Feeds:
Posts
Comments

Archive for the ‘releases’ Category

ALNTcoverThe dark twists and turns of Edgar Allan Poe’s mind have inspired many a nightmare and some hazy imaginings…

Aadenian Press has published “All the Night-Tide” – an anthology of Steampunk stories inspired by poems written by the Victorian writer.

This is the first of TWO posts about the release of “All the Night-Tide”


I asked Hazel Butler, the editor of the collection, about the anthology.

“When we were first batting around ideas for this anthology, there were a lot of them. So many possibilities. It was, however, eventually decided that since Aädenian Ink was founded for the express purpose of publishing Gothic and Steampunk art and fiction, it seemed natural that this, our first anthology, reflect that goal. The possibility of drawing on the works of Edgar Allan Poe presented itself very early on in the creative process as he is a much-loved Gothic author, and has such a wide range of works. It was decided that each piece in the anthology should be based on one of Poe’s uniquely dark and delicious poems. It was further decided that we wanted these stories to have a Steampunk twist to them.”

The selection process for stories can seem mysterious to some. Hazel explained how the stories were picked  for the anthology.

“The process of selecting the stories was quite a simple one in the end, at least in terms of the process. Editor Hazel Butler read all submissions and basically chose her favourites. That left a pile of about fifteen or sixteen. We couldn’t include all of those so it had to be whittled down. In the end she chose those stories that she felt had entered into the spirit of the anthology the most. In some cases this was simply a matter of them being well based on a poem and having a Steampunk theme or Steampunk elements. In other cases it was a deeper sense that they were truly quite Gothic in tone and reflected the nature of Edgar Allan Poe’s work quite well.”

The cover artwork is truly an amazing image and there are individual story graphics inside the anthology. I asked Hazel about the images in this volume: 

“The artwork is a combination of several images by artist Alice Rope, who recently did a large exhibit of bird studies. Three of these were of a raven or crow, and this tied in very nicely with the central ‘Poe’ image of the raven that was chosen for the cover design. The cover itself is a digital painting that was done by the Editor, Hazel Butler, who is also an artist and author. She used the raven to represent one of the most well-known poems of Poe, and the image of the woman, in all her Steampunk finery, holding the raven in a cage, was a good ALNTcoverrepresentation of what we were trying to achieve in the anthology – the melding of the two genres. On the back cover, the raven appears again in silhouette, this time free of the cage. Hazel and Alice also illustrated several stories each, with illustrations done specifically for the stories.”

The anthology is currently available at Amazon.com in hardcover. There will be a kindle edition available later.

 

Next week Friday, you’ll have the opportunity to hear from the authors…


As a contributing author in a number of anthologies, Ray Dean enjoys writing about many different cultures. Steampunk speaks to her in a retroactive futurism that opens so many possibilities. Her blog, My Ethereality (http://raydean.net), explores history, culture, war and love in eras and countries that influence the Steampunk world.

Read Full Post »

GoS_WebBetween now and October 31st I’m giving away several Kindle copies of my works, including the new Avalon Revamped, the eclectic collection Caught in the Cogs, and the teen romance The Zombies of Mesmer. The last is in preparation of The Ghosts of Southwark (its sequel) release on November 1st.

A few of these giveaways have already come and gone. Those who “like” my FB Fan Page were the only ones in the know, so go “like” that page now. You wouldn’t want to miss out on future freebies!

For the others, stay tuned to my Amazon Author Page to see what’s free when between now and Halloween. You’ll get hints as to when the next free book is available on my FB Fan Page.

Additionally, I’ve put up several new, never-before-seen short stories on the Kindle, all for under $2. Steampunk readers will especially be interested in “The Clockwork Heart,” written in the style of H. G. Wells. Here’s what one reader says about it.

This author has captured the feel of a period piece and still engaged the reader in the manner of a modern piece of fiction. Very engaging, her writing casually sneaks in and demands your attention. I enjoyed this story thoroughly.

Here’s a list of all the short stories recently listed on Kindle:

“The Clockwork Heart” – Written in the style of H. G. Wells, this Gothic Steampunk story will make your heart bleed and your skin crawl. $1.49 (FREE with PRIME, as are the rest below)

Inevitable Enlightenment.” Trace the existential thoughts of a zombie after the apocalypse. $0.99

Come to Me.” Jason’s boring Monday turns into one full of adventure and horror when his mother’s strange affliction takes him and his sister around the world. Based in Scottish Mythology. $0.99

The Handy Man.” After losing his hand in a work accident, Linus Cosgriff adapts a new invention to please women and relieve them from symptoms of hysteria. Adult Content. $1.99

Heart of Stone, Flesh of Ice.” Several men mysteriously disappear after a night of passion during a ski vacation. Based in Japanese Mythology. $1.99

Hannah & Gabriel.” Dark Fantasy Steampunk retelling of Hansel & Gretel. $1.99 (This story is also available along with 11 others, poetry, and articles in the collection Caught in the Cogs: An Eclectic Collection for only $2.99.)

-_Q

OMG_2013Olivia M. Grey lives in the cobwebbed corners of her mind writing paranormal romance with a Steampunk twist, like the Amazon Gothic Romance bestseller Avalon Revisited and its sequel Avalon Revamped. Her short stories and poetry have been published in various magazines and anthologies, like SNM Horror Magazine and How the West Was Wicked. Ms. Grey also blogs and podcasts relationship essays covering such topics as alternative lifestyles, deepening intimacy, ending a relationship with love and respect, and other deliciously dark and decadent matters of the heart and soul.

Read more by O. M. Grey on her blog Caught in the Cogs, http://omgrey.wordpress.com

Read Full Post »

CHARMED VENGEANCE in the wild photo contest!

Send me your pictures of CV in the wild — you with your copy, in the bookstore, etc. There will be prizes for the most creative, silliest, most steampunky, and cutest. Use your imagination (but be kind if you’re in a public place and you should know the people in the pictures.) Email them to suzannelazear@yahoo.com with PHOTO CONTEST in the header. Contest ends August 30, 2013. If your under 18, please have your parent’s permission.

Come join us on August 13 at Coffee Time Romance for an online release party with prizes!

Have a great week everyone.

~Suzanne

Suzanne Lazear is the author of the YA steampunk fairytale series THE AETHER CHRONICLES. Book 1, INNOCENT DARKNESS and Book 2, CHARMED VENGEANCE are out now from Flux wherever books and ebooks are sold. For more information on the series please visit www.aetherchonicles.com

Read Full Post »

I have an online class on writing the punk genres that starts today and runs until September 1.  You should check it out, it’s not too late to join.

I’m super excited because CHARMED VENGEANCE, book 2 in my Aether Chronicles series releases on Thursday — and the book will be available wherever you like to buy your books and ebooks. 

If you’re in SoCal, please drop by one of my signings!

Friday, August 9th — Vroman’s, Pasadena, CA 7 pm,
Wear your steampunk or faery best. There will be prizes, swag, and cake!

Saturday, August 10th–Mysterious Galaxy, San Diego, CA 2 pm
Wear your steampunk or faery best. There will be prizes, swag, and cake!

