Posts Tagged ‘Steampunk Author’

Photo by Richard Alois

Photo by Richard Alois

Gothic London, its varied history, and just getting to and from places has kept me so busy and exhausted over the past month that I’ve shirked my duties as guest blogger for STEAMED. My apologies. Even now as I write this, I’m on a bus to the train station to see the editor of Gearhearts Steampunk Glamour Revue, Patricia Ash. Unlike most places in the USA (and even many in the UK), traveling in London can be an all-day affair. If I’m out of the flat (and not indulging in a frothy mocha at a Starbucks), I’m either on a bus, on the tube, or walking up to 10 miles a day exploring this glorious city. I’ve even hired a Barclay Bicycle and tooled around a bit. Great fun. It’s not unusual that I get totally lost walking from here to there, even with my Mini A to Z, discovering many wondrous things along the way. Things, of course, that I would unlikely ever be able to find again.

I highly recommend going on guided walks in London on your visit, but not through London Walks. Although they have a varied menu of walks, it’s really hit or miss with the guide and crowd. It’s not unusual for them to have 50-100 people on a walk, and then it’s a big mess. You can’t hear the guide and your constantly moving with a huge crowd. Not fun.

For you Gothic Ghost Story fans, I can’t recommend the walks hosted by Richard Jones enough. He came highly recommended to me by my writerly colleague Leanna Renee Hieber. Richard has written something like twenty-three books on haunted London. Leanna used some of his ghosts in her fabulous Strangely Beautiful series.

Last week I had the great pleasure of meeting Richard and talking about publishing and marketing with him between the stops on the Sweeney Todd Haunted Walking Tour, which I thoroughly enjoyed. His dramatic presentation of ghost stories and history is fabulously entertaining. On his walk, I learned that many of the churchyards throughout London are higher than the rest of the city. This is because in the early 19th century, they were quite literally burying people on top of one another. The gravediggers would dig up a grave, move the existing bones out of the way, wait until after the current mourners were done saying their goodbyes, and then they’d slip the bones back in the new grave.

In the 1830s, a law was passed that closed many of the overrun graveyards in The City of London, including the Cross Bones Graveyard, on which I wrote about in June 2013. At this time, cemeteries were set up around the perimeter of London, like Kensal Green Cemetery, close to where I stay while in London. I’ll be visiting Kensal Green Cemetery shortly, and I’ll hopefully have a report on their catacombs! Seven of these cemeteries were built, known affectionately as the Magnificent Seven.

There was also a practice called “fishing” among grave robbers. Grave robbing could be a lucrative business at £12-15 per body (a considerable amount of money then), but it was also against the law. Grave robbers had to get in and out quickly before the cemetery security watch made their way back around. Family members would arrange things on the fresh grave in a particular way so they’d know if the grave had been disturbed. Thus, the grave robbers would first take note on how things, flowers and tokens and such, were arranged on the grave. Then they’d dig a thin notch across near the top of the grave, crack open the coffin with their shovel, and lower a rope down into the coffin and around the corpse. They’d pull the body out of the grave, strip it of it’s clothes and jewelry, for it was death if caught stealing personal property. A dead body, however, just carried a hearty fine. They’d put everything back the way they found it and then sell the corpses to doctors and medical schools for research.

There are hundreds of thousands of graves all over London, in the many churchyards as well as in larger cemeteries like Brompton Cemetery, also one of the Magnificent Seven. I visited Brompton Cemetery my first week here because it appears in my book Avalon Revisited. I rode a Barclay Bicycle through the ancient grounds in awe. This is where my characters Arthur and Avalon discovered the resurrected Pembertons.
O. M. Grey in London

O. M. Grey in London

I’ve had a lovely time visiting historical places, Harry Potter filming locations, and all the places in my books. I’ve made a preliminary map for readers interested in seeing the settings themselves. Perhaps 2014 will bring a proper O. M. Grey and Leanna Renee Hieber tour of London.

For now, I’ll take my leave until (hopefully) two weeks from now when I’ll have more Gothic Goodies to share. Until then, more mochas, more exploration, more walking and then even more walking.


