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Maeve Alpin loves reading and writing about ancient times. It’s only natural she loves alternative history just as much. She had a lot of fun adding an ancient twist to the Victorian age in her Egyptian/Steampunk/Romance As Timeless As Stone by Lyrical Press. And her newest release, a Celtic/Steampunk/Romance, To Love A London Ghost by Eternal Press. She lives in Texas with her family; her grown son, her granddaughter, and her spoiled cat, Severus. Visit Maeve Alpin at http://maevealpin.com.

Victorian Ghosts – Steampunk Style

by Maeve Alpin

Engrossed in spiritualism and Gothic novels, many Victorians, haunted by ghost, held table rapping séances. A parlor game still played to this day kown as the Ouija board received its paten in 1890, invented by an American lawyer, Elijah Bond. You can take a look at those first boards in the antique galleries and play an online version at The Museum of Talking Boards http://www.museumoftalkingboards.com/WebOuija.html. The Victorians also loved to tell ghost stores in grand style by candle and gas light as cold winter winds howled outside. Among the Victorian authors who crafted classic ghost stores were M. R. James, Sheridan Le Fanu, Violet Hunt, and Henry James. The most popular ghost story from the Victorian age, A Christmas Carol, like the Ouija board is enjoyed to this day. My favorite is the Mr. Magoo version, as a kid I watched it every year. You can enjoy it online at http://www.hulu.com/watch/197592/mr-magoos-christmas-carol. Most people today are also familiar with another classic Victorian tale, Oscar Wilde’s The Canterville Ghost, if not the short story itself then one of the film versions which are often shown on TV. I always liked the one with Jodi Foster. With all this inspiration from Victoriana it’s no surprise I wrote a Steampunk/Romance with a ghost as the heroine. Walk on the wild side of Victorian London with the ghost and the ghost hunter with my new Steampunk/Romance To Love A London Ghost.

Here is the Blurb:

When Queen Victoria orders Sexton Dukenfield, premiere phantom hunter, to track down England’s missing ghost he stumbles into Ceridwen, a phantom warrior woman of an ancient Celtic tribe. Not only does he find her intriguing as a piece of the puzzle of the missing spirits, but he’s also haunted by her sultry sensuality. Though they both burn with desire, it’s difficult to quench their fiery passion since Ceridwen is so translucent. Every time Sexton touches her, his hands pass through her misty body. On a mission through the bustling narrow streets of London, to a dreary match factory, and even to the Otherworld and back, to stop a genius scientist and his phantasm debilitater machine, the ghost and the ghost hunter seek the secret to freeing the boundaries of life and death. 

Excerpt:

Taken off guard, Sexton finally managed to catch his breath.“Do you see her?”

Katie bobbed her head, then raised her thin, trembling arm and pointed at the apparition. “Ghost.”

The specter spread her feet in a warrior stance with her back straight and her chin tilted up. “Keep your box and magic beam away from me.”

Even in these strange circumstances, Sexton couldn’t help but notice the ectoplasm outline of the lush bulge of her heavy breasts. He riveted his eyes on them, then his gaze roamed to her waist, which flared into curved hips and long, supple thighs. “These?” He held up the device he clutched by the brass handle and grabbed the one strapped over his shoulder. “No magic, just boxes. They measure energy and heat, to tell me if phantasms are near. They can’t hurt you. Though I don’t need them now. I can see you, I know you’re near.” He turned his head toward the child peering at the specter from behind him.

“She really is a ghost,” Katie said.

“Indeed, and looking right at me.” Sexton looked back at the stunning spirit. He could tell her hair had been blonde and her eyes a sky blue. He felt warm being near her, rather than cold. Looking the phantasm in the eyes, he said, “I’m not going to hurt you and I was just going to ask you to not hurt me. I can help you go back to the light.”

“I’m not going to harm you, but I’m not going to the light or anywhere else until I free the others and bring vengeance on those men for capturing me.”

“Do you mean by others that there are more phantasms are in the factory?” He nodded toward the building. “Captured by men, did you say?”

“Yes, eight ghosts.”

Sexton took a deep breath. “Well, well, you are just the phantasm I was looking for.”

Please comment below to be entered in the drawing for a Steampunk Basket, including a Steampunk papier-mâché gun, Steampunk jewelry, (necklace and pin) and Victorian holiday treats.

OPEN INTERNATIONALLY! Contest closes December 7, 2011, at 11:59 PM PST. 

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Today we have Jane George, author and illustrator of the YA book, The Mumbo Jumbo Circus. 

Sideshow, Burlesque and Circus

by Jane George

“STEP RIGHT UP! DON’T BE SHY. THAT’S RIGHT FOLKS, WHAT’S INSIDE MUST BE SEEN TO BE BELIEVED!”

As a kid, I was exposed to such imaginative oddities as The Wild, Wild West TV show and The 7 Faces of Dr Lao.

These kinds of cultural influences wax and wane, and now the lure of the mysterious, the impossible, and the forbidden is stronger than ever.  The resurgence of interest in circus arts, sideshow and burlesque theater may be part of the same cultural backlash to beige-box consumerism that spawned Steampunk. Humans crave color, imagination and creative freedom.

Poster: Gemini & Scorpio

Intense explorations of cabaret/burlesque, circus, sideshow and Steampunk have popped up all around the country, from one night events like The Lost Circus - Circus Meets Dark Cabaret With a Steampunk Twist in Brooklyn last year to on-going performances and dinner theater.  Just to name a few:

In Austin, Texas, The East Side Show Room serves up gourmet cuisine and vintage cocktails with a side of cabaret in a steampunky-circus atmosphere. For a Tim Burton meets the circus experience, there is Cirque Berzerk   in Los Angeles. And in San Francisco you can have, “Love, Chaos & Dinner,” in a tent with Teatro ZinZanni

While the delights of classic roadside attractions like The Thing are now few and far between, there are performers who are carrying on the tradition of Sideshow and the Ten-in-One.

Austin, Texas is also home to Noel Benedetti aka Ballyhoo Betty, a sideshow performer who specializes in fire arts.

Noel is blogmistress of www.HeyRubeCircus.com , a fantastic celebration of all things circus and sideshow. She is affiliated with 999 Eyes Freakshow, The Invisible Man Corporation, and The Surreal Sideshow.

Noel says this about her experience as a sideshow performer, “Aside from musical acts, people are relatively sheltered from live entertainment today and so people are typically unaware of the very visceral chemistry that can exist between performer and viewer. During a live sideshow, there is an interaction taking place, unlike the unidirectional consumption of most mass media, such as television. This dynamic often takes people by surprise, and you can see their eyes light up in response to this confrontation.”

In contrast to the hybrid theater/circus/cabaret blends that are gaining in popularity, Noel says this about her art, “While sideshow is often considered a radical or fringe culture, it is also heavily steeped in tradition. There are relatively few genuinely novel sideshow acts around today; people have been eating fire, swallowing swords and displaying anatomical oddities for centuries and tipping the hat to performers of the past has become a norm in the business.”