Also, there’s a great CHARMED VENGEANCE giveaway at YA Book Central.

The Book 2 Blues

by Suzanne Lazear

CHARMED VENGEANCE is book 2 of my Aether Chronicles series. Writing a second book in a series is very different from writing the first book.

Charmed Vengeance 1Book 1 is new and shiny. The sky is the limit. You can do anything. Say anything. The endless possibilities are part of what makes a new book in a new series so appealing and exciting.

Book 2 is different.  Where book 1 is an empty canvas, book 2’s canvas is already started. You can take it in new and different directions, and do exciting things, but it still has to coordinate with what was started.

That’s where the challenge lies.

The world has already been established and what was an amazing idea or a throwaway line in book 1 could hinder book 2, causing you to rethink your plotline, since you can’t undo what has been written in a published story the way you can in a draft.

It can be hard to build on book 1 and expand on the previous world while leading up to book 3 while making it a story in itself, one that stands alone and is compelling and interesting in its own right. A story that’s even better than book 1.

That’s quite the challenge, right?

But wait, there’s more.

For me, book 1 was written at my own pace, in my own time, for my own amusement. I could take as long as I wanted to make it compelling, perfect.

For book 2 I didn’t have the luxury. Book 2 was on contract. I was writing it on a schedule, and I had to deliver, on time. This can be a challenge if you’ve never written on deadline, and even if you have, staying on task while writing an entire book can also be a challenge. Where I’m used to deadlines, I also can get distracted, not to mention I’m not a stay-at-home writer.

But for all the challenges, there’s something unique about writing a sequel because it’s harder.  It’s another accomplishment in the life of a writer. Finishing it is an exhilarating accomplishment in itself, just like finishing a jigsaw puzzle and it actually resembles the box.

Where book 1 is a discovery as you create new characters and new worlds, book 2 is a reunion with old friends.  You’re reunited with the old crew for a new advenute and that’s thrilling and exciting in itself.

Writing book 2 can be a challenge, but it can also be amazing, because it’s harder, because it’s a continuation and there are expectations. You have readers, people who want this story, who are invested in your characters.

You have a second book.  Tell the story that needs to be told.

I know personally, I love CHARMED VENGEANCE even more than INNOCENT DARKNESS.  I hope you love it, too.

~Suzanne

Suzanne Lazear is the author of the YA steampunk fairytale series THE AETHER CHRONICLES. Book 1, INNOCENT DARKNESS is out now and Book 2, CHARMED VENGEANCE releases 8-8-13 from Flux. They’re available wherever books and ebooks are sold. For more information on the series please visit www.aetherchonicles.com

Read Full Post »

Today is the final day of Steampunkapalloza. Thank you so much for helping us celebrate Steamed’s 4th birthday.  I can’t believe we’ve been running this for FOUR years–and we couldn’t do it without you.

Today I have a very special post, an interview with James Blaylock, one of the founding fathers of Steampunk.  His new steampunk release The Aylesford Skull is available from Titan Books as both a trade paperback and as a special, signed, first edition.

The great folks at Titan have given me a copy of The Aylesford Skull for one of you!!! One lucky person will win! (see below for details.)
Suzanne: Welcome to Steamed! Can you tell us what the story of your recent release is about?

Ayelsford Skull Main 2_1.jpg.size-230James Blaylock: That’s a tough question, because the novel is full of plot turns, and I don’t want to give too much away.  Even the jacket copy is a spoiler, to some extent.  The main character, Professor Langdon St. Ives (featured in other novels, novellas, and stories that I’ve written over the past 35 years) has semi-retired from adventuring and is a gentleman farmer, growing hops in Aylesford, Kent.  Loathsome crimes occur in the area, however, and he begins to suspect that his old nemesis, Doctor Narbondo, is up to no good.  His new, comfortable life very shortly flies to pieces, and he and a cast of characters become embroiled in personal and world-threatening conflicts involving river pirates, dirigibles, grave robbery, magically altered skulls, kidnappings, swamps, Neolithic coal, paranormal chicanery, and so forth – heaps of things that the reader has been anxiously awaiting without, perhaps, being aware of it.

S: Where did you get the ideas for this story?

JB: I do a lot of research when I’m writing Steampunk, and I find myself abruptly influenced by odds and ends of things that I discover in the moment and that I knew nothing at all about two minutes earlier.  I’m also continually influenced by the books that lie around on my desk, and that I read over and over again for the pleasure of it.  I’m a fan, for instance, of the novels and stories of Patrick O’Brian and for the short stories of James Norman Hall in the collection titled Dr. Dogbody’s Leg.  I tend to reread The Pickwick Papers and whatever volume of Sherlock Holmes stories is closest at hand.  All these books are close at hand, in fact, in the “favorite books” bookshelves over the desk.  It’s often been the case that I run across throwaway ideas in the things that I read for pleasure: a mention of this or that, or a brief bit of intriguing setting detail.  When that happens, sometimes something useful will come into my mind, which I immediately clutch with both hands and hold onto.  Also, I’m crazy about old reference books that contain fascinating information that’s long out of fashion, one of my favorites being Wonders of the Universe, a Record of Things Wonderful and Marvelous in Nature, Science and Art (which has a very convincing chapter on plesiosaur sightings).  That one piqued my interest in Japanese magic mirrors, which set off a train of strange notions in my mind, resulting in the skull lamps featured in The Aylesford Skull.

S: This is the next in a series, right? How did this series come to be?

JB: That’s a moderately long tale that goes back to 1977, when I wrote a short story titled “The Ape-box Affair” and sold it to Unearth magazine.  That was my second sale as a fledgling professional writer, and it became the first Steampunk story published in the U.S.  (Actually, K.W. Jeter and Tim Powers and I were all writing that sort of stuff in our own ways, but I lucked into print first.) I was on a Robert Louis Stevenson binge at the time and had recently read The New Arabian Nights and The Dynamiter, and it came into my mind to write a wrong-box story – several similar boxes abroad in London that get mixed up.  I was also crazy for P.G. Wodehouse, and my head was full of the sound of his prose and the voices of his goofy characters.  I had no idea at the time, but the characters I created in “The Ape-box Affair” would keep surfacing often enough in the following years that very soon they became series characters.  They’re more fully drawn now and far more active than they ever were in the past.

S: You’re one of the “founding fathers’ of Steampunk, can you tell us a little about how Steampunk came to be?

