was always so excited about lunch on those days. It was the one time they all went to lunch together. In a large group they’d walk over to where the food trucks parked to try out the different ones. Some of the most popular food trucks in Houston, where I live are Yummy’z Kitchen serving American classics, the waffle bus with their gourmet waffle sandwiches, and FoodGasm offering everything from burgers and lobster rolls to wings and waffles and deep-fried Oreos. I love the food trucks that come to the Houston Highland Games each year where I get cultural delicacies such as haggis, bangers and mash, and scotch eggs and Irn – Bru to wash it all down. I haven’t got my granddaughter to try haggis yet but I did get her to each a scotch egg. She loved it. And everyone loves food trucks. Here are some great photos of actual Steampunk food trucks. It might surprise you to know food trucks aren’t new. And, yes, they go back to Victorian times. They were called lunch wagons then.

In 1887, Walter Scott, a Rhode Island pressman at the Providence Journal, made extra money selling homemade sandwiches and coffee he carried in baskets to co-workers. This little side business did so well Scott upgraded to a horse-drawn wagon with walk up windows on each side. There, he served fresh sandwiches, hard boiled eggs, sweet pies, and steaming coffee. Scott’s customers, these late night regulars and shift workers, were the rough and rowdy kind. He often had to hold their hats as collateral until they paid for their sandwiches.  Sometimes he even had to collect  payment with a club. It seems selling sandwiches in the Victorian age wasn’t for the faint of heart.  Still, his business boomed. Soon copy cat lunch wagons popped up giving him some local competition.

A Massachusetts wagon owner,  T.H. Buckley, discovered building lunch cars was more profitable than operating them. Commercial production of lunch wagons began.  The leading advantage of Buckley’s design, No. 22,743, Patented Aug. 22, 1893, was a series of windows extending  around the wagon and a door on either side of the wagon. The row of windows in the upper portion of the wagon body added a light and airy appearance. Buckley’s wagons also had large wheels to maneuver over the cobblestones, overhangs to keep patrons out of the rain, decorative murals, frosted glass and shiny fixtures, as well as ice boxes and cook-stoves.

The united States post Office honored these early lunch wagons with a 29 cent Lunch Wagon stamp issued on April, 12, 1991.

Food Time Line is a great source for 19th century foodways for Steampunk stories – authentic saloon menus are even listed and a recipe for a pioneer birthday cake as well as Queen Victoria’s favorite foods. Also click here for some great Lunch Wagon images.

If you enjoy eating at food trucks keep that in mind when writing stories set in the 19th century. Have your characters stop by a food wagon or create a character who owns a food wagon.

~ ~ ~

Maeve Alpin, who also writes as Cornelia Amiri, is the author of 19 books. She creates stories with kilts, corsets, fantasy and happy endings. Her latest Steampunk/Romance is Conquistadors In Outer Space, which is as crazy and as entertaining as it sounds. She lives in Houston Texas with her son, granddaughter, and her cat, Severus. Maeve Alpin will be making several appearances this month at the Romantic Times Book Lovers Convention in New Orleans and at Comicpalooza in Houston.

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Happy Halloween. Many of our Halloween traditions began with the Celtic New Year festival, Samhain, (Sow wen). This was a day without time as if fell between the old year and the new. On this day the veil between Earth and the Otherworld was at its thinnest.

In my Steampunk Romance, To Love A London Ghost, Samhain comes up a lot. The heroine, Cerridwen, is a ghost of a Celtic warrior woman, who died fighting Julius Caesar. She comes back to earth for Samhain.

Here’s a short excerpt from To Love A London Ghost:

What type of evil had come over the land…her Londinium? Phantasms were to be honored and revered on Samhain. Her descendants should have greeted and welcomed her with a platterof food from the feast. No one laid out food for the ancestors anymore. Where was Ceridwen’s plate of food? Where was Ceridwen’s honey oat cakes? It had been hundreds of years since she came for Samhain. She’d been in eternal rest for many years, a long nap, but she woke up and journeyed all the way from the Otherworld, to visit her descendants and feast with them, yet there was no feast.

Here’s another:

“Algernon doesn’t know as much as I do and he’s not quite dead, not yet.” Ceridwen focused her energy on Charlie’s rifle and it slid across the floor, far out of his reach. “Celtic spirits can take another body any time they wish.” She floated in front of Sexton.

“It’s the reason we rub ash on our faces at Samhain, to look like ghost so the spooks won’t steal our bodies.”

“I’m not sure I quite understand, my dear. You may have to explain again and go a little slower for me, because it sounded like you just said you can take over Algernon’s body.” Sexton carefully stuffed the pistols back in his pockets.

A lot of changes took place in England between the times when the Celtic tribes ruled and the era when Queen Victoria ruled. Samhain became christianized into All Saints Day, November 1, also known as All Hallow Day. People began using the term Halloween as a contraction of “All Hallows’ Evening”

In the later part of the 19th century, the Victorians began to make Halloween less about spooks and more about parties. As we know, the Victorians loved a good party. These events included a harvest theme, dancing, romantic divinations and parlor games.

Predicaments was a popular game. Players gathered in a circle and they each whispered a predicament to the person on their right. Then, they whispered a solution to the person on their left. That’s where the fun came in. Someone would start the game off, mentioning the predicament given to them. For example, Miss/Mr so-and-so, what would you do if you had blood on your collar after you dreamed of kissing a vampire? The person asked, uses the solution they were given. Which might be something like, I would eat a turnip. The solution and the predicament were unrelated, which made them funny. It would go on like that until everyone in the circle was questioned.

halloween postcards- click to go to site

Apple paring games were quite popular. In one, single women peeled an apple, trying not to break the strip. They’d toss the apple rind over their shoulder. The shape of the letter the peel resembled most was the beginning of the name of the man they’d marry.