Photo: Jason Black

Noel suggested I look up a visual artist and sideshow performer named Jason Black, aka The Black Scorpion.  Among the venues he performs at is Coney Island’s Sideshows by the Seashore

A poem by Black describes The Black Scorpion:

A winged, performance Anti-Artist.

He, born a naked baby boy with irregular hands, unlike any other.

When him you see, understand you will.

Witnessing his Anti-Act is the longest day you will ever live.

Remember he is breathing for something onstage, and living the rest for his life.

That last line stays with you, doesn’t it? I’ll bet his act does too.

Current circus and sideshow acts could be be said to be more about individualism and creativity than about “Hey, Rube” hucksterism. This is especially true in the modern world of burlesque. A revival in burlesque and the art of the striptease happened in the Nineties and has been gaining in popularity ever since. Partly driven by a nostalgia for old-time glamor, modern burlesque is also a feminine reclaiming of the “male gaze,” often in intelligent and hilarious send-ups of the medium. Burlesque is theater, cabaret and performance art rolled into one.

photo: RJ Johnson, Hot Pink Feathers

Hot Pink Feathers   is a renowned, award-winning San Francisco Bay Area troupe that performs World Cabaret Showgirl dance. Founder and head Feather, Kellita, told me why she feels burlesque is so popular, “The heart of the matter is that burlesque is an art and a craft that puts the woman front and center, as performer and as producer. Audiences today are more heavily female than they used to be. Content is almost exclusively created by a woman for herself, and it often parodies her personal insecurities, transforming them into mainstays of joy and inspiration.  Burlesque is an art form that deserves its due. When it’s done right, a lot of craft goes into the art of slf-expression.”

Hot Pink Feathers is performing a Sally Rand-type showgirl routine, with feather fans and dripping-pearl bikinis, in San Francisco’s Carnavale Parade on  Sunday, May 29.  Say hello to them at the staging area 9am-12 at Bryant between 21st & 22nd.  Parade starts at noon. They can also be seen on the 2nd Saturday of every month at Café Van Kleef, where they perform with the Blue Bone Express brass band. Next show is June 11.

For a while now, circus arts have been making their way back to the more intimate, single ring circus. When I saw an equine show produced by Cirque du Soleil called Cheval Theatre, I could practically reach out and touch the horses. I definitely felt the whoosh as they galloped past my seat.

Poster: Circus Flora

A circus dedicated to this connection between performer and audience is Circus Flora in St. Louis. Circus Flora weaves a theatrical storyline through their classical circus acts. From their site, “The artistry, magic and charm of Circus Flora’s performances have made it part of the vanguard of the “new circus” movement in North America.”The artistry, magic and charm of Circus Flora’s performances have made it part of the vanguard of the “new circus” The theme of their performances changes annually. This year it’s a Victorian-era riverboat theme entitled Vagabond Adventures.

“Circus Flora is about performance, not spectacle. Circus Flora concentrates on displaying the individual talents and personalities of human and animal performers highlighting their relationships to one another. It’s a circus about family, beauty, magic and inspiration.”  Ivor David Balding

That quote could have been written about my recently-released, young adult fantasy, The Mumbo Jumbo Circus. It describes the themes of my novel perfectly. One random commenter will receive a paperback of The Mumbo Jumbo Circus. Step Right Up! into the world of human possibility that is this writer’s imagination.

Freedom, creativity and individualism are hallmarks of modern sideshow, burlesque, cabaret, and circus arts. Just like the relationship between author and reader, the magic is in the point of connection. I like to think of a circus ring as a sacred circle of human possibility. Happy performing, in whatever you do!

 ~Jane George

What do you love most about the circus? 

Jane is giving away a copy of The Mumbo Jumbo Circus to one lucky commenter (North America only please).   Contest ends 11:59 PM PST  June 1, 2011.

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First off, we’re going to give away a copy of Saundra Mitchell’s The Vespertine. 

Shannon

Shannon, you are our winner.  Please email me at suzannelazear (@) hotmail to claim your prize.  Didn’t win?  You can still win a bunch of things, like books by Mark Hodder,  a bag of swag from RT and The Vampire Dimitri.

Today we have another great Pyr author, Andrew Mayer, author of The Falling Machine.  We’ll be giving away four copies of his book!

The Falling Machine: The Society of Steam, Book One by Andrew Mayer

In 1880 women aren’t allowed to vote, much less dress up in a costume and fight crime…

But twenty-year-old socialite Sarah Stanton still dreams of becoming a hero. Her opportunity arrives in tragedy when the leader of the Society of Paragons, New York’s greatest team of gentlemen adventurers, is murdered right before her eyes. To uncover the truth behind the assassination, Sarah joins forces with the amazing mechanical man known as The Automaton. Together they unmask a conspiracy at the heart of the Paragons that reveals the world of heroes and high-society is built on a crumbling foundation of greed and lies. When Sarah comes face to face with the megalomaniacal villain behind the murder, she must discover if she has the courage to sacrifice her life of privilege and save her clockwork friend.

The Falling Machine (The Society of Steam, Book One) takes place in a Victorian New York powered by the discovery of Fortified Steam, a substance that allows ordinary men to wield extraordinary abilities, and grant powers that can corrupt gentlemen of great moral strength. The secret behind this amazing substance is something that wicked brutes will gladly kill for and one that Sarah must try and protect, no matter what the cost.

When he’s not crafting stories, Andrew Mayer works as a video-game designer and digital entertainment consultant. He has created numerous new concepts, characters, and worlds, including the original Dogz and Catz digital pets. Andrew calls Portland, Oregon, home (although he’s been traveling a lot lately). You can find his musings on writing and media at www.andrewpmayer.com. This is his first novel.

The Writing Process by Andrew Mayer

If, back when I first started writing, someone had told me that my first published novel was going to be a Victorian era adventure about a girl and a mechanical man, I would have thought that they were nuts. I was, after all, going to be a Science Fiction Writer™. There was nothing I wanted to do more than tell amazing stories about spaceships, aliens, and far-away worlds that took place in humanity’s glorious future of unlimited galactic conquest. I was certainly wouldn’t been interested in becoming mired in some fantastical age of steam based on the past.

And my complaints wouldn’t have just been about the setting—writing pseudo-historical fiction is hard. You don’t just make things up, you have to look them up as well. And at some point in the process you find yourself researching details that can simply be invented in a story of the far future. You need to figure out the little things, like how people cleaned their teeth in 1880, the finer points of Victorian home heating systems, and whether or not the term gangster was actually used before the turn of the century.*

But right or wrong, easy or hard, I discovered that the story in my head that needed telling was a steampunk story. And I set about trying to write it.