JB: K.W. Jeter, Tim Powers, and I were friends (still are) in the 1970s.  After we graduated from the university, we were young enough and idle enough to have time to hang around with each other during the day.  We were all new writers at the time.  I had published my first short story, and Tim and K.W. had sold novels.  I was enthusiastically working on an impossible novel, which I would figure out how to write several years later as The Digging Leviathan.  All of us were big on Victorian literature.  K.W., who had a degree (I seem to remember) in sociology, had read Henry Mayhew’s brilliant London Labour and the London Poor, and was regaling us with wild accounts of treasures and feral pigs in the London sewers and that sort of thing.  Tim was researching and writing the novel that would become The Drawing of the Dark, and K.W. was writing Morlock Night.  Much of our “research” went on at O’Hara’s Pub in downtown Orange, California, where I lived at the time and still do.  (I mean I live in Orange, not at O’Hara’s Pub.)  K.W. and Tim were living in a bohemian sort of neighborhood  in nearby Santa Ana, where Phil Dick was living at the time.  None of us had the idea of writing any particular sort of thing at all.  It simply seemed right and natural to set a story where the story seemed to want to be set, and all-things-Victorian were on our minds.  It was nearly a decade after “The Ape-Box Affair” and Morlock Night were published that K.W. would coin the term Steampunk, which abruptly gave shape to the whole thing.  Up until then we had no idea that these novels and stories formed any sort of science fiction subgenre.  We weren’t trying to achieve anything much beyond publishing stories and novels.  We might as easily have been writing pirate fantasies (which would come later for me, unsuccessfully, and for Powers, successfully) or vegetarian thrillers or protozoan stories like Twain’s “The Great Dark,” which I was also fond of at the time.  We might easily be Piratepunks or Vegetarianpunks or Pondwaterpunks now.

S: How have you seen Steampunk evolve from when you first started writing to now?

JB: It certainly has changed, largely by growth and the odd and interesting business of its having affected pretty much all the arts by now.  Whatever literary tastes a reader might have, he or she can find Steampunk examples of that thing in growing abundance.  As for my own writing, however, I’m doing the same thing today that I did 35 years ago when I wrote “The Ape-box Affair.”  If the writing has evolved, it has evolved in the sense that I’m a better writer now.  I bring 35 years worth of stuff to my writing that I couldn’t bring to it back then.  My ear for the language is better, I do more adequate research, I work harder to get rid of anachronism, etc.

S: Are you a plotter or a pantster? Can you tell us a little about your writing style/schedule?

JB: I’m an inveterate outliner, actually: I’m very nervous about promising a story or a novel to a publisher without having a fairly clear idea of what it will entail.  Over the years I’ve sold most of my books after showing the outlines to editors, and that was the case with The Aylesford Skull, my first novel to be published by Titan Books.  I was happy to provide evidence that I actually had a story to tell, and that Titan could safely advance money to me.  That being said, I’ve always hidden the outlines away in the drawer once I’ve finished them, and most of what develops in the novel is purely organic.  My best ideas come into my mind during the writing, when I’m not actively looking for them.  The outline abdicates once the writing starts, because if the outline is on my mind, then fresh ideas have a harder time finding their way in.  I wish I had a writing schedule, actually.  Currently I teach full time at Chapman University, and I also direct the Creative Writing Conservatory at the Orange County School of the Arts (where Tim Powers teaches poetry and novel writing).  So during the school year you can find me frantically driving around town, eating my peanut butter and jelly sandwich lunch while flying from one place to another.  I’m up at 5 a.m. and often put in 12-hour days, but there’s no time to write during most of them.  So I grab time during vacations and over the summer.  When I’m up against it, my weekends disappear into whatever I’m writing, and I take reference books and etc. along on vacations.  Like most writers, sitting down to write is a frustratingly wasted effort unless I have a several-hour block of time in a moderately quiet house – enough time to read something relevant for half an hour first to compose my mind.  The Aylesford Skull took two years to write.

S: What’s next? Can you share anything with us about any new projects (in any genre)?

JB: I’ve just turned in another Steampunk novel to Subterranean Press – a short novel that’s a companion to my two previous Sub Press productions: The Ebb Tide and The Affair of the Chalk Cliffs.  This new one is titled The Adventure of the Ring of Stones.  I’d chat about it here, but in many ways it beggars description.  I’m also working up a new novel for Titan Books, which (I’m fairly sure) will tie up a loose end in The Aylesford Skull, although the tying up is only a very small fraction of what the novel will be.  Also, a few months back I published a young adult novel titled Zeuglodon, the True Adventures of Kathleen Perkins, Cryptozoologist, and I’ve got the plot for a followup adventure in my mind.  That book really wants to be written.  In short, I’ve got too many writing projects vying for my time.

S: Anything else you want to tell everyone?

JB: Only that readers are my favorite people, and that if they read my books, I hope they enjoy them.  Also, and maybe more vitally, I read recently that a meteor is going to take out the earth in another 25 years.  It’s hurtling toward us as we speak, giving us the glad eye.  So whatever you really want to do, don’t put it off.

–Cheers, Jim Blaylock

http://jamespblaylock.com/

James Paul Blaylock  is noted for a distinctive, humorous style, as well as being one of the pioneers of the steampunk genre. Despite his close association with Steampunk, most of his work is contemporary, realistic fantasy set in southern California, typified by books like The Last Coin, The Rainy Season, and Knights of the Cornerstone. When he’s not teaching or writing, Jim spends his time going to the beach, gardening, working on the family home in Orange, California, traveling, and building sets for local community theaters.

 

To win The Aylesford Skull just leave a comment below. Open internationally. Contest closes May 7, 2013 at 11:59 pm PST. 

 

Suzanne Lazear is the author of the Aether Chronicles series. INNOCENT DARKNESS is out not, CHARMED VENGEANCE releases 8-8-13. Vist www.aetherchronicles.com for more info.

 

Read Full Post »

Carousel Horse(photo from http://www.publicdomainpictures.net/)

The circus was a big part of British life in the mid-1800s. Much like the one run by Belinda’s great-uncle, traveling troupes featured side shows, trick riding, acrobats, clowns, and animal taming, along with early carnival rides. Some traveled by train, others by caravan, and my imagination has applied the steampunk elements. For a good article on Victorian circus, you can go here, to an article from the Victoria and Albert Museum.

Here’s a tiny taste of what Connor and Belinda find when they go undercover in the circus: (excerpt ©2013 by Cindy Spencer Pape)

The morning of the circus opening was hectic, but Connor couldn’t help a sense of exhilaration. A crowd of people crowded around the fence watched anxiously as Nicky Smith, the owner’s nephew and mechanical army survivor, stoked the calliope, and performers scurried back and forth getting ready. The scents of animals and roasting peanuts filled the air.

Connor, in his role as assistant ringmaster, was meant to patrol the grounds, nominally overseeing all the workers, but mostly watching the crowd for their adversaries. Today’s goal was to establish that the magick in the circus as real and make sure it was impressive enough that word would spread. He’d spoke to Merrick and Fergus about the Builders’ Guild and the Architecture and Arts Association the night before, and Merrick would look into those today while the circus was busy here.

About half an hour before the gates opened, Connor ducked into the fortune-teller’s tent to make sure Belinda was ready to go. Rowan’s tail thumped as Connor walked in and the dog stuck his big head up for Connor’s scratch. Connor rubbed a wiry ear, but he only had eyes for Belinda. He’d grown used to her simple gypsy clothing of bright skirts and a peasant blouse during the last few days, but today she’d added to it, with brassy bangles on both wrists, big hoops in her ears and a red scarf covering the top of her head, while her dark curls spilled out from underneath. Even in layers of mismatched styles and colors, she still looked good enough to eat as she smiled up at him, her grandmother’s tarot cards in her hands.