The Ouija board was also a popular Victorian board game and perfect for Halloween.  Also, telling ghost stories was always a big hit. No one can discount the fun of sharing ghost stories. It was on a rainy evening when Mary Shelly and others guests of Lord Byron’s were reading German ghost stories to each other. Lord Byron challenged everyone at the party to write their own ghostly tale. Shortly afterwards, Mary Shelly came up with the idea for Frankenstein.

Here from Steampunk Ghostly Tales is Ghost Hunting Steampunk Style. Halloween in Skeleton Bog  http://www.youtube.com/watch?v=b8W-aG8SDQ8

Contest: As a Halloween treat, I’ll send one winner a PDF eBook of my Steampunk ghost story, To Love A London Ghost. It has a traditional romance heat level of three flames. Please comment below and include your email so I can contact you if you win.

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Maeve Alpin, who also write as Cornelia Amiri, is the author of 19 published books. Her latest Steampunk/Romance is Conquistadors In Outer Space. She lives in Houston Texas with her son, granddaughter, and her cat, Severus.

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Photo by Richard Alois

Photo by Richard Alois

Gothic London, its varied history, and just getting to and from places has kept me so busy and exhausted over the past month that I’ve shirked my duties as guest blogger for STEAMED. My apologies. Even now as I write this, I’m on a bus to the train station to see the editor of Gearhearts Steampunk Glamour Revue, Patricia Ash. Unlike most places in the USA (and even many in the UK), traveling in London can be an all-day affair. If I’m out of the flat (and not indulging in a frothy mocha at a Starbucks), I’m either on a bus, on the tube, or walking up to 10 miles a day exploring this glorious city. I’ve even hired a Barclay Bicycle and tooled around a bit. Great fun. It’s not unusual that I get totally lost walking from here to there, even with my Mini A to Z, discovering many wondrous things along the way. Things, of course, that I would unlikely ever be able to find again.

I highly recommend going on guided walks in London on your visit, but not through London Walks. Although they have a varied menu of walks, it’s really hit or miss with the guide and crowd. It’s not unusual for them to have 50-100 people on a walk, and then it’s a big mess. You can’t hear the guide and your constantly moving with a huge crowd. Not fun.

For you Gothic Ghost Story fans, I can’t recommend the walks hosted by Richard Jones enough. He came highly recommended to me by my writerly colleague Leanna Renee Hieber. Richard has written something like twenty-three books on haunted London. Leanna used some of his ghosts in her fabulous Strangely Beautiful series.

Last week I had the great pleasure of meeting Richard and talking about publishing and marketing with him between the stops on the Sweeney Todd Haunted Walking Tour, which I thoroughly enjoyed. His dramatic presentation of ghost stories and history is fabulously entertaining. On his walk, I learned that many of the churchyards throughout London are higher than the rest of the city. This is because in the early 19th century, they were quite literally burying people on top of one another. The gravediggers would dig up a grave, move the existing bones out of the way, wait until after the current mourners were done saying their goodbyes, and then they’d slip the bones back in the new grave.

In the 1830s, a law was passed that closed many of the overrun graveyards in The City of London, including the Cross Bones Graveyard, on which I wrote about in June 2013. At this time, cemeteries were set up around the perimeter of London, like Kensal Green Cemetery, close to where I stay while in London. I’ll be visiting Kensal Green Cemetery shortly, and I’ll hopefully have a report on their catacombs! Seven of these cemeteries were built, known affectionately as the Magnificent Seven.

There was also a practice called “fishing” among grave robbers. Grave robbing could be a lucrative business at £12-15 per body (a considerable amount of money then), but it was also against the law. Grave robbers had to get in and out quickly before the cemetery security watch made their way back around. Family members would arrange things on the fresh grave in a particular way so they’d know if the grave had been disturbed. Thus, the grave robbers would first take note on how things, flowers and tokens and such, were arranged on the grave. Then they’d dig a thin notch across near the top of the grave, crack open the coffin with their shovel, and lower a rope down into the coffin and around the corpse. They’d pull the body out of the grave, strip it of it’s clothes and jewelry, for it was death if caught stealing personal property. A dead body, however, just carried a hearty fine. They’d put everything back the way they found it and then sell the corpses to doctors and medical schools for research.

There are hundreds of thousands of graves all over London, in the many churchyards as well as in larger cemeteries like Brompton Cemetery, also one of the Magnificent Seven. I visited Brompton Cemetery my first week here because it appears in my book Avalon Revisited. I rode a Barclay Bicycle through the ancient grounds in awe. This is where my characters Arthur and Avalon discovered the resurrected Pembertons.
O. M. Grey in London

O. M. Grey in London

I’ve had a lovely time visiting historical places, Harry Potter filming locations, and all the places in my books. I’ve made a preliminary map for readers interested in seeing the settings themselves. Perhaps 2014 will bring a proper O. M. Grey and Leanna Renee Hieber tour of London.

For now, I’ll take my leave until (hopefully) two weeks from now when I’ll have more Gothic Goodies to share. Until then, more mochas, more exploration, more walking and then even more walking.

-_Q

Olivia M. Grey lives in the cobwebbed corners of her mind writing paranormal romance with a Steampunk twist, like the Amazon Gothic Romance bestseller Avalon Revisited. Her short stories and poetry have been published in various magazines and anthologies, like SNM Horror Magazine and How the West Was Wicked. Ms. Grey also blogs and podcasts relationship essays covering such topics as alternative lifestyles, deepening intimacy, ending a relationship with love and respect, and other deliciously dark and decadent matters of the heart and soul.

Read more by O. M. Grey on her blog Caught in the Cogs, http://omgrey.wordpress.com

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