Soon after starting I realized that I actually kind of liked researching things. There’s a great feeling that comes when you find the answer you’re looking for, whether it’s buried deep in the internet, or hidden in the pages of a dusty library book. And after a few months of uncovering these hidden historical gems, I discovered that that I’d done so much spelunking in the past that I either already knew the answers, or I knew exactly where to look.

Part of the skill of writing is accepting that motivation can come from the strangest places. Because starting a novel is easy, but to finish one you need to find a story that excites you enough to get your butt into the writing chair for the days, weeks, months, and years that it takes to drag your story from the first character description to final copy edit. You have to feel the passion for your fiction, and it’s that love that keeps pushing you to keep hitting the keys long after you’ve lost any sense of perspective, and to write some more after you’ve gained it back again. And it was as I wrote this story I discovered that I had a true passion for the Steampunk genre. And I wanted to not just tell a ripping tale, but also to try and write the kind of book that would infect people with my growing love for the genre.

And as I read the reviews for the book I’ve written I’m less concerned with whether someone “likes” it or not (although people who like it are nice) than discovering if I’ve managed to communicate my passion to the reader. And if I have, even just a little bit, it gives me the fuel to back and do it again. And the aliens will just have to wait a little longer…

* Europeans did use boar’s bristle toothbrushes in 1880, but brushing didn’t take off in American until around 1885.
Central heating was popular in wealthy Victorian homes because they believed still air caused diseases.
Gangster is a perfectly fine word for the period, although it still doesn’t sound quite right to me.

~Andrew Mayer

www.andrewpmayer.com

What has been the strangest (or most difficult) thing you’ve had (or wanted) to research?  We have four copies of The Falling Machine (The Society of Steam, Book One) to give away to four lucky commenters.  You’ll have to wait to recieve your prize until May, but it’s open internationally.

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What was in my mailbox for the month of march?

Books I talk about in this edition:

Enclave by Ann Aguirre (gift)
The Iron Thorn by Catlin Kittredge
Tortall and Other Lands by Tamora Pierce
The Hunt of the Unicorn by C.C. Humphreys
The Vespertine by Saundra Mitchell

Also…can you spot the tot?

Thanks to Harmony, of Harmony’s Radiant Reads, Random House, and Harcourt.

In My Mailbox was started by The Story Siren

 

 

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Today, as Steampunkapalooza 2011 continues, I’d like to welcome Saundra Mitchell, author of the young adult book The Vespertine.

Saundra Mitchell has been a phone psychic, a car salesperson, a denture-deliverer and a layout waxer. She’s dodged trains, endured basic training, and hitchhiked from Montana to California. She teaches herself languages, raises children, and makes paper for fun. She’s also a screenwriter for Fresh Films and the author of Shadowed Summer and The Vespertine, and the forthcoming The Springsweet. She always picks truth; dares are too easy.

 

Let’s Go Dancing

by Saundra Mitchell

Let it be resolved that in 1889, it wasn’t just the upper crust who danced the night away during their rigid and formalized ball season. The American middle class did just as much fan flirting and dance-card gaming as their wealthier counterparts, but I suspect they had more fun doing it.

Without vast empires to merge and old money to protect with proper matches, the middle class showed up at their balls… to dance. To flirt, and fall in love; to gossip and steal sips of brandied punch. But, since the very-well-heeled weren’t opening their private ballrooms to the masses, the masses instead attended public balls.

Public balls were often held as fundraisers- they might be for a charity, or a public works project. Sometimes, to raise money for a church or synagogue. Unions also played host, as well as social clubs. And then there were plenty that were simply money-making ventures. Hotels especially enjoyed the extra revenue of hosting public balls on the holidays.

There were no invitations to manuever. Public balls were advertised in newspapers, and notices were posted in the post office and in other meeting places. For a fee, anywhere from a nickel to several dollars, anyone could attend, as long as they were properly dressed. (And yes, that meant along with specifically segregated balls, some public dances were multicultural events.)

Sometimes, you’d pay your admission in advance- dance cards often served double duty as the ticket. Others took cash at the door. Once inside, you’d find a string quartet or brass band in the corner providing music, a refreshment parlor and a ladies’ necessary. Unlike private affairs, public balls didn’t generally include dinner.

Which means you pay your money, you get your dance card, and you get straight to flirting, straight to the intrigue, straight to the best part of ball-going season: the dancing. Who said the rich get to have all the fun?

~Saundra Mitchell

http://thevespertine.com

 

I have a copy of The Vespertine to give away to one lucky commenter.  Contest ends April 11 at 11:59 pm PST, contest open internationally.  So if you went to a Victorian ball, what part of it would you look forward to the most?

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I totally forgot to put up the Feb edition of “In My Mailbox.”   I’m still very new to the whole Vlog thing.  I get so nervous and I just know I said something wrong.  And, oh, the faces I make!  I don’t think I’m doing this right.

The books I talk about in the Feb edition are

Invasion by Jon S. Lewis (YA, a C.H.A.O.S novel)

The Iron Thorn by Caitlin Kittredge (YA)

Heartless by Gail Carriger (Adult, book 4 Parasol Protectorate, released July 2011)

Thanks to Orbit, Thomas Nelson, and Delacorte Press for sending me these books.

In My Mailbox was started by The Story Siren

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The Iron King

by Julie Kagawa

Book 1, The Iron Fey Series

I will warn you, this isn’t really a review, but more of an analysis of whether or not I feel this book is Steampunk, Elfpunk, or just a really good story.  This is also just my opinion. 

I’ve been hearing a lot about this book.  Mostly, it’s because I keep being asked the same question — “Is The Iron King Steampunk or Elfpunk?”  To which I always shrug and reply, “I don’t know, I haven’t read it.”  I went as far as tweeting Julie Kagawa, the author, and asking her (she probably though I was loopy).  She patiently replied that she didn’t think it was either. 

Finally, I got the time to read it to decide for myself. 

So…is it Steampunk or Elfpunk?

Honestly, I don’t think it’s either. 

Yes, there are definitely elements of both Steampunk and Elfpunk in the book, yet, in my personal opinion, they’re not strong enough to really define the book. 

This is not to say, it’s no a fabulous book — because it is a fabulous book–it’s just that according to me I wouldn’t define it by either label. 

There are some neat steampunky-elements among the iron fey.  Ironhorse just sounds plain old awesome.  However, if you’d remove these elements and just made them bad fey, the story would still stand.  I’m going out on a limb here and staying I wouldn’t even define it as having “steampunk elements” because there just isn’t enough steampunkyness, in my humble opinion.   

So, then, why isn’t it Elfpunk?  After all, there are fey roaming around the human realm, and there are rebellion themes?

This was much harder for me–and feel free to disagree.  If this story took place almost entirely in the human realm, I would say yes, but it seemed to lack that integration Elfpunk stories have, even when the characters go back and forth between the human and faerie realms.  That is not a bad thing, this story didn’t need more integration, everything she does for this story works well, it’s just that to me, this puts it out of the Elfpunk realm. 