“All set?” Willow and Rowan, sprawled on either side of her, shifted to make room for Connor.

Belinda nodded. “I remember my lessons on how to fake a reading in the crystal ball, and I’ve memorized what the various lines on a palm are supposed to mean. I practiced this week on most of our co-conspirators, so I think I’m ready.”

He slid into the chair opposite hers. “Show me.”

Belinda lifted an eyebrow. “You want me to read your fortune?”

“Exactly.” He winked.

“Very well, most honored sir.” She slipped into the persona he’d seen her practicing all week. “Would milord prefer the cards, to have his palm read or to plumb the mysteries of the crystal ball?”

“Oh, the crystal ball, by all means.” He settled into his seat, enjoying the show.

Her dark eyes twinkled up at him. “For the spirits to come, you must honor them with silver. Five shillings, if you please.” She held out her palm.

Connor handed her a five-shilling coin.

“You are most gracious, sir, as well as handsome.” Belinda laid both hands on the large quartz globe on a silver-plated stand in front of her and peered into it. “Think of a question, concentrate on the answers you wish the spirits to provide.”

“Very well.” He grinned back. “I have my question.”

He could feel her gaze dart to him when she wasn’t looking into the ball. “I see an image beginning to form,” she said. “A man? No, ’tis a woman. Her hair is dark, ah yes, but it isn’t your wife, no…she’s younger. A sister, perhaps? I see. Her eyes are just like yours—no, not in color, but the expression, the intelligence and humor, those are the same, are they not?”

“Give over,” Connor said, impressed by her acumen. “How did you know I was thinking of Melody?”

*****

Contest: In conjunction with the release of Cards & Caravans, Cindy is running a contest for a $25.00 gift card to the e-book distributor of your choice, plus the chance to name a character in the next Gaslight Chronicles story. To enter, visit the “Contact Cindy” page on her website and send her a note. Mention which blog you saw this on and some little detail about the post. One entry per person per blog post. The complete rules and a list of post locations and dates are available on the “Contest” page on Cindy’s site.

 *****

Cards&Caravans_final About the Book: Cards & Caravans is book 5 in the Gaslight Chronicles steampunk romance series, and releases from Carina Press on March 18. Find out more here.

Blurb: Belinda Danvers isn’t a witch. But that won’t stop them burning her at the stake…

Connor McKay can tell at a glance that Belinda’s magickal powers are minimal at best. She can’t be guilty of murdering village children. There’s something suspicious about her arrest and lightning-quick sentence. Unfortunately, telling anyone how he knows would mean revealing his own powers. He’s been sent by the Order of the Round Table to help and he can’t just let her die.

Escaping from jail and running from vindictive villagers in her grandfather’s steam-powered caravan is more excitement than Belinda’s had in years. And despite the danger–or maybe because of it–she loves the time spent with her sexy rescuer. But there’s more to his magick than he’s letting on…

There’s something going on that’s bigger than the two of them. It’s time for good to make a stand.

Review: 4 Stars from Romantic Times: “All the trappings of a good steampunk novel are here..but most enchanting of all is the love that develops between the hero and heroine.

*****

About the Author: Cindy S391766_509428429076163_422038333_npencer Pape firmly believes in happily-ever-after and brings that to her writing. Award-winning author of 16 novels and more than 30 shorter works, Cindy lives in southeast Michigan with her husband, two sons and a houseful of pets. When not hard at work writing she can be found dressing up for steampunk parties and Renaissance fairs, or with her nose buried in a book. Catch her online at:

Website: http://www.cindyspencerpape.com

Blog: http://cindyspencerpape.blogspot.com/

Newsletter group: http://yhoo.it/ni7PHo

Twitter: http://twitter.com/CindySPape

Facebook: http://on.fb.me/gjbLLC

Read Full Post »

shirtAt an SF con a while ago, I bought a T-shirt that says, “Steampunk means never having to ask ‘Is this period’?” That’s always a big choice when you’re writing alternate history of any variety. How much to keep the same and how much to change? It can be a fine line, trying to give your world that historical flair without simply writing a period novel with some incongruous touches. To quote my agent, “You can’t start out with Downton Abbey and then turn it into Jules Verne.” Well, I guess you could, but it probably wouldn’t work very well. As a former scientist, I tend to want a little order to my fantasy. Yeah, I get the irony.

I try to set my world up with “butterfly effect” differences. In the Gaslight Chronicles, magick (sic) exists and so do paranormal monsters. Therefore, the Order of the Round Table still exists, devoted to protecting England from those threats. After all, who better to organize such a force than Merlin, and who better than Lancelot to head it?  In my version of the 1850s, their descendents are still fighting the good fight. It’s a change from reality, but it’s got a logic to it.

The same goes for technology. In my world a man called Charles Babbage invented the first computers in the 1840s. (He really did, it just never got built. That’s the key change for a lot of steampunk.) In my world, he was also ennobled, and is known as Lord Babbage. From there, technology boomed, and along with it, pollution and other sciences, and women’s rights. Since the code for the Analytical Engine was written by Ada, Lady Lovelace (daughter of the famous poet, Lord Byron), it was proven that women could stand alongside men in intellectual pursuits. And then she founded a college for women in the sciences at Oxford University, which a few of my heroines have attended. (Wink from Moonlight & Mechanicals and Geneva from Kilts & Kraken for starters.) Again, there’s a logic, a cause-and-effect to things.

Is my steampunk realistic? Not in the least. There are vampyres and robot dogs and all kinds of other creatures and creations. But does the world make sense in of itself? A little. At least to me.

????????????????????????????????????????

Have a wonderful Valentine’s Day!

In non-steampunk news, Nailed, one of my older erotic romances is being re-released today. Find out more from Resplendence Publishing.

Read Full Post »

Announcing my new Steampunk/Romance, Conquistadors In Outer Space, coming this Friday, February 1st. The subtitle is Ana’s Interplanetary Conquest.

Henri de Montaut, from De la terre à la lune (From the earth to the moon), by Jules Verne, Paris (Hetzel), 18??

In an alternate history of 1610 AD, the King of Spain commissions the creation of giant cannons, fashioned from Leonardo Da Vinci’s design, for the purpose of blowing the island of England to the bottom of the ocean. Since that country separated from papal authority, Spain has the approval of the church to separate England from the rest of Europe. Then, after an interrogation by priests with the inquisition, Galileo sees a faraway dot in the night sky with his new telescope. He shows the pope planet X, an actual New World Spain can claim and all the inhabitants can be converted to Christianity. Also all the gold and riches discovered there will belong to Spain alone. So they find a way to use the cannons to that end instead.

Thrown off the Spanish estate she worked at all her life, Ana, a milkmaid, seeks a new life. Disguised as a rich widow, she boards a rocket, to be blasted out of a huge cannon, and targeted for the newly discovered planet, X.  Sparks fly when she finds Ramon, the only man she ever loved, heir of the estate she worked on, is flying to Planet X as well. As the Spanish governor of Plant X searches for gold, the treasure Ramon seeks is Ana. His conquest is challenging, though he swears to protect and love her, as a noble he cannot marry a peasant. Ana cannot deny her desire for Ramon, but she will not be his mistress. Will his conquest of her heart succeed or will Ana make a life for herself alone amid the wonders and dangers of Planet X.