Olivia M. Grey lives in the cobwebbed corners of her mind writing paranormal romance with a Steampunk twist, like the Amazon Gothic Romance bestseller Avalon Revisited. Her short stories and poetry have been published in various magazines and anthologies, like SNM Horror Magazine and How the West Was Wicked. Ms. Grey also blogs and podcasts relationship essays covering such topics as alternative lifestyles, deepening intimacy, ending a relationship with love and respect, and other deliciously dark and decadent matters of the heart and soul.

Read more by O. M. Grey on her blog Caught in the Cogs, http://omgrey.wordpress.com

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Today, as Steampunkapalooza continues, please welcome YA author Jay Kristoff.

Jay Kristoff is a Perth-born, Melbourne-based author. His first trilogy, THE LOTUS WAR, was purchased in the three-way auction by US publishing houses in 2011. He is as surprised about it as you are. The first installment, STORMDANCER, is set to be published in September 2012 in the US, UK and Australia.

Jay is 6’7, has approximately 13870 days to live and does not believe in happy endings.


 by Jay Kristoff

Once upon a time, there was this fellow called Neanderthal man. He was handy in a scrap, well-suited to the freezing climates in which he hung his furs, and possessed of a brain larger than the average human. He was an apex predator, had a language and complex societal groups. Maybe not complex enough to develop grand concepts like us (reality TV, 4-chan, Sarah Palin) but you know, close.

And around 25,000 years ago, he and all his buddies disappear from the fossil record.

No-one quite knows why. The most popular theory is that he was wiped out by a more complex evolution of his genome that we now call homo sapiens, who essentially rolled up in his cabbage patch and a) Killed every Neanderthal he saw, or b) Did the sexah with every Neanderthal lady he saw, and essentially bred poor Neanderthal right the frack out of a job. Some scientists hypothesise that rapid climate change did him in. But in any event, Neanderthal’s inability to adapt cashed his check for him.

In short he didn’t change. He liked the way he was and he was going to stay that way, dammit. Extinction be damned.

Which brings me to steampunk (See what I did there? No? Maybe I need to work on my segues…)

25 years after KW Jeter coined the term ‘steampunk’, the tropes of the SP genre are pretty well established. Any geek worthy of his Browncoats membership will have a clear image in mind when you mention the word – an industrialized Victorian setting, with technology you wouldn’t expect to find in said setting, either flitting about the air or clanking about the streets amidst clouds of phlogiston or aether or another fantastical fuel source. And this is all good. Tropes need to be established. There needs to be rules before you can break them.


My personal theory is that steampunk sits at a crossroads in its evolution. Down one fork lies experimentation – the challenging of rules and norms, spectacular failures and amazing successes. And down the other lies the tropes we’re all familiar with; all goggles and corsetry and top hats and howdoyoudo’s, and Mr Neanderthal crouched on his haunches wondering WTF hit him.

I’m not saying steampunk is at risk of dying anytime soon – I’m just saying evolution from what we know and expect from it is probably a good thing. And granted, any novel, no matter how steeped in tropes it is, can be wonderful. ‘Write it well’ should always be the golden rule when it comes to fiction, genre or otherwise. But take a look at the more successful acknowledged steampunk authors around – people like Scott Westerfeld (NYT bestseller) or Cherie Priest (awards goddess) or Alan Moore (yeah, he’d probably pop an artery if anyone called him that, but hey…). These folks took the tropes and fracked with them. They took the norm and challenged it, and came up with books that really woke people up to the idea that steampunk can be almost anything we want it to be.

I like the idea of a world where people aren’t quite sure what Steampunk is. I like the idea of we as creators and community members doing our best to defy codification and tropes and convention. Steampunk doesn’t have to be corsets and goggles and phlogiston. It can be the siege tanks in Avatar: The Last Airbender. It can be iron walkers clashing with genetically engineered warbears in the Leviathan series. It can be clockwork ballerinas in The Music of Razors. You can crossbreed it faeries and other, less friendly fae. It can be set in the frontier age of colonial America. Or a magic-inspired version of tsarist Russia.

Or maybe even the samurai age of Japan.

Yeah, that segue was much better… J

Point is, it can be almost anything you want it to be, within a few sketchy guidelines. The only limit should be your imagination, and that shouldn’t be any kind of limit at all.

Go forth and evolve!

–Jay Kristoff


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