There is a ton to love about this book.  It took me about a hundred pages to get into it, but I think it was because this was the first time I ever read an e-book (and I read it on my computer) than having to do with the actual story.  What floored me was the world building.  As you know, I am a big fat faerie lore nerd.   I love how she incorporated classic faerie lore and characters like Oberon, Puck, and Queen Mab into her story while giving everything her own twist.  There is action, romance, and a faerie world filled with creatures, which true-to-form, aren’t always nice.

Also, I’m a sucker for stories about bad bargains.  Oh yes I am. 

So, it you’re looking for a specifically Steampunk or Elfpunk story, this may not be the book for you.

But if you’re looking for a really good read, with lots of faeries and good folklore roots, then read away.

It’s number one in a series with three books out so far.  She’s even giving away a novella free until April.

Happy Reading.

~Lolita Suzanne

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Happy Thursday (or should I say “Friday Eve.”)  Alright, so you know how I love things that end in “punk” — Steampunk, Elfpunk, Dystopian Post-Apocalyptic Paranormal…

Well, today we welcome author Jess C. Scoot who writes Cyberpunk Elves.  She’s going to tell us a bit about Cyberpunk.

Jess C. Scott identifies herself as an author/artist/non-conformist. Her literary work has appeared in a diverse range of publications, such as Word Riot, ITCH Magazine, and The Battered Suitcase. She is currently working on a YA “seven deadly sins” series, as well as The Cyberpunk Elven Trilogy.

Pondering “Cyberpunk”

by Jess C. Scott

BOOK SUMMARY: A thieving duo’s world turns upside down when an Elven rogue uncovers the heinous dealings of a megacorporation.

My upcoming publication is an urban fantasy project titled, The Other Side of Life [Book #1 in the (Cyberpunk) Elven Trilogy].

I admit that I was running around in the beginning, blabbing (to close friends only) about how I was going to embark on a project featuring “cyberpunk elves.”

I was familiar with one of the core definitions of cyberpunk—its focus on “high tech and low life.” I was aware of the visual imagery and stylized, super-urban settings too.

Along the way (about halfway through editing the third draft—I am currently on my fourth round of revision, and might go right up to 6 or 7 before I’m satisfied), I started to wonder more about the soul of cyberpunk. I watched the cyberpunk anime series Serial Experiments Lain some years ago when I was 16 (I’m now 24). While it wasn’t my favorite anime of all time (that’d be the historical/adventure-themed Rurouni Kenshin), I distinctly remembered the feel of Lain.

Cyberpunk elves make great concept art for games and films (multi-sensory mediums). But I had to ponder on it a little bit more, since I was working on a book (and the book cover, but that was just a side issue). I didn’t want to run along with cool-sounding labels, at the expense of the actual treatment of the plot and characters. And I didn’t want the characters/plot elements to be too clichéd (both the urban fantasy and cyberpunk aspects).

So apart from some of the more obvious cyberpunk traits, such as the elves’ tech proficiency, and status as self-identified social outcasts within their Elven world—I aimed to capture “cyberpunk” via the actual interaction between the characters (amongst humans, elves, as well as elves and humans).

It’s that whole interplay between the influence of technology on the human/social aspect, and the individual’s struggle for an awareness of how he/she has been impacted by technology, which I have been focusing on (a tie-in with the love story in the plot).

The following excerpt (Nin is the Elven rogue/leader) captures some of this:

“That’s sad. How plastic and artificial life has become. It gets harder and harder to find something…real.” Nin interlocked his fingers, and stretched out his arms. “Real love, real friends, real body parts…”

While I enjoy the many elements of cyberpunk, it is the deeper, reflective aspects of the genre which engage and intrigue me the most—where one doesn’t know what’s real and what’s not; where one cannot tell good from evil; where one experiences an overwhelming feeling of profound shock at the realization of something significant/important. Hence the title of this post: “Pondering ‘Cyberpunk’.”

Also, I enjoy the challenge of distilling that into a simple storytelling style that’s spiritual without being preachy.

Which reminds me of a quote by Nathaniel Hawthorne: “Easy reading is damn hard writing.”

–Jess C. Scott

—————

P.S. Jess is offering a free PDF copy of the novel to early reviewers (open to readers worldwide)! More details @ http://elventrilogy.wordpress.com/

Website: www.jesscscott.com
Book Site: http://www.elventrilogy.wordpress.com/

Facebook: www.facebook.com/jesscscott

Twitter: www.twitter.com/jesscscott

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Today we welcome Author Zoë Archer She will be giving away a copy of SCOUNDREL to one lucky commenter. Contest closes Sunday, October 24th, 2010 at 11:59 pm PST.

Zoë Archer is an award-winning romance author who thinks there’s nothing sexier than a man in tall boots and a waistcoat. As a child, she never dreamed about being the rescued princess, but wanted to kick butt right beside the hero. She now applies her master’s degrees in Literature and Fiction to creating butt-kicking heroines and heroes in tall boots. Her BLADES OF THE ROSE series—featuring dashing men and fearless women—is available now. Zoë and her husband live in Los Angeles.

Technology in Blades of the Rose

When I started writing my BLADES OF THE ROSE series, my goal wasn’t to write steampunk romance. What I planned on writing, what I wanted to write, were books that defied romance categorization. I set out to create romances that I always longed for but never saw on the shelves. The BLADES books would have action, adventure, exotic locations, magic, history, and a healthy amount of hot love scenes.

I conceived of the Blades of the Rose as a secret organization of men and women who travel the globe seeking and protecting the world’s magic from theft and exploitation. In essence, they are a spy team acting on behalf of magic rather than the interests of any one nation. To make things interesting—and difficult—the Blades cannot use magic that isn’t theirs by gift or right. Of course, the villains of these books have no qualms about stealing and using magic to further their goals of world domination. Which leaves the Blades at a distinct disadvantage.

Thinking about the spy team model, I decided that the Blades needed a Q. If you remember, Q supplies James Bond and other members of the British Secret Service with diabolical gadgets to aid them in their espionage. Some of Q’s awesome inventions include car ejector seats, dagger shoes, rings concealing cameras and deadly pens, just to name a few. In the Bond films, 007 stopped by Q’s lab, and an exasperated Q would demonstrate the latest in gadgetry, followed by a stern admonition for Bond to please not destroy the merchandise. Of course, Bond always used the gadgets and they almost always were destroyed during the course of the mission. Poor Q.

I wanted the Blades to have their very own Q. But instead of a research and development team headed by a single man, the Blades had the Graves family—several generations of scientific and mechanical geniuses who utilize the current technology to assist the Blades in their work. The key there is current technology. Why? Because the first four BLADES OF THE ROSE books are set between 1874 and 1875.