Excerpt:

In an instant the loudest boom and ka-chung noises he ever heard rattled his ears as the metal projectile shook violently. He clenched his teeth as every muscle in his body quaked with the blast.

“It is the Estrella. It is hurdling through space to planet X.”

He recognized the voice of the priest who strapped him in. Ana’s ship, De Nunez had told him. “Is all well,” he yelled out. “Did they lift off safely?”

Now that he had found her again, he needed to protect her. Once they arrived on planet X, he would seize this second chance to win her heart for she’d stolen his long ago.

“Si.” The priest’s tone held a tinge of awe. “In a blaze of light they blasted through the heavens. They are in God’s hands now.”

Ramon let out a long breath of relief. Ana was safe, shooting through space. The Estrella had cast off and the Juanita would soon follow. When his rocket blasted off in an explosion of light and fire, he wouldn’t hear anything.

He felt his mind loose itself in drowsiness. He shut his eyes under the power of this death like sleep and prayed in twenty years he would wake. When he did, he’d be on Planet X with the woman he’d always loved. He knew for the next twenty years of the voyage, he would dream of Ana.

Contest: Comment below to enter my new release contest to win a PDF Ebook of Conquistadors In Outer Space.

Maeve Alpin, Steampunk Romance Author

Read Full Post »

Today we welcome author Steve DeWinter.

Steve DeWinter is an American born adventure/thriller author whose evil twin writes science fiction under the pseudonym S.D. Stuart. His latest novel The Wizard of OZ: A Steampunk Adventure will be available January 8th, 2013 in Kindle and Trade Paperback.

Don’t Cross the Streams

by Steve DeWinter

crossing-the-streams

If you are as old as I am (or have an older friend who has shared this wonderful movie with you) then you know what I am talking about.

If not, I do not want to spoil the movie for you, but the general idea is that the device the Ghostbusters used to capture ghosts could destabilize the entire universe if they crossed streams with another of the devices. The idea behind this was that each device’s stream alone was powerful, but if mixed with another device’s stream, the results would be disastrous.

So, lesson learned.

Don’t cross the streams.

Writing teachers (and other established authors too) give this same advice to young writers just starting out. Write what you know. Use the genre you already read and write in that. Don’t cross the genres. Don’t write in a genre you know nothing about. The list goes on and on for what writers should and should not do when choosing what to write.

I, however, ignore this advice on a daily basis with my writing. I am a cross the genres author. I have two primary genres of books that I love to read. Science Fiction and Thrillers. When I write, I mix in the best of both genres. I “cross the streams” in my writing.

Have I destabilized the universe of storytelling? I do not think so.

1619780038As I entered into the steampunk fiction realm for the first time to write The Wizard of OZ: A Steampunk Adventure, I knew going in I was going to “cross the genres” once again and create a rip-roaring science fiction adventure with a thriller quality villain in a steam-powered turn of the century world. Oh, and there had to be robots (or automatons as they were affectionately called in the late 1800’s), lots and lots of robots.

While Amazon categorizes my books for a specific audience for the purposes of searchable lists, I pull on the resources and story methods from multiple genres to create stories that entertain and thrill readers.

And if you have never seen Ghostbusters, go do something about that today!

–Steve DeWinter

www.stevedw.com

The Wizard of OZ: A Steampunk Adventure

Kindle E-Book Edition
http://amzn.to/TGJBhO

Trade Paperback Edition
http://amzn.to/RCcwDP

Read Full Post »

Today we welcome O.M. Grey as she drops by on her blog tour…

O. M. Grey Blog Tour: Steampunk ParaRomance and Tiara Giveaway

Photo by Greg Daniels

Thank you so much for hosting me today, Suzanne, and all the Lovely Lolitas at STEAMED! It’s so great to be back!

Today I’d like to give all STEAMED readers a chance to win my YA Steampunk Paranormal Romance novel, The Zombies of Mesmer, along with this lovely tiara/necklace made by EJP Creations. I’m wearing it in this picture from my Gearhearts Steampunk Glamour Revue photo shoot. This was my favorite picture without the red hair, but it didn’t make it into the final issue, although several other lovely pictures did. But before we get to the contest portion, please enjoy my short story “Hannah & Gabriel,” a Steampunk retelling of the fairy tale “Hansel and Gretel.”

Hannah & Gabriel

“Gabe! Gabe, wake up!” Hannah urged her brother in a desperate whisper, shaking him.

“What?” Balled fists rubbed the sleep out of his eyes.

“Listen. Come here and listen.” Before Gabriel could find his bearings, Hannah was yanking him across the room. “Listen,” she whispered again.

Through the wall, Gabriel could hear his parents talking in hushed tones. His own breathing drowned out their words, so he held his breath and listened.

“No.” It was his father’s voice. “I will not, woman. There must be another way.”

“You know there isn’t.” Gabriel’s step-mother did not speak as softly. “There is no work, Oscar. No work means no food. Do you want us all to die?”

“Of course not, but they are only children.”

“Exactly, they will probably be found by someone who will care for them. We’ll dress them in their best and send them on their way. They’ll be better off.”

“What are they talking about?” Gabriel asked his sister.

“Shhhh. They’ll hear you.” Hannah climbed back into her bed and pulled her knees in tight. All was suddenly silent. The voices in the adjacent room had quieted, and all Gabe heard was the sounds of the night. Then bare feet padding across the wooden floor. Gabriel dove back into bed and pulled the covers up to his chin just as the door opened. His last sight before clamping his eyes shut was his sister feigning sleep.

“See.” His step-mother’s voice. “Sound asleep. You worry too much.” Her fading footfalls told Gabriel she had returned to her room, but he never heard his door close. He chanced a peek through his eyelashes and saw a blurred version of his father standing in the doorway, just watching them. After what seemed like forever, his father brushed the back of his hand across his cheek and closed the door.

“Hannah,” Gabe whispered after all had been quiet for awhile, but there was no answer. “Hannah!” Nothing. His eyes started to burn and the fear filled his chest, suffocating him. Covering his face with the covers, he muted the sounds of weeping and tried to tell himself everything would be all right. His lips formed the words over and over again. “Everything will be all right. Everything will be all right.” The mantra mixed with his emotional exhaustion finally lulled him to sleep.

A loud clanging noise startled him from his dreams. Gabe sprung up, his hands covering his ears against the offensive racket. His step-mother stood in their doorway, banging a wooden spoon on an iron pot. “Wake up! Wake up! Important day today, my doves. Put on your finest, for we are going on a journey.”

After he and his sister dressed in silence, they made their way into their father’s workshop. They found him as he always was in his waking state: hunched over a clock or pocket watch, peering through his special work glasses, each side held three separate magnifying lenses affixed to tiny arms fanned above the frames like bizarre eyebrows. Some of the very tiny watch parts could only be properly seen with magnification.