Here is where the steampunk element comes into play. Catullus Graves, the current scion of the Graves family, does not use any magic when inventing devices. Nor does he have difference engines, robots or any other advanced technology. He is limited solely to what is available in the mid 1870s. Not only that, but because the Blades take his inventions out into the field, the devices he builds must be portable and easy to use at a moment’s notice. To put it plainly, steam-powered mechanisms are out. It would be far too cumbersome for a Blade to haul around a steam engine when adventuring in the wilds of Mongolia (as they do in WARRIOR), sailing the Aegean (SCOUNDREL), trekking through the rugged Canadian Rockies (REBEL), or journeying to undiscovered lands (STRANGER).

I’m going to straight up own right now that I had my own scientific genius helping me in the conception and design of Catullus Graves’s diabolical gadgets: my husband. He and I would brainstorm ideas for cool devices that could only use late Victorian technology, with my husband’s scientific understanding helping to fill in the gaps of how something worked. Liberties were taken. I don’t know if the implements created by Catullus could actually work. But they are, at least, plausible. Sometimes, the idea for the gadget came first, and then we’d think about a scenario in which the gadget could be used. Sometimes, a situation in the plot would arise and the challenge came to see what kind of device might be useful. Both approaches were a blast to write and add a cool element to each book.

Catullus even gets his own book—and I knew, without a doubt, that I would have to put him in a scenario where he needs to “MacGyver” his way out of a tough situation using only items on hand. What kind of things does Catullus invent and what do the Blades use in the field? I don’t want to spoil the enjoyment in discovering these gadgets, so you’ll have to read the books to find out.

It’s been suggested that the BLADES OF THE ROSE books are steampunk. That might be overstating the case too much. If you’re looking for airships, clockwork robots and ether-guns, you won’t find them in my series. But what you will find is adventure, magic, danger, hot romance and very fun gadgets, which I think is a blueprint for a rollicking good time.

– Zoë Archer

www.zoearcherbooks.com
http://twitter.com/Zoe_Archer
http://www.facebook.com/#!/zoe.archer1

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Today is the last day you can enter to win a copy of Arthur Slade’s new steampunk Tween thriller “The Dark Deeps.”

Also, tune in Monday, October 4th, 2010, when we announce the lineup for our 2010 Halloween Author Invasion (and what exactly the author invasion is.) Be very afraid (but be excited, too.)

Today we welcome Lolita Leanna, aka Leanna Renee Hieber, author of the “Percy Parker” Gaslamp Romance series.  “A Christmas Carroll” aka “Percy Parker 2 1/2″ will be featured in the anthology A MIDWINTER FANTASY which is an ebook to be released by Dorchester.  At the moment Dorchester has delayed the ebook’s release, but if you follow Leanna on Twitter, she’ll let you know when the ordering link goes live.

Gaslight Musings: Building on Your Atmosphere – Leanna Renee Hieber’s latest Strangely Beautiful venture:

It should be no secret that what draws readers to Steampunk, to Gaslight and also to the Gothic is atmosphere. Our favourite works are full of rich atmosphere and intense world-building. One of the important yet tricky things in writing series fiction, particularly if it’s fantastical, paranormal or all of the above, is coming up with ways in which your world still maintains its conventions but also grows in richness, complexity, conflict and intrigue. I think one of the best ways to do this is to make sure that if you introduce a new convention, to be sure that it comes from within the world you’ve already built rather than tacking on something new. Also, the beauty of series fiction allows us to dive deeper into secondary characters, and deeper into the world’s details, where these new flowers can really bloom.

In thinking of new aspects to introduce in “A Christmas Carroll” which serves as Strangely Beautiful series #2.5, featured in A MIDWINTER FANTASY anthology, I knew I needed something new within my spirit world, what I call the Whisper-World.

What I came up with was The Liminal. You’ll see it described in the brief excerpt below, and I didn’t realize until I wrote it that it’s a very Steampunk detail. The Liminal clock keeps magic mortal time; its hands are vast and the barrel tells the year, shifting its great lens to show its charges the necessary scene in any moment in time. But it is still a part of the Whisper-World; a place I’ve described as mysterious, vast and shifting, beholden to powers over life and death that mere mortals can only guess at. The Liminal fit into that premise smoothly.

I love writing series fiction for all of the reasons I’ve mentioned. I love getting the chance to give secondary characters their due, and I adore taking the world I’ve built and simmering further in it; not just the skin and bones but the marrow of the world. I hope you’ll enjoy A MIDWINTER FANTASY, which just released on the 28th! Each of the stories in the anthology features a respective world that the author has built upon for at least two series books. Please note, due to changes at Dorchester Publishing this is a digital / eBook release ONLY. Future books will be released in Trade Paperback, but the transition at Dorchester has caught this book without paperback printing of any kind.

Here’s a tiny excerpt involving The Liminal, Strangely Beautiful’s new world-building detail:

From “A Christmas Carroll” featured in A MIDWINTER FANTASY anthology:

Prologue – December 1888, at the edge of London’s reality

Three spirits murmured to each other, standing in the luminous Liminal that separated the waiting Whisper-world from the dazzling, drawing light of the Great Beyond.  The Whisper-world was quite the grey purgatory, while the Great Beyond, well…who possesses the words to describe Paradise?

The Liminal is a place where magic is discussed and made, from whence spirits receive duties and inspiration, where dreams are both created and abandoned. Where those who are worthy might become angels. It is a place where time is porous and malleable; it keeps its own clock. Here pasts are recaptured and futures glimpsed; here spirits from every walk of death—those still invested in parties on Earth—discuss their current designs on the living, for better or for worse.

The present trio at the Liminal edge was shrouded in shadow, and they contemplated parties in London, England, under the reign of Queen Victoria. Their clothing, too, represented various decades within Her Highness’ extensive reign, long may she live. The spirits stood before a living portrait rendered by exquisite hands: the vast proscenium of an elaborate stage dwarfed their spirit trio. The set scene laid wide before them was a stately school on a moonlit night, dim, eerie, engaging…and awaiting its players.”

For more about Leanna Renee Hieber, the Strangely Beautiful saga and A MIDWINTER FANTASY:

www.leannareneehieber.com

www.twitter.com/leannarenee

Facebook: http://tinyurl.com/sbsfan

- Strangely Beautiful Blessings!

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There’s only a few days left to enter to win the gear ring.

Today we welcome debut YA Author T.K. Richardson, author of Return the Heart, which is now available.

Return the Heart is T.K. Richardson’s debut novel, and like much of her writing, is subtly influenced by her love of Russian history and literature. Raised on the West Coast, she improves the lives of children near and far by advocating for abused and neglected children in her community, as well as sponsoring a Christian based orphanage in India. She lives with her husband and children in California where she is at work on her next novel.

To a casual passerby, Lilly Paige is anything but special. As a seventeen year old, she is faced with all the complications of a teenager, but deep down there is much more. Lilly has a gift, though sometimes it seems to be a curse.

Lilly can peer into the hearts of others – their deepest, darkest secrets are there for Lilly to see – but to what end? Raised by aloof parents, Lilly has been independent her whole life, but soon she will need to rely on her friends to evade an evil that has sold her gift to the highest bidder on the black market. Lilly and her four closest friends are immersed in a dangerous game of cat and mouse, that will not only reveal more about Lilly’s gift, but also her link to an old Russian prophecy.

Can Lilly and her friends escape the danger that is so close they can practically feel it? Where will their perilous journey lead them – to darkness or light?

Lolita Suzanne: Welcome, thank you so much for visiting us here at Steamed! today. Congratulations on your first release. Can you share the story of “the Call”, the “email” or how you broke through into publishing with us?

T.K. Anderson: Like so many other writers I queried for what seemed like forever. Finally, when I felt the manuscript and I were both ready I sought out different publishers to submit to. I’m very happy with my publisher and the work they have put into Return the Heart.

LS: The cover is absolutely beautiful. Now, can you tell us what your book is about?

TKA: Return the Heart is the story of 17 year old Lilly Paige who has the secret gift of reading the heart. When that gift is exposed and sold on the black market she discovers her gift is more than the target of criminal obsession – it’s somehow linked to an old, Russian prophecy.

LS: Ooh, who doesn’t love a good prophecy? What inspired this story?

TKA: Return the Heart was inspired by my children, my love for Russian history and literature, and a desire to create a captivating story that would delight teens. What followed is a story filled with action, secret gifts, a seedy underworld, and more twists and revelations than the reader expects. Toss in a Russian element and Return the Heart is like an action movie about teens and for teens.

LS: I confess, I am an utter and total folklore nerd. What genre would you characterize this story as and why?

TKA: The book is intended for young adults, but I’m finding that people of all ages, from 10 to 92, are reading and enjoying the book. As an author I am very excited that the story is reaching so many different people and age groups.

LS: That’s really great. I love finding stories everyone can enjoy. When it comes to actually writing a story, are you a plotter or a pantser?

TKA: Oh, I’m definitely a panster. I’ve tried outlining before and I’ve tried plotting the story, but I work better when I just wing it and let the story take on a life of its’ own. It’s more fun that way, too. Of course, it probably makes it harder when I’m editing, but it’s the price I’m willing to pay.

LS: Hehehe, I’m a pantser, too, and seeing the story and characters take on a life of their own is half the fun. Do you have a favorite character?

TKA: Hmm… Well, I really love all the characters, so I don’t have a favorite. Each has qualities that I find admirable and that I love.

LS: If your characters went on summer vacation where would they go?

TKA: They might go to Disneyland, or the beach, or somewhere most any other teens would enjoy going.

LS: Do you have any writing habits/quirks/superstitions?

TKA: I don’t think I do, but my family may think differently. I do like to write at night, though. I love it when the dark surrounds everything and blankets my world in mystery and shadows. It’s my ideal time for writing, and it’s quiet.

LS: Quiet can be a good thing, especially when there are kiddos around, lol. Did you always want to be a writer?

TKA: No, I never dreamed of being a writer and it was never something on my list of things I wanted to be. One day the main character, Lilly, “appeared” and I rushed to write her down. Six weeks later the first draft of my first novel was complete, and I’ve been writing ever since. I love it, and I wouldn’t change the way it came about. Although I never dreamed of being a writer, I can see that my love for reading and history really prepared me and opened the door for my writing.

LS: Those dang, pushy characters, lol. Where would we writers be without them? You mentioned your love of reading, what authors inspired you growing up? Who are your favorite authors now?

TKA: Growing up I was really inspired by history and biographies. Corrie ten Boom and Chaim Potok were probably my favorite authors and very influential as a kid. As an adult my favorite authors are Tolstoy, Dostoevsky, and Gogol –all Russian authors from the past. To me their work is the pinnacle of writing, outside of the Bible.

LS: Okay, last question. If you could be stranded on an island with one fictional character who would it be and why?

TKA: Oh, that’s a tough question. I think it would be Prince Andrey from War and Peace by Tolstoy. I always had a secret crush on him and I wished his story was happier. He’s one of my very favorite characters and one that has stayed with me.

Thank you so much for joining us today, and we wish you the best of luck on your release.

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I had the opportunity to interview Ben Winters, author of such mashup novels from Quirk such as Android Karenina and Sense and Sensibility and Sea Monsters.

Here’s the book trailer for “Android Karenina.” In case you missed our recent book review, it’s a “mashup” where Ben has taken the text of Tolstoy’s classic and Steampunked it.

Q&A with Author Ben Winters

Lolita Suzanne: Hi Ben! Thank you so much for agreeing to visit us.

Ben Winters: Oh, my pleasure! Thanks for having me!

LS: So, Ben, have you always wanted to be a writer?

BW: Oh, sure, although my original ambitions were mostly geared writing for performance. I was always in bands, writing lyrics, and after college I spent some time doing mostly mediocre standup comedy; eventually I ended up as a journalist, and spent half a decade or so writing for the theater. These days my primary focus is on fiction.

LS: How did you get into writing mash-ups? What are the unique challenges to this particular genre that you wouldn’t find in say…urban fantasy?

BW: I got into mash-ups by the most wonderful serendipity imaginable. I was living in Philadelphia for one year, about four years ago, for reasons having to do with my wife’s career. Our little apartment in Old City, on Church Street, was across the street from a small publisher called Quirk Books.

I pitched one thing they didn’t take; edited a book for them that never got published, and finally ended up writing a bunch of the Worst Case Scenario Survival Guide books for them. So when Quirk needed a writer to follow up on Pride and Prejudice and Zombies, they brought me in to do Sense and Sensibility and Sea Monsters. It was such a blast to write, I was delighted when they were interested in having me do another.

LS: But Steampunk Tolstoy? Really? How did you come up with that? They seem to be worlds apart. What came first–the Steampunk or the Tolstoy?

BW: Actually, Tolstoy is more steampunk than you might think. At least, his work is obsessed with the ways the new technologies of his time were changing the landscape of society. Interestingly, at one point in Anna Karenina, Anna refers to her cold, uncaring husband as “a machine.” So all I did was amplify an existing theme of the book: how technology is this powerful, violent force, which can make our lives vastly easier and/or destroy us all.

LS: Are you a Steampunk fan? A Tolstoy fan? What research did you have to do in writing this book?

BW: Oh, I’ve always loved Tolstoy. I first read Anna as well as War and Peace while in college. My favorite is a smaller book, one of his first, called Childhood, Boyhood, Youth. It’s one of those books where you read it and feel like everything he’s describing — about growing up, about family, and first love, all of it — he somehow got into your head and plucked out directly.

Before this project, i was familiar with steampunk more as an sartorial/design concept, rather than as a literary genre, but I’ve now had ample opportunity to study and appreciate the whole incredible culture. I went to the Steampunk World’s Fair to do a reading, and I was just blown away by the range of imagination on display, from the gleefully silly to the grim and dark. I’m a big fan of speculative fiction in general — the idea of tugging on one strand of history and seeing how the tapestry is altered.