“Father?” Hannah began in her small voice. “Where are we going today?”

Oscar looked up from his work, and Gabriel had to suppress a laugh. One of his father’s eyes looked four times as big as the other through his work glasses. It felt good to smile, but Gabe’s smile quickly turned into a sinking feeling. He wished he had laughed out loud instead of holding it in, for that might be his final feeling of joy for quite some time.

“Your mother is taking you for a special treat! A picnic in the forest, just the three of you. She’s even made a fresh pie to enjoy,” he said, removing the glasses. His eyes were rimmed red, as if he hadn’t slept all night. The bottom lid filled with tears, reflecting Gabriel’s own eyes. He turned to his sister and saw her tears streaming down her cheeks, so Gabe bit his lip and swallowed hard, determined to be strong for Hannah. Whatever was going to happen today, they would be together.

Their father gathered them up in his arms and squeezed them tight. Upon seeing his father’s small bin of extra and broken watch gears, Gabriel suddenly had an idea. While still grasped desperately by their father in his farewell embrace, Gabe reached out and grabbed a handful of small brass cogs and pocketed them.

“Children!” Their step-mother’s shrill voice entered the room just before she did. “Time to go. Come on. It will be a fine treat. I’ve packed some little morsels for a nice picnic. It’s a lovely day, but it will take us much time to get there, so we must leave now.”

“Why are we dressed up for a picnic in the woods? Won’t we get our fine clothes dirty?” Gabriel knew exactly why, but he just couldn’t resist saying something.

The hard woman clenched her jaw and her eyes glared at them for a moment before softening. “It is a game, my duck. We are going to enjoy the day like we are rich and have not a care in the world. It shall be like a holiday.” Although her voice was pleasant and her expression gentle for a change, when her bony hand clamped down on Gabriel’s and Hannah’s shoulders, her fingers dug in deep, urging them along without another word.

As they followed their step-mother into the woods, Gabriel held his sister’s hand, squeezing it affectionately every time he heard her sniffle. With his free hand, he held the watch gears, dropping one every ten steps. One-two-three-four-five-six-seven-eight-nine-ten, drop. One-two-three-four-five-six-seven-eight-nine-ten, drop. This helped keep his mind focused and the fear at bay, for he knew his horrid step-mother meant to leave them alone in the woods. But he’d show her. They would follow the path of cogs back home, and their father would be so glad to see them that he will hug them and kiss their heads. Then he would throw that horrid witch out on her oversized bustle. One-two-three-four-five-six-seven-eight-nine-ten, drop.

But the time came that Gabe ran out of cogs and they kept walking. He watched his step-mother’s determined gait just ahead of them, and he tried to pay attention to his surroundings, but all the trees looked the same after awhile.

They came to a clearing in the woods, and their step-mother stopped short. She told them to spread out the blanket she had carried under her arm while she went to find some firewood, for the air was a tad nippy and stung the sweat gathering around Gabriel’s collar.

“I’ll go with you,” Gabriel said.

“No, you stay here with your sister. Here–” She pulled a small parcel wrapped up in a napkin out of her basket and handed it to Gabriel. “Share with your sister.”

Gabe unwrapped it, expecting to see the fresh pie Father had spoken of, but it was just two crusts of bread spread with some congealed honey. Same as usual. The crusts that no one else wanted, this was her treat for them.

“Please don’t go, mummy,” Hannah said through her tears. Gabe knew she was really scared if she was calling that witch ‘mummy.’ She was not their real mother, for no mother would abandon her children out in the forest. Father married this harpy a year after their real mother had died. Didn’t make it through the winter because she gave most of her share of the food to her children. Although Hannah is too young to remember much of her, she still knew this hard woman before them was no nurturing mother. Hannah was terrified, and for good reason. She hadn’t stopped crying the entire way there. For hours they had walked, and now her fear was also mixed with exhaustion.

“Why are you crying, Hannah? Here. Let us play a game before I gather wood. We’re still warm enough from the walk, but the air is chill. We will cool down soon enough, and you will wish for a fire. But no matter, we shall play a game first. How about Hide & Go Seek?”

“Yes!” Hannah exclaimed, smiling. “Let’s! You can be ‘IT,’ and me and Gabe will hide.”

“Gabe and I,” their step-mother corrected.

“Yes, Gabe and I will hide.”

“That would be no fun, for I am much more clever than you are. It would be harder for you to find me, besides, I wouldn’t want you two to get lost in the woods while hiding.”

“You’re really not going to leave us here?” Hannah said.

“Silly child! Where did you ever get such an idea? Now, be a good girl and close your eyes. You, too, Gabriel. Close them tight. That’s right, put your hands over your eyes. No peeking!” Gabriel felt her bony hand on his shoulder and she began turning him around and around until he thought he might fall down. “Now, count to thirty while I hide. No peeking!”

“But–” Hannah said between her wrists.

“Fret not, my duck. I shall keep you both in sight. Count to thirty.”

“One, two, three, four, five, six, seven….” Gabriel listened closely to the sound of her footsteps as they got further and further away. He did not count all the way to thirty. When he could no longer hear her rustling in the fallen leaves, he uncovered his eyes and looked all around.

They were alone.

Please read the rest of the story on my blog, Caught in the Cogs.

You can also listen to “Hannah & Gabriel,” as well as other stories on my fiction podcast at Caught in the Cogs.

Book & Tiara Giveaway

But before you go read the rest of the story, please enter the contest to win an author-signed copy of The Zombies of Mesmer and this lovely clock-hand tiara (pictured above) by leaving a comment and asking me a question below. In addition to this giveaway, I’m running several more this week during my blog tour, so please visit my blog for the full schedule and links.


O. M. Grey
Author. Poet. Romantic.
http://omgrey.wordpress.com
http://twitter.com/omgrey

About AVALON REVISITED~
Arthur Tudor has made his existence as a vampire bearable for over three hundred years by immersing himself in blood and debauchery. Aboard an airship gala, he meets Avalon, an aspiring vampire slayer who sparks fire into Arthur’s shriveled heart. Together they try to solve the mystery of several horrendous murders on the dark streets of London. Cultures clash and pressures rise in this sexy Steampunk Romance.

Read Full Post »

Today we welcome Bec McMaster.

Award-winning author Bec McMaster lives in a small town in Australia and grew up with her nose in a book. A member of RWA, she writes sexy, dark paranormals and steampunk romance. When not writing, reading, or poring over travel brochures, she loves spending time with her very own hero or daydreaming about new worlds. For more information, please visit http://www.becmcmaster.com/ or follow her on Twitter, @BecMcMaster.

What’s in a name?

 by Bec McMaster

Thanks to Suzanne for inviting me here! Today I wanted to talk a little bit about how my novel, Kiss of Steel, came to be.

One of the things that makes me smile since release is how many readers see Kiss of Steel in a different light. It’s paranormal. No, it’s steampunk. Its listed in the horror section. Um, someone put romance in it… So I’m here to clear up precisely what Kiss of Steel is.