LS: How long did it take you to write Android Karenina?

BW: Oh, about a year. Including months of — sorry, this was actually your last question — reading: reading and re-reading the original text a lot, but also immersing myself in great sci-fi, everything from Isaac Asimov to Philip K. Dick to Iain Banks to Battlestar Galactica.

LS: Can you tell me about how (and why) you conceived the “Iron Laws of Robot Behavior?” I have to say those made me very happy. :) Did you come up with them before you wrote the story? Or did they emerge as you crafted it?

BW: Hmmm — I think they emerged as I was writing. The Iron Laws are obviously an homage to Asimov, who was (like Tolstoy!) deeply interested in the relationship between man and technology.

I was interested, as legions of sci-fi writers have been before me, in the question of how we can create super-intelligent, human-like machines, without running the risk of rebellion. With all the corollary questions such as, How do we treat them humanely? How much responsibility can we give them? What does it do to our own “humanness” to rely on human-like machines? And etc.

LS: So…how much has Asimov influenced you? What other authors do you admire? What sort of books do you read?

BW: Allow me to be totally obnoxious and answer with a link; I did this blog post for Quirk about my influences in writing the book

LS: Can you tell us what’s next? Cyberpunk Dickens perhaps?

BW: Well, I know Quirk has plans to continue the series, but I’m taking a breather from mash-up land. My next book is a young adult novel about a punk-rock Band and a Chorus teacher.

LS: Congrats on the YA book. It’s always nice to have other young adult writers on.

BW: And for the record, I wouldn’t mash-up Charles Dickens with a ten foot masher-upper stick. His work is already so heightened in so many ways, it would be foolhardy to add a new, over-the-top concept to it.

LS: Hmmm….I keep having visions of Fagin and his thieves with green mohawks, motorcycles, and bionic limbs….

Thank you so much for visiting Steamed!, Ben. We appreciate you taking the time to visit us.

BW: Happy to be here! Please let your readers know how much I’ve enjoyed getting to play in the steampunk universe.

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Happy Monday.  I have a new book review for you today.

First off, congratulations to author Paolo Bacigalupi . His novel The Windup Girl won the 2010 Nebula Award.

I’m also having some major tiara envy.  I saw this on Etsy. Isn’t it darling? I know, I own two clockhand tiaras, but there’s something about this one I really like. Maybe it’s the snowflake?

The Steamed blog (and my upcoming book) were also mentioned on the Romantic Times blog. Squee.

I have a few more copies of issue 6 of Steampunk Tales. If you want one, just let me know in the comment box.

On to today’s book review. I have to say, I do adore these books and I can’t wait for the next one.

Changeless by Gail Carriger.

The fearless, yet well-dressed and ever-so-proper Alexia Tarabotti is back in this second novel of the highly entertaining Parasol Protectorate series. This time, Alexia is off to Scotland with her bratty sister, her best friend Ivy and Ivy’s collection of horrid hats in search for her missing husband and to solve the mystery of why supernaturals in London are loosing their powers.

Like in Soulless, adventures and entertaining characters abound in the wild romp into the Scottish highlands. Alexia travels aboard a dirigible, uses an aethographic transmitter, brings her rather unusual parasol wherever she goes, and befriends the inventor Madame Lefoux who (gasp) wears trousers. There are also Weres in kilts (who doesn’t love a Were in a kilt?), plenty witty banter, marvelous gadgets, and more world building (the octopi from book one are finally explained).

Ah, the gadgets. Where would a Steampunk story be without the gadgets? Besides the aethographic transmitter and dirigible, there are dart guns, glassicals, and a parasol fit for a Victorian 007 (I want one!)

The new characters are very colorful, such as Madame Lefoux, but we still see our favorites like Ivy, the Professor, and the wildly flamboyant Lord Akeldama. The relationship between Lord Maccon and Alexia starts out as sweet and funny, but as the end approached I found myself wishing I could smack him with my parasol.

Like the first book, I found Changeless to be an entertaining read with a well thought out Steampunk world, clever characters, and witty dialogue. The combination of Steampunk and paranormal is what, to me, makes this series so much fun.

The ending has a twist that may not set well with some readers. I didn’t mind and it made me wish Blameless were out sooner than September so I could find out what happened next (though I still want to smack Lord Maccon.)

Happy reading.

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Today’s guest Lolita is Emilie P. Bush, author of Chenda and the Airship Broffman. Let’s give her a warm Steampunkapalooza welcome. She’ll be giving away a copy of her book to one lucky poster.

Emilie P. Bush’s novel Chenda and the Airship Brofman is available at Amazon.com, Barnes and Nobel, Powell’s Books, and at several upcoming personal appearances at Sci-Fi conventions, including AnachroCon (Atlanta), Steampunk World’s Fair (Piscataway, New Jersey), Marcon (Columbus, Ohio), ConCarolinas/ Deep South Con (Charlotte, NC) and DragonCon (Atlanta).

Hi! I’m Emilie P. Bush. Long time reader, first time guest blogger.
Thanks to STEAMED! for giving me this opportunity. Now that you’ve given me the soap box, I’m just going to scramble up onto it and put in my plug for independent writers of Steampunk.

Sometimes it’s easy to forget that Steampunk began as a literary movement – long before many of us were born. I’ve often said that Steampunk is the love child of Mary Shelley, Nicola Tesla, Jules Verne and H.G. Wells (and that’s some weird love geometry, to be sure). The genes are sure there. (All of the works of Shelley, Vern and Wells are available for free in digital formats – and are soworth the reading!)  Then there are the true Steampunk classics — the roots of the modern movement: Gibson and Sterling’s The Difference Engine, Jeter’s Infernal Devices, and Blaylock’s Homunculus, among many others.

In the last several years, the genre has exploded. Short Stories, periodicals, novella’s and novels. Cherie Priest’s Boneshaker is nominated for a Hugo this year! The work is good and plentiful.

Which brings me to the point. I’m a self published author, releasing late last year Chenda and the Airship Brofman. Several years ago, self publishing was the literary equivalent of dressing a hooker up and taking her to the prom. It’s what people who couldn’t get published by “real” publishing houses did. In recent years, the taboo about self publishing has changed, and for a very Steampunk reason. Nothing can stop the cream from rising to the top. The tastes of readers can change faster than the process of traditional publishers. Fueled by the can-do attitude that runs through the Steampunk society, I went for it.

And then, when my little masterpiece, my precious baby snowflake was finished, I let it go out into the world. There were good reviews and great reviews, and copies stared to sell to people who weren’t friends of my mom. E-mails from strangers came in telling me how much they liked the book! There’s nothing like a little positive feedback to let a writer know they are not just self deluding ego maniacs.