Here’s the thing. I write the story that comes to me and worry about the genre specifics later. The one constant in my stories that it will have romance in it and belong in some sort of spec-fic world, whether that be paranormal-based, dystopian or urban fantasy. I didn’t actually know what Kiss of Steel was until I’d nearly finished myself. There was never a definite, “I’m going to write a steampunk or a paranormal romance”, though I do appreciate that it can fit in both camps and hopefully draw readers in who might not otherwise read it.

When the story and the world hit me (does anyone else get these movies-in-their-head too?), it was almost fully formed. It had vampires and a vague precursor to werewolves. It also had a ruling elite who were infected with a virus that made them crave blood (No, they’re not the vampires. Yet.). In order to protect themselves from the masses after the French turned on their blood-driven aristocracy, they turned to technology to create an enormous automaton army and weapons.

The world was definitely Victorian. I needed a time period when technology was coming to the forefront and certain medical theories were already in place. That was probably my first indication that I was heading down the steampunk path.

The thing with paranormal worlds is that I see them as based on some sort of magic or curse-driven mechanic. There is no magic or paranormal platform in Kiss of Steel, though I appreciate that I’m taking a paranormal-trope and running with it. My vampires are scientific-based, with a virus causing all of their ‘supernatural’ abilities. I had more interest in the craving virus being of a biological nature, rather than a magical one. Perhaps it’s my interest in the whole Dr. Jekyll and Mr. Hyde type stories or Frankenstein. Mad doctors, experiments, monsters…

So as you can see, this is why I refer to Kiss as steampunk romance. There are no dirigibles (not in this part of the world or the first book) but technically there are no paranormal elements either by the definition I’ve provided. And the point is… that none of it matters. From what I can tell my readers come from diverse camps and enjoy different aspects of the story.  Some come just for the cover (seriously, you would not believe how many readers follow famous cover model Paul Marron!). As a writer the only time I truly needed to categorise was when it came to shopping to agents or editors.

One of the things that I love about the genre as a whole is that it can be so fluid and genre-bending. I’ve read steampunk with strong horror elements and enjoyed it. I’ve also read it with paranormal or fantasy highlights. The idea that the sky is the limit is incredibly appealing to me and that whole sense of adventure is what I love the most about steampunk.

So what about you? Any great steampunk stories out there with a dash of something else thrown in? Which genre mash-ups do you like best?

~Bec McMaster

http://www.becmcmaster.com/

KISS OF STEEL BY BEC MCMASTER – IN STORES SEPTEMBER 2012

A brilliantly creative debut where vampires, werewolves, and clockwork creatures roam the mist–shrouded streets of London…

When Nowhere is Safe

Most people avoid the dreaded Whitechapel district. For Honoria Todd, it’s the last safe haven. But at what price?

Blade is known as the master of the rookeries—no one dares cross him. It’s been said he faced down the Echelon’s army single–handedly, that ever since being infected by the blood–craving he’s been quicker, stronger, and almost immortal.

When Honoria shows up at his door, his tenuous control comes close to snapping. She’s so…innocent. He doesn’t see her backbone of steel—or that she could be the very salvation he’s been seeking.

 

 

Read Full Post »

Today we welcome Ray Dean!

A reenactor and educator, Ray Dean has delved into many eras of the past, but Steampunk speaks to her in a retroactive futurism that opens so many possibilities. Her blog, My Ethereality http://www.raydean.net, explores history, culture, war and love in eras and countries that might influence a Steampunk world

Countries… Culture… the Wicking Effect

by Raye Dean

When someone brings up Steampunk, most people immediately call up an image of bowler hats, bustles, monocles, corsets, goggles. Then next concept is Victorian alternative history/speculative fiction… and by saying Victorian… the initial connection is England. No argument there for me. I’ve had a longtime love affair with English history, especially the Victorian Era mainly because I have a long history in theater and costume, nuff said.

Still, there’s more to the world of Steampunk than a single country or culture. One of the clearest memories of High School was arguing England’s POV on Colonialism in a debate. Part of the mindset of my argument that England was seeking to, in a way, make the world England. The underlying idea for me was that making the world over in its own image was to make it something they could understand. Foreign was fine for quaint pieces of furniture, luxurious fabrics, spices and wild creatures fit for menageries, but it wasn’t England.

Colonialism is impossible in its purest sense. There is no way to take control of another country and its people without having ‘the Wicking Effect.’ What do I mean by that? I used to hand paint silk and when you add a color onto the fabric it will spread and continue to spread until it hits the end of the fabric or the wall of resist that the artist adds. Add another color to the mix and they’ll spread and mix and change together. The same happens with culture.

Put an Englishman in China, even if he continues to observe all the societal norms and keeps himself as ‘separate’ as possible, there is no way to avoid some sort of exchange of culture. Perhaps a Jasmine tea will become a favorite of his or he’ll use a silk fabric for his waistcoat that has a design motif common for the area. The locals in the area will change as well. They will pick up on his inflection, learn what his habits are and try as they might to avoid absorbing some of it… it will happen.

In the Shanghai Steam anthology this mixing or clash of cultures is a main point of a number of stories.

Derwin Mak (the author of “Flying Devils”) explains:

Steampunk tends to romanticize European culture and its technology of the nineteenth century. I heard one steampunk costumer say it was “nobler period.” Well, it was for some people. It was a nobler period than today if you were a white European who left Europe’s slums and colonized another continent. If you were African, Asian, or Native American, it wasn’t as glorious. The Chinese do not romanticize the nineteenth century as a golden era. Instead, it was the time of national humiliation and the uneven treaties.

I merged the two opposing views of the nineteenth century by basing my story on the Self-Strengthening Movement in the Chinese military. My story is about one of the ideological conflicts of the time.

In my own story, “Fire in the Sky,” I had set up my own alternative history:

There are more walls than wick as the English are viewed as an economic occupying force. The people that occupy the town have had to accomodate not only the English trade ships but the technology that came with them. In my opinion, there are few absolutes. In the case of the technology brought in by the English, there are those that accept it and those that turn their back on it, but even those that are eager to advance themselves with technology… it doesn’t always work for them. For me part of the fun of this mix and clash of cultures is the accomodations that have to be made. And when accomodations don’t work? You salvage what you can… and make do.

Emily Mah (author of “Last Flight of the Lóng Qíshì”) has another take on merging cultures:

Since mine’s post apocalyptic, much of the Chinese culture is only left in the aesthetics of the old technologies. The culture that inhabits the ruins left behind is a mix of different ethnicities who live as hunter/gatherers.

This isn’t just limited to the English in their travels and expansions. The concept of foreign also applies to immigrants.

Laurel Anne Hill (author of “Moon-Flame Woman”) had a different perspective:

The tremendous contribution of Chinese workers in the building of the U.S. Transcontinental Railway never ceases to impress me.  Yet nineteenth-century Chinese laborers in the United States didn’t receive the respect they deserved.  Immigrants were–and still are–often viewed as stereotypes.  I wrote Moon-Flame Woman to depict immigrants as individuals.

Americans seemed to absorb other cultures faster, giving them footholds where a country like England wouldn’t see fit. A number of dishes that Americans ate during the same period were not from China. The Chinese cooks in America would throw together whatever odds and ends were around and earned itself a place in American stomachs and on many menus. The commonly accepted history of the ‘chop suey’ you see on modern menus comes from this very practice. Perhaps this hodge podge worked better in America because the country, as it was shaping up, was more of an immigrant nation.

When the Shanghai Steam anthology is released you’ll have the opportunity to delve into the nineteen short stories that add up to a unique Steampunk… and Wuxia… experience. As you read through the stories look for those moments when cultures crash and/or bleed into each other. Keep careful watch… one culture may just push back.

What cultures would you like to see come crashing into one another? What types of culture bleeds might happen when two foreign nations interact? Where can you add this idea into your own work?

Contributing Authors listed in alphabetical order:

Ray Dean “Fire in the Sky”   http://www.raydean.net

Lauren Anne Hill “Moon-Flame Woman”     http://www.laurelannehill.com/

Emily Mah “Last Flight of the Long Qishi”   http://www.emilymah.com

Derwin Mak “Flying Devils”  http://www.derwinmaksf.com

~Raye Dean

Read Full Post »

Today we welcome the incredible Kiki Hamilton.

Kiki Hamilton is the author of the YA historical fantasy series THE FAERIE RING. Book 1, THE FAERIE RING and Book 2, THE TORN WING are both out now. Book 3, THE SEVEN YEAR KING releases in May of 2013.

 

Writing Historical Fantasy

by Kiki Hamilton

Thanks for inviting me over to STEAMED! Though I’m not a writer of steampunk fiction, I do write historical fantasy (THE FAERIE RING (2011) and THE TORN WING (2012) )which has some notable similarities with steampunk, such as life in the Victorian era.

One of the questions I’m frequently asked is how much research do I have to do for my books?  The short answer is A LOT! The longer answer is that I do spend quite a bit of time researching Victorian England, as well as British faerie lore, but luckily, I find it fascinating. The goal of any writer who sets their story in the Victorian era is to make the reader feel like they’ve stepped back through time (or taken a time machine…) and are walking the foggy, cobblestone streets of the past along with the characters.

How does one accomplish that?

In my case, it’s a combination of setting, character definition (which includes description, dialogue, backstory and behavior), weaving  fact with fiction, as well as using language that is suitable to the time period.   I’ll share some brief thoughts on each of those below:

Setting

Setting can be much more than the physical attributes of the scene. In some instances, setting can almost become a character within the story. Setting is an opportunity to set a mood. Here’s an excerpt from THE FAERIE RING that I like:

“The World’s End had a packed house tonight. The wooden plank floor of the pub was slick with spilled ale and the rich, yeasty smell of beer hung thick in the air. A row of sailors sat shoulder to shoulder along the wooden bar, hunched over their drinks as though fearful their glasses would be snatched away. Big mirrors lined the walls, etched with the names of ales or whiskeys, reflecting the bright lights in the room as well as the cloud of tobacco smoke. Barmaids and prostitutes, with their skirts partially tucked up in their waistbands, worked their way through the thick crowd milling between the full tables, smiling and joking with the customers. The tinkling notes of a piano were a backdrop to the cacophony of accents that clashed above it all, like an instrument with several strings out of tune.”

Hopefully, the reader can see the interior of the pub, along with the patrons, can smell the spilled ale, can hear the notes of the piano and feels immersed in this world.

Character Definition

This is a critical part of any story.  Characters need to be described in a way that is suitable to the era. Character definition is an opportunity to further immerse the reader into another era. Dress, language,  backstory and motivations each play a part in creating  a mental image for the reader.  Tying each of those to the time period reinforces the setting and mood you’ve established.

Weaving Fact with Fiction

For me, this is one of the most enjoyable parts of writing THE FAERIE RING series – finding ways to weave actual history with the fantasy story I’m telling.  I like to think of the books as ‘what if…’ stories which is similar to the alternate timelines that many steampunk novels employ.

Anachronistic Terms

Using language that is suitable to the timeframe is an important piece in creating the world of your novel.  Using language or terms that are too modern for a Victorian setting (anachronistic) is one of the fastest ways to pull your reader out of the ‘dream’ and remind them that they’re reading and not living your story.

So, that’s a quick look at some of the considerations I put into writing historical fantasy.  Hope you found it interesting and helpful! Any others we should add to the list?

~Kiki Hamilton

http://www.kikihamilton.com

http://www.thefaeriering.com

 

 

 

 

Read Full Post »

First off, the winner of the book CUTTLEFISH is:

Widdershins

If you enjoy reading steampunk, you’ve probably read Mark Hodder (Burton and Swinburne series).

His new book A Red Sun Also Rises which releases in December 2012 from PYR is independent of the Burton and Swinburne books, but is just as fascinating and creative.

This is a tale exploring good and evil and how nothing (or anyone) is as it seems.  Aiden Fleischer is a bookish priest and Clarissa an outcast hunchback who are transported to an alien world. There they encounter the Yatsil, a supposedly peaceful race of mimics. Then the red sun rises, bringing with it the forces of destruction.

Hodder’s twisted take on an alien version of Victorian London is vivid and imaginative, while the psychological twists and turns push the genre with amazing results.

But don’t take my word for it. PYR will graciously give away three ARCS of A Red Sun Also Rises to give away (North American only) and I’ll give away my own ARC to an international winner. Contest closes October 7th at 11:59 PM PST.

If you lived on an alien world that could shape itself to any place  in any time, which would you chose and why?

 

Read Full Post »

Drumroll, please…

Here is the cover for Moonlight and Mechanicals, a Gaslight Chronicles novel, coming October 22 from Carina Press.

Image

Now those readers familiar with the Gaslight Chronicles might wonder why Wink, who hates corsets with a passion, is not only wearing one of the infernal devices, but isn’t wearing anything else over it. While a lady who works with machines for a living might be seen in coveralls, she’s still too much of a lady to ever appear in public in her undergarments.

This, I think illustrates one of the problems with the label steampunk. In an alternate history world, there’s always the question of just HOW alternate everything is. In the Gaslight Chronicles, technology and certain social mores are more advanced than they really were in the 1850s, but fashion and most of society is fairly authentic. However, I believe for marketing purposes, the publisher has decided to use a more contemporary steampunk vision on the recent covers. I’m truly curious to see if this works. So any thoughts on this from the readership? Do you like to see your steampunk characters in Victorian ruffles, or modern daring? Something in between? I’d love to know how people feel about this.

In other news, I’ve sent off the manuscript for the fifth Gaslight story, Cards and Caravans which is scheduled for next March. Now I have to tear my brain out of this steampunk world and into another, to finish a partial manuscript for my agent. It’s always interesting and sometimes awkward to switch gears (pun intended) and remember what version of reality you’re righting. This new project is later than the Gaslight books, although so far the rules of the reality are pretty similar. With everything you tweak in a world, you have to think about what has changed in technology, and how that might have changed the people in the world. It’s a new challenge, and I think those are always exciting. So onward and upward…

Read Full Post »

Older Posts »