To be sure, self publishing is a hard row to hoe. Traditional publishing houses are very good at two things – marketing and distribution. In the digital age, distribution has become a snap for the independent author – thanks in no small part to Amazon.com and similar sites. Marketing is left in the author’s hands. The Internet can help there too, but one has to be willing to go out, each and every day, to put that precious snowflake into the light. No mistake, this is a JOB.

Looking to get a little more exposure earlier this year, I entered Chenda and the Airship Brofman into the Amazon Breakthrough Novel Award Competition. Just me and 9,999 others. After several rounds of cuts, my little Steampunk adventure tale is a Quarterfinalist. The next round of cuts is TODAY. I’m thrilled and nauseated at the same time. Somewhere along the line, this ABNA competition became important to me. Personal.

I started to write Chenda out of a strange compulsion – feeling like I would die a horrible death or something if I didn’t write. The adventure flew out of me, and I was taking this shell of a woman out of her element, breaking down her world, roughing her up and sending her aloft on an airship. She traveled to places she never thought she would see and accepted a gift from the gods themselves. In the end, she became stronger, and finally became commander of her own life.

Like Chenda, I am looking for my place in the literary world, and I am choosing my own path to get there. I’m working hard, and pushing with my can – do attitude. I ask you now to take a look at some of the good independent Steampunk literature available on line and in periodicals like Steampunk Tales and Steampunk Magazine. They are bargains in e-formats (from FREE to a buck or two each – $3 for the Kindle version of my book) and well worth your time.

I also challenge you to recommend what you like. Twitter, Facebook and tap out your new finds in Morse code to anyone who’s listening. There’s more good independent Steampunk stuff out there to shout about. So, have your own adventure, find some hidden treasures and spread the word!

*~*~*~*

Thank you so much, Emilie, for visiting us today.  Good luck!

Emilie is giving away a copy of her book.  To win, simply post a comment or question for Emilie.  Contest closes on Friday, April 30th at 11:59 pm.  Winner will be announced Monday, May 3rd.

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Today is a very special day. We are helping O.M. Grey release her new book Avalon Revisited. But first…

If you live in the Los Angeles Area, on May 15th, 2010 the Los Angeles Romance Writers will be hosting National Bestselling Author Bob Mayer and his Warrior Writer Workshop at the Beverly Garland Hotel in North Hollywood. This is a fantastic workshop for writers of all levels. For more information please go here.

Also, I’d like to announce the winner of the “ear wings” from Creative Habits.

…drum roll please…

*~*~*RACHEL*~*~*

Rachel, congratulations, you’ve won a pair of ear wings.  Please email me at suzannelazear (@) hotmail so you can get your prize.

You can still win a copy of Regina Riely’s book and goodies from Elizabeth Darvill (Lolita Elizabeth).

Now, on to today’s visiting lolita. I am very excited to welcome author O.M. Grey. To help celebrate the release of her new book, Avalon Revisited she’ll be giving away this yummy basket of goodies to one lucky poster. (Wow, it makes me wish *I* were eligible, lol).

O. M. Grey is rather camera shy and is a complete novice when it comes to modern technology. She prefers to live in the cobwebbed corners of her dark mind writing paranormal romance with a Steampunk twist. When she’s not writing, she’s reading or tending the garden or drinking a hot cup of tea. Her first book Avalon Revisited was just released.


Big Bouncing Bustles

That fashion oddity known as the bustle originated in the mid-19th century, and albeit short-lived, nothing screams Victorian quite like the bustle. It lasted only a few decades, moving from its original crinolined petticoat in the late 1860s to the exaggerated form that nearly reached ridiculous proportions in the 1880s, wherein my story Avalon Revisited takes place, to disappearing altogether by 1906. The bustle is indeed a brief fashion trend that has not been seen before or since in mainstream styles, but it is ever so delightful. Thankfully for us all, the bustle is making a comeback on the fringe of our modern society through the Steampunk movement.

With high collars, covered ankles, and even skirted chairs, sexual repression was certainly at its height in the Victorian Era. Not even the Goody-Two Shoes of the Fifties can compare. And as repression goes, when something essential or natural is repressed to such a large degree, it comes out in rather odd, often sick & demented, ways. The brothels of Madame Jeffries are a perfect example (and I got some truly demented history from her. Yes, friends, the Chamber of Horrors in Avalon Revisited is historically accurate).

Although meant to exaggerate the form of the hidden female body in such stifled times, the bustle is quite charming. With it gathering of material down the backside of a lady’s dress, it most certainly draws the eye and attention there. The bigger the bustles became, the more eyes were transfixed by their swaying, bouncing beauty.

This is likely why my antihero protagonist, Arthur, loves bustles so very much, as his attention is always in that general area anyway. Actually, love is rather an understatement. The undead chap is quite simply obsessed with the bustle. Baby just needs quite a bit more back, it seems.

So bustles abound in Avalon Revisited, as do airships, vampire hunters & their modern gadgets, and perhaps even a mad scientist for good measure.

Perhaps through Steampunk Paranormal Romance stories like my Avalon Revisited, Katie MacAlister’s Steamed!, and Regina Riley’s Clockworks & Corsets, we’ve birthed an entirely new romance trend. Instead of bodice rippers… let’s have more bustle bouncers.

One certainly gets a decent dose of bustle bouncing in Avalon Revisited…

About the book:
Arthur has made his existence as a vampire bearable for over three hundred years by immersing himself in blood and debauchery. Aboard an airship gala, he meets Avalon, an aspiring vampire slayer who sparks fire into Arthur’s shriveled heart. Together they try to solve the mystery of several horrendous murders on the dark streets of London. Cultures clash and pressures rise in this sexy Steampunk Romance.

Allow me to I offer a special thanks to the fine artisans who donated their wares to my Steampunk Gift Basket & other prizes. Your generosity will not be soon forgotten.
Please visit their shops:
PH_Factor: (Steampunk Goggles)
RowanOfTheWood: (Steampunk & Dark Fantasy Jewelry)

Thank you so much for visiting us, today! We wish you all the best with you new book, it sounds fab. Who doesn’t love vampires, airships, and bustles?

To be entered to win the amazing gift basket, simply leave a comment or question below. You can receive extra entries by blogging/facebooking/twittering about today’s release party or by joining her facebook group, joining the Steamed! facebook or by following the Steamed! blog. (Already being a member/following counts, just tell us.) Just let us know what activities you participated in, one entry per activity. Contest ends Tuesday at 11:59 pm PST. Winners will be announced on Thursday, April 29th.

Keep tuning in for more great guests as the month of April, and Steampunkapalooza, comes to a close. Tomorrow, Sunday, April 25th we have debut YA author Kate Milford. Tuesday, April 27th, author Emilie P. Bush stops by. Thursday, April 29th we’re please to welcome the creators of the Girl Genius comic. Diana Vick from Steamcon visits on Friday, April 30th. Lolita Marie-Claude and Lolita Elizabeth will be running off to the Romantic Times Convention and will be giving us updates and pictures. Thank you so much for joining us today, come back and visit!

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